Podcast Episode 92: Making Up Role Playing Weapons of Mass Destruction
Entertainment and the News media are primary propaganda weapons for scripted behavior altering psychological theater sold to an unsuspecting (tax paying) mass public as factual event. These ideas contribute to the broader international cultural fabric from which the mass of humanity is supposed to develop ego based, commercial identities. Humanity is encouraged to self sort into more easily managed demographic groups of like minded individuals. This episode explores the early "mystery theatre" history of modern mass media promoted, international culture.
The yellow and black blueprint for news and subsequent history:
Eternally Building Babel
FREEMASONRY AND CATHOLICISM
Poetry and allegory occult, or screen that which is simply overlooked. Superstitious ideas occult very down to Earth truth.
"A guild /ɡɪld/ is an association of artisans or merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as a confraternities of tradesmen. They were organized in a manner something between a professional association, a trade union, a cartel, and a secret society. They often depended on grants of letters patent from a monarch or other authority to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating on the public would be fined or banned from the guild. One of the legacies of the guilds: the elevated Windsor Guildhalloriginated as a meeting place for guilds, as well as a magistrates' seat and town hall. An important result of the guild framework was the emergence of universities at Bologna (established in 1088), Oxford (at least since 1096) and Paris (c. 1150); they originated as guilds of students (as at Bologna) or of masters (as at Paris)."
source: Guild - Wikipedia
FREEMASONRY AND CATHOLICISM
"Word" and "The Sign." Therefore no one appeared at the call of Solomon, and the Queen of Sheba could not escape the conclusion that this marvelous miracle was wrought by another and one who was greater than Solomon. And so she insisted on knowing and seeing this King of Crafts and his wonderful workmen, much to the chagrin of Solomon, who felt that he had fallen in her estimation. The temple of Solomon is our Solar Universe which forms the great school of life for our evolving humanity; the broad lines of its history, past, pres- ent and future, are written in the stars, its main outlines being discernible to anyone of average intelli- gence. In the Microeosmic scheme, the temple of Solomon is also the body of man wherein the indi- vidualized spirit or ego is evolving, as God is in the great universe. Work on the true temple, as we are told in 2nd Corinthians, fifth chapter, is wrought by invisible forces working in silence, building the temple without sound of hammer. As the temple of Solomon was visible in all its glory to the Queen of Sheba, so the evidence of the toil of these invisible forces is easily perceived, both in the universe and in man, but they themselves keep in the background and work without ostentation; they hide from all who have not the right to see them or to command .them. The relation of these nature forces to the work thqy do in the universe may perhaps be better understood when we use an illustration: Let us suppose that a carpenter wishes to build a house wherein to live. He selects a place whereon to build and brings the material thither, then with the tools of his trade he commences to lay the foundation. Gradually the walls are put up, the roof put on, the inside com- pleted and the structure finished. During all the time while he is working, a dog, which is an intelligent spirit belonging to another and later life-wave of evolution, watches his actions and the whole process of construction and sees the house gradually take shape and reach completion. But it lacks the proper understanding of what he is doing and of what is the ultimate purpose in his mind. Let us now suppose that the dog were unable to see the carpenter or to hear the noise made by his hammer and other tools. Then it would be in the same relation to this builder, as humanity at large is to the Architect of the Uni- verse and the forces which work under His command. For the dog would then see only the materials coming together slowly and taking shape, finally forming a finished structure. Humanity also sees the silent growth of plant, of beast and of bird, but is unable to understand what causes this physical growth and the changes in the visible universe, for it does not see the immense army of invisible wtn&men who are silently toiling in the soundless silence to bring about these results. Nor do they respond to the can of anyone who has not the sign and the word of power, no matter how high his standing or station in the world."
FREEMASONRY AND CATHOLICISM
"The latter are not true temple-builders and would be unable to gain inspiration from the sight of that wonderful temple described by Manson in "The Servant in the House." The author calls him "Man-son;" this may mean that he regards him as the Son of Man, but it may alpo be that he meant Mason, for the Servant in the House was also a tem- ple-builder."
"But. when faith flowers into work we reach the highest ideal of expression. Humanity may, and does, admire lofty sentiment and brilliant oratory; but when a Lincoln unbinds the shackles of a downtrodden race or when a Luther revolts in behalf of the fettered spirits of humanity and secures religions freedom for them, the outward action of. these emancipatory reveals a Beauty of soul never discernible in those who soar in doudland, but fear to soil their hands by actual work on the temple of humanity. The latter are not true temple-builders and would be unable to gain inspiration from the sight of that wonderful temple described by Manson in "The Servant in the House." The author calls him "Manson;" this may mean that he regards him as the Son of Man, but it may alpo be that he meant Mason, for the Servant in the House was also a temple-builder. It is wonderful what insight the author of the play must have had when he planned the scene where his servant, the workman in love with his work, tells the worldly-minded Churchman, who is foil of platitudes and as vile as a whited pepulcher, of the temple which he, the workman, built."
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Origins of the Tarot Cards link: http://www.rosae-crucis.net/Origins%20of%20the%20Tarot%20Cards.pdf
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