A Proper Gander At Propaganda


PLEASE NOTE: This is not a conspiracy theory blog.

This website exists to serve as public resource for reverse imagineering world-wide culture, one that takes a critical look at the numerous artifacts and other types of relics that represent our shared collective international heritage. This blog is dedicated to examining social engineering and the use of tax funded governmental propaganda, and the mainstream media, as international human resource management tools.

About The AA Morris Proper Gander At Propaganda Podcast: Coming to you from one of the suburban metropolitan melting pots of international culture, outside of one of the multimedia capitals of the world, New York City, the Proper Gander at Propaganda podcast is meant to be a filter free look at our shared international cultural heritage, our shared social media infused and obsessed present, and what our children and their children could be looking forward to. This link will bring you to the podcast page of this website, with embedded squarespace audio: link: http://www.aamorris.net/podcast/

Thank you for taking the time to read this,

AA "The Proper Gander" Morris

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The Mainstream Media & Satanism

"The Devil's In The Details"

Please excuse any typos, spell check is evil, we will correct them as we find them. The Devil is always in the details. Thank You.  AAMorris Staff.

Mature Content Warning!

The original 911: 999 (666 upside Down)

Origins of The 911 Phone Number For Emergencies

"The first known experiment with a national emergency telephone number occurred in the United Kingdom in 1937, using the number 999"  9-1-1 - Wikipedia

We think we know our history, especially the World Wars. Well, what if we told you that what you think of war is wrong and that what you understand of history is more of a screen and lie than not? Please keep an open mind as you read on. The Royals Family run the show. A show it is. The World Stage is just that. There’s good reason why Shakespeare is famous and why the British Royals have always patronized the theatrical arts. London is as important to film and radio and television as New York and Los Angeles. James Bond and the so-called (SS) Secret Services are more theatrical smoke and mirror than not. 

Secret Intelligence Service

Satan Does Not Exist

The News and History itself is made of more lies than most realize. This blog is dedicated to illuminating the occulted parts of our culture and collective global civilization. Sex and murder are popular News subjects. The newspapers and talk shows are filled with sensational tales of sex and death. The media traditionally has promoted things like "Satanism". As it turns out "Satanism" is little more than Hollywood myth and fairy tale. Satanism is as fake and artificial as any other institutionalized Religion.

Please keep an open mind as you read on. The world does not work like you think. The Military has always worked for the aristocracy and still does today. The Governments and Religious Institutions do not work for us, but work for the same nobility, that still runs the world. This is what has bean occulted or hidden. This blog is decimated to revealing the truth about our world and history. See the article index for more, but the British Royalty run this theatrical show we call the real world. Mass media promoted  Satanism is nothing more than Yellow Journalism side show carnival nonsense.

Cinema of the United Kingdom - Wikipedia

Modern Theater Starts In London

When we think of film special effects and modern day fairy tales, we tend to think of Hollywood. What we overlook is the other “Twin Tower” of Entertainment, London, England. We forget that modern theater originates in Great Britain with the work of the Royal Bard himself, Shakespeare. 

We also overlook the long and clear history of the Royalty themselves being the ones who enjoy playing dress up and make believe. These people are the ones who traditionally have the time on their hands to learn things like how to play musical instruments, or how to act on a stage, in the first place. The Royals have a long history as a traveling con art road show. The Land Beast from Revelations represents a land based or wagon wheel based commercial enterprise. The Sea Beast Represents the same Enterprise incarnated as a Sea based economy and system of laws.

All The Globe's a Digital Stage Now - 'Yesterday' it was just a Small Theater

"The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend and inherited by his son, Nicholas Brend and grandson Sir Matthew Brend, and was destroyed by fire on 29 June 1613.[4] A second Globe Theatre was built on the same site by June 1614 and closed by an Ordinance issued on 6 September 1642."

"The name of the Globe supposedly alludes to the Latin tag totus mundus agit histrionem, in turn derived from quod fere totus mundus exerceat histrionem—"because all the world is a playground"—from Petronius,[41] which had wide circulation in England in the Burbages' time. Totus mundus agit histrionem was, according to this explanation, therefore adopted as the theatre's motto. Another allusion, familiar to the contemporary theatre-goer, would have been to Teatrum Mundi, a meditation by the twelfth-century classicist and philosopher John of Salisbury, in his Policraticus, book three.[42] In either case, there would have been a familiar understanding of the classical derivation without the adoption of a formal motto."

SS Agent Warning: Sammy Davis Jr. Special Services Soldier

"During service in World War II, the Army assigned Davis to an integrated entertainment Special Services unit and he found that the spotlight lessened the prejudice. Even prejudiced white men admired and respected his performances. "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking," he said."

Sammy Davis Jr and Two Mainstream Media Promoted Satanists

SS = Special Services

Special Services was the entertainment branch of the American military. The unit was created on 22 July 1940 by the War Department as part of the Army Service Forces.[1] Special Services would not only use their own specially trained and talented troops but would often engage local performers.
Special Services were one of the few U.S. Army units to be integrated during World War II. Special Services opened their first Recreational Officer school at Fort Meade Maryland on 1 April 1942.

Mass Media Promotes "Satan"!

"Anton Szandor LaVey[1] (born Howard Stanton Levey; April 11, 1930 – October 29, 1997) was an American author, musician and occultist.[2] He was the founder of the Church of Satan and the religion of LaVeyan Satanism. He authored several books including The Satanic BibleThe Satanic RitualsThe Satanic WitchThe Devil's Notebook, and Satan Speaks! In addition, he released three albums, including The Satanic MassSatan Takes a Holiday, and Strange Music. He played a minor on-screen role and served as technical advisor for the 1975 film, The Devil's Rain,[3] and served as host and narrator for Nick Bougas' 1989 mondo filmDeath Scenes.[4]

LaVey was the subject of numerous articles in the news media throughout the world, including popular magazines such as LookMcCall'sNewsweek, and TIME, and men's magazines. He also appeared on talk shows such as The Joe Pyne ShowDonahue and The Tonight Show, and in two feature-length documentaries; Satanis in 1970, and Speak of the Devil: The Canon of Anton LaVey in 1993. Two official biographies have been written on LaVey, including The Devil's Avenger by Burton H. Wolfe, published in 1974 and The Secret Life of a Satanist by Blanche Barton, published in 1990.

Historian of Satanism Gareth J. Medway described LaVey as "A born showman",[5] with anthropologist Jean La Fontaine describing him as "A colourful figure of considerable personal magnetism".[6] Academic scholars of Satanism Per Faxneld and Jesper Aa. Petersen described LaVey as "the most iconic figure in the satanic milieu".[7] LaVey was labeled many things by journalists, religious detractors and Satanists alike, including "The Father of Satanism",[8] the "St. Paul of Satanism", [9] "The Black Pope",[10] and the "evilest man in the world"."

"His "genius" on keyboards later garnered him work as an organist in bars, lounges and nightclubs.[16]While playing organ in Los Angeles burlesque houses, he allegedly had a brief affair with then-unknown Marilyn Monroe, when she was a dancer at the Mayan Theater. This is challenged by those who then knew Monroe, as well as the manager of the Mayan, Paul Valentine, who said she had never been one of his dancers, nor had the theatre ever been used as a burlesque house.[17]

According to his biography, LaVey moved back to San Francisco, where he worked for three years as a photographer for the San Francisco Police Department (SFPD). He dabbled as a psychic investigator, looking into "800 calls" referred to him by SFPD. Later biographers questioned whether LaVey ever worked with the SFPD, as there are no records substantiating the claim.[1][18] During this period,"

Anton & A Weird Tale

"LaVey was friends with a number of writers associated with Weird Tales magazine; a picture of him with George Haas, Robert Barbour Johnson and Clark Ashton Smith appears in Blanche Barton's biography The Secret Life of a Satanist."

Anton LaVey - Wikipedia

A Weird Tale Indeed: A Case of Cosmic Coincidence!

Is That A September 11 We See?

A Side Show Dream: Sex, Satan & September 11th!

It’s funny how the word Weird is spelled out with typography that has the lower case letter "r" broken up to resemble the lower case letter i. Both look like the number "1", We end up with an “11” below the month September. The word "Weird" is set in typography that has an "i" and "r" that resemble the number 11. This is more than likely coincidence or perhaps this simply points to the possibility that the number 11 has some kind of symbolic significance most of us are unaware of. In any case it iseems appropriate for this article.


News Stand Pulp Fiction As An Example of Yellow Journalism

“Satanism” inspired by Pulp Fiction, Cartoons & Comic Strips - Male Adolescent Fantasies Sold as “Satainic”

Le Vay's Inspiration: Weird Tales

"Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in March 1923. The first editor, Edwin Baird, printed early work by H. P. LovecraftSeabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright's control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright's control the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction.

Lovecraft's Cthulhu mythos stories first appeared in Weird Tales, starting with "The Call of Cthulhu" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his "Conan the Barbarian" stories in the magazine, and Seabury Quinn's series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin DyalhisE. Hoffman PriceRobert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.

In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998. As of 2016, the most recent published issue was dated Spring 2014."


Daytime Talk Shows As Examples of Yellow Journalism

Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.[3]

Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]

  1. scare headlines in huge print, often of minor news
  2. lavish use of pictures, or imaginary drawings
  3. use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
  4. emphasis on full-color Sunday supplements, usually with comic strips
  5. dramatic sympathy with the "underdog" against the system.


disney info school = yellow journalism or disinfo!

We take for them for granted, but the comedians and the talk show hosts serve the purpose of reinforcing social control propaganda and the myth and lies of government, whether they know it or not. Some of them, the high level news and talk show hosts, know exactly what they are doing and why. Some of these people are Military or other kinds of "intelligence agents", and have Security Clearances.

Spell Binding Scripts Blinds and Binds Us All

We watch the various 'programs' with our critical thinking turned off, more often than not. This allows us to be 'hypnotized' or otherwise 'programmed' into accepting what we've been told as real and factual. The talk shows and social media and other forms of this kind of echoing, reinforce the News and historical memes that are used to keep us thinking and believing we need all these layers of governmental control and protection and that we must continue paying taxes, and all sorts of fees in order to maintain our own safety. This is a lie, this is the governmental crime and this is the racket. This is how we give up our Naturally granted state of Freedom and we trade it for the illusion of so-called "Liberty', granted by the Authority of our 'betters' via a piece of paper, or Script.

Where Do Minions & Simon's Parroting Talking Heads on Screens • Sock Puppets Come From?

Why do they only sell sex & fear and dependency on the government bodies?



The Revelation of The Social Experiment & The Control System:

Yellow Journalism is foundational to the social experiment and behavioral manipulation system we call home. These very basic techniques are all there is to the modern multimedia propaganda system. It is not that complicated. These people are not as smart nor as powerful as they enjoy claiming.

And yes these yellow minions should be assumed to exist online. Who do you think made the internet? The Military Industrial Complex relies on defense spending. This industry and government agencies associated with it, have incentive to continue the charade of weaponry that only exists on screens.



Minion School

"The Defense Information School, or DINFOS, is a United States Department of Defense (DoD) school located at Fort George G. MeadeMaryland. DINFOS fulfills the Department of Defense's need for an internal corps of professional journalists, broadcasters, and public affairs professionals.[1] Members from all branches of the U.S. military, DoD civilians and international military personnel attend DINFOS for training in public affairs, print journalismphotojournalismphotographytelevision and radio broadcastinglithography, equipment maintenance and various forms of multimedia. The American Council on Education recommends college credit for most DINFOS courses."

Journalism courses

Journalism classes feature basic writing skills and include a headline style known at the school as "headline-ese", a total style for writing and developing headlines. Students are taught a variety of writing styles and formats such as news, sports and feature writing.

Photojournalism courses focus on composition, exposure, and general camera operation skills. Flash photography is introduced in the basic photography course. Students learn advanced photo-editing, composition and other techniques not taught in basic photojournalism classes.

For military print journalists, DINFOS offers the 12-week Basic Public Affairs Specialist Course (BPASC), a 26-week online BPASC and three-week Editors' Course. U.S. Army students are awarded the Military Occupational Specialty (MOS) designator of 46Q, and U.S. Marine Corps students are awarded the MOS 4341 Combat Correspondent.

For military Broadcast journalists, DINFOS offers the Broadcast Communication Specialist Course. Broadcasters begin by attending several weeks of BWAS - Basic Writing and Announcing Skills. If the class requirements are met, students may continue into Radio and Television broadcasting classes. U.S. Army students are awarded the MOS designator of 46R.

Students in all courses hail from all branches of the U.S. military and reserve as well as International military students."


We Cannot Trust The News Media

Religion Was One of The Original Forms Of Yellow Journalism As Was The Traveling Snake Oil Sales Racket. The Other Is The Military.

Please Meet The Horny Devil

"The most common belief on which authors agreed is that Satan was present at the Sabbat, often as a goat or satyr, and many agreed that more demons were present. Another belief said that sometimes a person could offer his/her own body to be possessed by some demon serving as a medium (see demon possession). It was believed[by whom?] that the Sabbat commenced at midnight and ended at dawn, beginning with a procession, continuing with a banquet, then a Black Mass, and culminating with an orgy in which uninhibited sexual intercourse with demons in male or female form was practiced. Consumption of hallucinogens and sometimes alcohol was often reported."

Anton LeVay interviewed by Joe Pyne 1966 or 1967

LIFE MAGAZINE: The Ping is The Thing

In the February 17, 1967 issue of LIFE Magazine, in the article entitled, "The Ping is The Thing" (page 31), Anton LeVay and Satanism are introduced to the mass public. Could this be just a "merry prank"?

Anton LeVay would go on to become another television celebrity, appearing on The Tonight Show with Johny Carson to perform a ritual in honor of the show's seventh anniversary.

There was also a wax statue of him displayed at the Madame Tussaud’s wax works in London and there is a wax figure at Fisherman's Wharf in San Francisco.

From his wikipedia entry:

"LaVey began presenting Friday night lectures on the occult and rituals. A member of this circle suggested that he had the basis for a new religion. On Walpurgisnacht, April 30, 1966, he ritualistically shaved his head, allegedly "in the tradition of ancient executioners", declared the founding of the Church of Satan and proclaimed 1966 as "the Year One", Anno Satanas—the first year of the Age of Satan. Media attention followed the subsequent Satanic wedding ceremony of journalist John Raymond to New York City socialite Judith Case on February 1, 1967. The Los Angeles Times and San Francisco Chronicle were among the newspapers that printed articles dubbing him "The Black Pope". LaVey performed Satanic baptisms (including the first Satanic baptism in history for his three-year-old daughter Zeena, dedicating her to Satan and the Left-Hand Path, which garnered world-wide publicity and was originally recorded on The Satanic Mass LP)[16][17][18][19] and Satanic funerals (including one for naval machinist-repairman third-class Edward Olsen, complete with a chrome-helmeted honor guard), and released a record album entitled The Satanic Mass.

Anton LeVay is referenced as "The Black Pope" by the press. Interesting the use of that moniker as it is the stuff of conspiracy myth and legend. 

"Black Pope" is a designation given to the Superior General.[1] The name comes partly from the color of the plain black priest's cassock, worn by members of the Society, including the Superior General, partly from a past concern (most prominent around the 16th and 17th centuries) amongst Protestant European countries concerning the relative power of the Jesuits within the Roman Catholic Church, and partly because the Superior General is elected for life (although the last two, Fr. Pedro Arrupe and Fr. Peter-Hans Kolvenbach, resigned with permission from the pope)."  


The Church of Satan

"In the late 1960s and early 1970s, LaVey melded ideological influences from Friedrich NietzscheAyn Rand,[20] H. L. MenckenJack London and Social Darwinism[21] with the ideology and ritual practices of the Church of Satan. He wrote essays introduced with reworked excerpts from Ragnar Redbeard's Might Is Right and concluded with "Satanized" versions of John Dee's Enochian Keys to create books such as The Complete Witch (re-released in 1989 as The Satanic Witch), and The Satanic Rituals. The latter book also included rituals drawing on the work of H. P. Lovecraft which were actually penned by Michael A. Aquino, who would later found the Temple of Set."


Satanis-The Devil's Mass

from 1970 (according to imdb), starring Anton LeVay, below.

The film, Satanis, The Devil's Mass, seems more like pulp publishing inspired pornography than anything else. It's hard to take the ceremony at the end seriously, when LeVay is dressed up in the comical devil garb.

Watching towards the end, Anton LeVay, who comes across pleasant enough, and his seemingly very nice friends, discuss black magic, white magic and sacrifices. LeVay says he is against animal sacrifice, finding it to be the true blasphemy. What is interesting is how here, Anton LeVay is saying something that most in the public would agree with whole heartedly. I think by doing that he is possibly trying to cause the viewer to feel some empathy for him. "He is like me, even though he is into the Devil worship". "He wouldn't hurt a squirrel either." 

Segment from The Satanists aka Witchcraft '70 with a re-enacting of the black mass at Clophill from 1963. Although the video purports to be at Clophill and the actual ceremony of March 1963, this is infact untrue and is clearly filmed elsewhere.

 LeVay's "Satanism" appears to be little more than a version of hedonism promoting sexual promiscuity and like behavior. These ideas were promoted during the "Swinging Sixties" after all.

Occult Experience (1970) notorious Italian mondo-style 'documentary' on the occult. Alternative titles: WITCHCRAFT '70, Angeli bianchi...angeli neri, The Satanists, The Occult Experience, White Angel...Black Angel.

LeVay's "Satanism" is more Roman orgy, more "Eyes Wide Shut" or "Caligula" than anything else. It is simply an appeal to the lower three chakras of the Kundalini system. Art is used to trap the viewer at the animalistic level of consciousness rather than leading the initiate to higher modes of existence or mind, signified by the higher four chakras.

Clips from "The Power of the Witch" (1971) and "White Angel/Black Angel" (1970) featuring the Church of Satan. For educational purposes only. 

Even Pigs Need to Bone

"Men are pigs". Human beings acting like animals. The carnal desires of the flesh. This is the subject matter here. This, the subject of Circe, the Ancient Greek Witch Goddess.

"X" Marks The 'Aw-Gee' Spot

Trailer for the film "The Aristocrats"

 "The Aristocrats Did It!"

"The Aristocrats" (also called "The Debonaires" or "The Sophisticates" in some tellings) is a taboo-defying off-color joke that has been told by numerous stand-up comedians since the vaudeville era.

The joke was the subject of a 2005 documentary film of the same name. It received publicity when it was used by Gilbert Gottfried during the Friars' Club roast of Hugh Hefner in September 2001."

"This joke almost always has these elements—alternative versions may change this form.

  1. Setup: A family act going in to see a talent agent; either the whole family or just one family member (usually the father).
    • The agent asks what they do.
    • If the whole family is present, the act is performed for the agent; otherwise it is described.
  2. Act: It is described in as much detail as the teller prefers.
  3. Punch line: The shocked (or intrigued) agent asks what the act is called, and the proud answer (sometimes delivered with a flourish) is: "The Aristocrats!"  "

The Aristocrats - Wikipedia

The Witchmaker 1969

Uploaded by sinfulcelluloid on 2015-01-05.



"It seems that the original modern American swingers were crew-cut World War II air force pilots and their wives. Like elite warriors everywhere, these “top guns” often developed strong bonds with one another, perhaps because they suffered the highest casualty rate of any branch of the military. According to journalist Terry Gould, “key parties,” like those later dramatized in the 1997 film The Ice Storm, originated on these military bases in the 1940s, where elite pilots and their wives intermingled sexually with one another before the men flew off toward Japanese antiaircraft fire."

Witchcraft film directed in 1969 by the Almighty Master, William Brown. Doctor Hayes (Alvy Moore) takes a research team deep into a dark, remote, misty, moss-covered, Louisiana swamp to investigate strange Satanic-like female murders.

Dianne Webber In The Witchmaker. Belly dance scene.

Diane Webber late 1950’s Vintage Playboy Pictorial, above.

"X" is for...

Arthur Guy Empey is listed as Diane Webber's father. Here is his biography from Wikipedia:

"Empey served for six years in the US Cavalry and was performing duty as a recruiting sergeant for the New Jersey National Guard in New York City when World War I began. He left the United States at the end of 1915 frustrated at its neutrality in the conflict at that point and travelled to London, England, where he joined the 1st London Regiment (Royal Fusiliers), Territorial Force, of the British Army, going on to serve with it in the 56th (London) Infantry Division on the Western Front as a bomber and a machine-gunner. He was medically discharged from the British Army after he was wounded in action at the commencement of the Battle of the Somme.[1]

On returning to the United States, Empey wrote a book of his experiences titled Over the Top, which became a publishing sensation in 1917 with over a quarter of a million copies sold, and was turned into a film in 1918 with Empey writing the screenplay and playing the lead role.[2] Empey had attempted to re-join the US Army in 1917 but was rejected due to his wounds. On the basis of the book's success, he played a major propaganda role for the Federal Government's policy of moving the nation from a position of neutrality in World War I to a combatant role, and toured widely throughout the USA giving public performances and readings from it to rally the American people to the nation's entry into the conflict. ...

... Empey wrote several more screenplays, and more books on World War I, and formed his own production company called the Guy Empey Pictures Corporation. He was also a popular songwriter during the war years, writing the lyrics for numbers such as Your Lips Are No Man's Land But Mine, and Liberty Statue is Looking Right at You.

leer (v.)  "to look obliquely" (now usually implying "with a lustful or malicious intent"), 1520s, probably from Middle English noun ler "cheek," from Old English hleor "the cheek, the face," from Proto-Germanic *khleuzas "near the ear," from *kleuso- "ear," from PIE root *kleu- "to hear" (see listen). The notion is probably of "looking askance" (compare figurative development of cheek). Related: Leered; leering.

bird (n.2)  "maiden, young girl," c. 1300, confused with burd (q.v.), but felt by later writers as a figurative use of bird (n.1). Modern slang meaning "young woman" is from 1915, and probably arose independently of the older word.


In later years Empey turned to writing pulp fiction, creating the hero Terence X. O'Leary [5] who would explain "sure and the 'X' stands for 'xcillint'". Empey's O'Leary appeared in a variety of pulp magazines such as War Stories (Dell), Battle Stories (Fawcett), with the Infantryman O'Leary also doing duty as a Military Policeman, Secret Service Agent and Foreign Legionnaire, later becoming an aviator in War Birds (Dell). The latter magazine was later retitled Terence X O'Leary's War Birds.[6] With the start of O'Leary's name on the publication the magazine changed from O'Leary fighting in World War I to science fiction adventure with O'Leary fighting "Unuk, High Priest to the God of the Depths" a 500-year-old madman who has seized an island in the South Pacific, kidnapped scientists and turned them into zombies to perfect amazing weapons to attack the United States in O'Leary Fights the Golden Ray and O'Leary, Dyno-Blaster, or Adventure of the Ageless Men.[7] with the magazine ending after its third issue The Purple Warriors of Neptunia. A few more stories with O'Leary did appear after this in War Stories and Battle Stories.

He was the father of the model and actress Diane Webber."

World War One Propaganda Warning!

“The Committee on Public Information, also known as the CPI or the Creel Committee, was an independent agency of the government of the United States created to influence U.S. public opinion regarding American participation in World War I. Over just 28 months, from April 14, 1917, to June 30, 1919, it used every medium available to create enthusiasm for the war effort and enlist public support against foreign attempts to undercut America's war aims. It primarily used propaganda techniques to accomplish these goals.”
“The purpose of the CPI was to influence American public opinion toward supporting U.S. participation in World War I via a prolonged propaganda campaign.[5] The CPI at first used material that was based on fact, but spun it to present an upbeat picture of the American war effort. In his memoirs, Creel claimed that the CPI routinely denied false or undocumented atrocity reports, fighting the crude propaganda efforts of "patriotic organizations" like the National Security League and the American Defense Society that preferred "general thundering" and wanted the CPI to "preach a gospel of hate."[6]

The committee used newsprint, posters, radio, telegraph, cable and movies to broadcast its message. It recruited about 75,000 "Four Minute Men," volunteers who spoke about the war at social events for an ideal length of four minutes, considering that the average human attention span was judged at the time to be four minutes. They covered the draft, rationing, war bond drives, victory gardens and why America was fighting. It was estimated that by the end of the war, they had made more than 7.5 million speeches to 314 million people in 5,200 communities.[7] They were advised to keep their message positive, always use their own words and avoid "hymns of hate."[8] For ten days in May 1917, the Four Minute Men were expected to promote "Universal Service by Selective Draft" in advance of national draft registration on June 5, 1917.[9]

The CPI staged events designed for specific ethnic groups. For instance, Irish-American tenor John McCormack sang at Mount Vernon before an audience representing Irish-American organizations.[10] The Committee also targeted the American worker and, endorsed by Samuel Gompers, filled factories and offices with posters designed to promote the critical role of American labor in the success of the war effort.[11]

The CPI's activities were so thorough that historians later stated, using the example of a typical midwestern American farm family, that[12]

Every item of war news they saw—in the country weekly, in magazines, or in the city daily picked up occasionally in the general store—was not merely officially approved information but precisely the same kind that millions of their fellow citizens were getting at the same moment. Every war story had been censored somewhere along the line— at the source, in transit, or in the newspaper offices in accordance with ‘voluntary’ rules established by the CPI.

Rejection of the word 'propaganda'
Creel wrote about the Committee's rejection of the word propaganda, saying: "We did not call it propaganda, for that word, in German hands, had come to be associated with deceit and corruption. Our effort was educational and informative throughout, for we had such confidence in our case as to feel that no other argument was needed than the simple, straightforward presentation of facts."[13]”

An Early 'UFO' 

"The unearthed film, called Charlie Chaplin in Zepped, features footage of Zeppelins flying over England during the First World War, as well as some very early stop-motion animation, and unknown outtakes of Chaplin films from three Essanay pictures including The Tramp. These have all been cut together into a six-minute movie that Mr Park describes as "in support of the British First World War effort"."

"The inventor was utterly astounded when his friend John Dwyer, a former member of the British Board of Film Classification, told him that he had discovered rare footage of the performer, and possibly an unknown Chaplin work. Unlike many nitrate films, the contents of this 1916 can were still intact.

The unearthed film, called Charlie Chaplin in Zepped, features footage of Zeppelins flying over England during the First World War, as well as some very early stop-motion animation, and unknown outtakes of Chaplin films from three Essanay pictures including The Tramp. These have all been cut together into a six-minute movie that Mr Park describes as "in support of the British First World War effort". It begins with a logo from Keystone studios, which first signed Chaplin, and there follows a certification from the Egyptian censors dating the projection as being in December 1916. There are outtakes, longer shots and new angles from the films The Tramp, His New Profession and A Jitney Elopement.

The main, animated sequence of the film starts with Chaplin wishing that he could return to England from America and fight with the boys. He is taken on a flight through clouds before landing on a spire in England. The sequence also features a German sausage, from which pops the Kaiser. During the First World War there was some consternation that the actor did not join the war effort."


The earliest examples of electronically guided model aircraft were hydrogen-filled model airships of the late 19th century. They were flown as a music hall act around theater auditoriums using a basic form of spark-emitted radio signal.
Bob Weir formerly of the Grateful Dead on 03/24/12 talking about the Bohemian Grove. The Bohemian Grove is a 2,700-acre (1,100 ha) campground located at 20601 Bohemian Avenue, in Monte Rio, California, belonging to a private San Francisco-based men's art club known as the Bohemian Club.

The 411 on 911:

A Life Actor & Fake General Guy.

Just A Live Action Cartoon Character.

A Shade Charade Parade!

“Lieutenant General William Wilson "Buffalo Bill" Quinn (November 1, 1907 – September 11, 2000) was a United States Army officer, who served in intelligence during World War II. Born in Crisfield, Somerset, Maryland and a 1933 graduate of West Point, Quinn retired as a lieutenant general on March 1, 1966 as the commanding general of the Seventh United States Army. He died in Washington, DC at Walter Reed Army Hospital at 92 years old.”

“Quinn participated in the Battle of the Bulge, Operation Dragoon and on January 1, 1945 he was part of Operation Northwind.

Quinn was in Korea from 1951 to 1952 and in August 1951 Quinn was wounded in Korea. While in Korea he won and was awarded the Silver Star, Legion of Merit and the Bronze Star with the "V" Device. He was also in the Battle of Inchon. While he was in Korea he was the commanding Officer of the 17th Infantry Regiment which was part of the 7th Infantry Division (the 17th Infantry was, and still is, nicknamed "the Buffalo’s”)”



This is about sex. The "sexual revolution" as it was marketed to the public. This seems to be nothing more than a pulp fiction inspired version of the same lifestyle choices being promoted by Playboy and other such media outlets. Here are none of the darker elements of this mythology that would later  be promoted by the likes of Mr. Aquino and company. See below.

X Marks The Devil's Spot

"Due to increasing visibility through his books, LaVey was the subject of numerous articles in the news media throughout the world, including popular magazines such as LookMcCall'sNewsweek, and TIME, and men's magazines. He also appeared on talk shows such as The Joe Pyne ShowDonahue and The Tonight Show, and in a feature-length documentary called Satanis in 1970. He would be credited for the mainstreaming of Satanism and witchcraft in the U.S. during the 1960s, 1970s and after."

It's All A Comical Juggling Act

Jugglers 1925. Two men dressed as devils do a juggling act. They have balaclavas with devil's horns little devilish beards and pointy stand up collars! They juggle with clubs. We see their routine in slow motion. They then do a very fast routine, throwing the clubs backwards and forwards between them.

" The Satanic Bible has sold over one million copies since its initial release."

Show me The Money

HarperCollins owns the publishing rights to the "Satanic Bible". Between that and all the other alternate religion based material published, this company, among others in the industry, must make a considerable fortune in revenue every year.

A Cast of Character Actors

Below, another cast member, Geraldo, on another talk show, interviews LeVay's buddy, Michael Aquino. Aquino is kind of infamous as a figure who is associated with some dark imaginings that have never been anything but hearsay and rumor. Aquino is correct when he points out how there is no actual arrests or anything but allegation. I have a feeling this is an act. Mr. Aquino also performs the same act in the Oprah clip below. He makes the same point that these are just allegations. These shows were nothing but examples of fear mongering. This is fear based or trauma based propaganda. I think this might be an example of the real MK Ultra Mind Control program. The mass public is the target.

  Sammy Davis Jr  and two Satanists, circa the late 1960's or early 1970's.  Michael Aquino, Davis and LeVay,  all three seem like Hollywood performers to me.

Sammy Davis Jr and two Satanists, circa the late 1960's or early 1970's. Michael Aquino, Davis and LeVay, all three seem like Hollywood performers to me.



Project MK-ULTRA is a mind-control program developed by the CIA that never used to be public knowledge that was tested on the military and civilians. This video presents historical information for research and study. Michael Aquino has made comments saying he was not found guilty and he wrote a book.

Watch the above clip. Aquino is blinking because he is nervous sitting in front of a live audience and he is playing a part like an actor which is what he is. At one point in this interview Aquino silently mouths the very words the little man is saying, like a fellow actor does when doing a play. The actors know each others lines. (at around 5:40 this occurs)  It seems that Lt. Col. Michael Aquino and the whole "Satanic Movement" is little more than Military Hollywood Burlesque Sixties Swinging Fun and Not much else. Further the rest of the appearances of Lt. Col. Michael Aquino on daytime talk show television (and the internet) reek of bad performance art. Very badly acted in the same manner all the rest of the fake news is. All of it was nothing but smoke and mirror propaganda. Childish and ridiculous nonsense. The literal material of B movie pornography. Lt. Col. Michael Aquino dressed up like Eddie Munster for God's sake! The whole thing is a dog and pony show. Oprah and Geraldo are paid propagandists. Lt. Col. Michael Aquino is a cartoon character. He is a media creation and little more. A silly bogeyman. Can't you see the duping delight when you watch the interviews with Lt. Col. Michael Aquino? You really can't tell he is a phony? In Greek mythology, Medea (where we get the word Media from) killed her children. Chronos or Saturn swallowed his. Funny how they want to scare parents with fairy tales isn't it? They follow the same script they have been following for centuries and it is literally the stuff of childish folk tales. Some "Psychological Warfare Specialist". That's really cute. We have to be told what to think about a cartoon 'villain'. If this is the extent of the Psychological Warfare then I think the military is in a lot of trouble. By the way all that these fools are really capable of is simply renaming or re-imaging cliches. They lack originality and true creativity as they are mental zombies following empty scripts. They want us to be afraid of the shadow of a tiny mouse projected onto a wall. Their lilliputian army is as laughable as their 'psychological warfare' tactics. Which is really just another way of saying "propaganda".

This is the official trailer for the documentary film THE GHOST ARMY. It is now available on Netflix and Amazon Prime. To purchase a DVD, click here: http://www.shoppbs.org/product/index.jsp?productId=20299476&CAWELAID=1894282862&pla=pla_15539630&gclid=CN_Fls25sbcCFYyi4Aod8EMAfA&KPID=15539630


"The Ghost Army was a United States Army tactical deception unit during World War II officially known as the 23rd Headquarters Special Troops.[1] The 1,100-man unit was given a unique mission within the U.S Army: to impersonate other U.S. Army units to deceive the enemy. From a few weeks after D-Day, when they landed in France, until the end of the war, they put on a "traveling road show" utilizing inflatable tankssound trucks, fake radio transmissions and pretence. They staged more than 20 battlefield deceptions, often operating very close to the front lines. Their story was kept secret for more than 40 years after the war, and elements of it remain classified.[2] The unit was the subject of a PBS documentary The Ghost Army in 2013"


The Ghost Army English Movie New Action Movies 2015 full English Full HD ✘✘ Sniper Ghost Warrior After glorious victories, old soldier Thomas Beckett returns to life with commonly leisurely .

"Military deception refers to attempts to mislead enemy forces during warfare. This is usually achieved by creating or amplifying an artificial fog of war via psychological operationsinformation warfare, visual deception and other methods. As a form of strategic use of information (disinformation), it overlaps with psychological warfare. To the degree that any enemy that falls for the deception will lose confidence when it is revealed, he may hesitate when confronted with the truth."



USO Theater tours are the biggest tip off that wars are fake. This makes no sense. This is cartoonish reasoning. Who in their right mind would worry about theater during a time of war? The rationale is childish. This is an example of how we are dumbed down by the news media and university system. World Wars are hoaxes like all wars.

"The USO was founded in 1941 by Mary Ingraham in response to a request from President Franklin D. Roosevelt to provide morale and recreation services to U.S. uniformed military personnel. Roosevelt was elected as its honorary chairman. This request brought together six civilian organizations: the Salvation ArmyYoung Men’s Christian Association (YMCA), Young Women’s Christian Association (YWCA), National Catholic Community ServiceNational Travelers Aid Association and the National Jewish Welfare Board. They were brought together under one umbrella to support U.S. troops. Roosevelt said he wanted "these private organizations to handle the on-leave recreation of the men in the armed forces." According to historian Emily Yellin, "The government was to build the buildings and the USO was to raise private funds to carry out its main mission: boosting the morale of the military."

"After being formed in 1941, in response to World War II, "centers were established quickly... in churches, barns, railroad cars, museums, castles, beach clubs, and log cabins."[9] Most centers offered recreational activities, such as holding dances and showing movies. And there were the well-known free coffee and doughnuts. Some USO bases provided a haven for spending a quiet moment alone or writing a letter home, while others offered spiritual guidance and made childcare available for military wives.

But the organization became mostly known for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. Camp Shows began in October 1941, and by that fall and winter 186 military theaters existed in the United States. Overseas shows began in November 1941 with a tour of the Caribbean. Within five months 36 overseas units had been sent within the Americas, the United Kingdom, and Australia, and during 1942 1,000 performed as part of 70 units. Average performers were paid $100 a week; top stars were paid $10 a day because their wealth let them contribute more of their talents.[10]

These overseas shows were produced by the American Theatre Wing, which also provided food and entertainment for the armed services in their Stage Door Canteens. Funds from the sale of film rights for a story about the New York Canteen went toward providing USO tours of shows for overseas troops.[11]

In 1991, 20th Century Fox produced the film, For the Boys, which told the story of two USO performers, and starred Bette Midler and James Caan. It covered a 50-year timespan, from the USO's inception in 1941 through Operation Desert Storm, in 1991. Another movie was planned in 1950 but never made. Just 10 days after Al Jolson returned from entertaining troops in Korea, he agreed with RKO producers to star in a new movie, Stars and Stripes for Ever, about a U.S.O. troupe in the South Pacific during World War II. Unfortunately, he died a week later as a result of physical exhaustion from his tour.

Camp Shows began in Normandy in July 1944, one month after Operation Overlord. Until fall 1944 overseas units contained five performers or fewer; The Barretts of Wimpole Street, using local theaters in France and Italy, was the first to use an entire theater company, including scenery.[10] At its high point in 1944, the USO had more than 3,000 clubs, and curtains were rising on USO shows 700 times a day. From 1941 to 1947, the USO presented more than 400,000 performances"


Geraldo: The Daytime Talk Show Circuit  & The Art of Fear Mongering

LIGHTS CAMERAS ACTION: A Scripted Mk Ultra Reality Complete With an Actor Playing a Cult Investigator & Some Guy Rocking a Sweet Mustache

Ted Gunderson, Michael Aquino & Father James Lebar on "Trash TV" with Geraldo Rivera

Military PSYOP

Persuade, Change, Influence... that's the motto of the U.S. Army's Psychological Operations Regiment.

SEE: 1963: Endings and Beginnings, November 22 & 23.

Geraldo: The Late Night Talk Show Circuit & The Art of Fear Mongering

This is a segment from Geraldo Rivera's late-night ABC-TV talk show "Good Night America", where Abraham Zapruder's famous home movie depicting President John F. Kennedy's assassination in graphic detail is shown to an American audience for the very first time. Robert Groden is one of Rivera's guests.

Heard it on The RADIO

"Mintz was born in the Bronx borough of New York City on February 16, 1945. In 1963 he moved to California to attend Los Angeles City College, partially inspired by the film The Misfits,[1] where he studied broadcasting and began to do radio interviews. Early interviews by Mintz included Jayne Mansfield and Jack Lemmon. His career was launched after the death of John F. Kennedy, when he discovered a classmate, of his Roland Bynum had known, Lee Harvey Oswald while in the US Marines together. The interview was the first character and background interview done about Oswald in the US, and was picked up by the national and international radio broadcast networks. The New York Times wrote about Mintz that he soon became "a well-known ... underground radio D.J. in the 1960s".


"From 1966 to 1968,[4] Elliot Mintz had two shows on KPFK in Los AngelesCalifornia, Looking In and Looking Out.[5] The shows provided a platform for community conversation as well as for interviews Mintz would do with public figures. Each show would begin with a series of rhetorical questions, which listeners could call in to respond to.[6] When he started with KPFK, Mintz was the youngest talkshow host in the US, at the age of 21, broadcasting a nightly radio show on the station.[1] In 1971 he hosted a Kaiser Broadcastingsyndicated television show called Headshop that integrated musical guests with film clips shot in and around Southern California.[3][7]

From 1973 to 1974, Mintz was the entertainment correspondent for Eyewitness News on KABC television in Los Angeles. He also worked on-air at KLAC (1968-69), KMET (1969), and KLOS (1970-71). During this part of his career he frequently interviewed Hollywood actors and recording artists. He also notably lived next door to Timothy Leary.[4][8] In 1980 Mintz received a California Associated Press, Television, and Radio Association award for his November 30, 1979 radio interview of an Iranian student at the American Embassy in Tehran during the Iran Hostage Crisis.[9] Mintz interviewed more than two thousand individuals over his career, including Norman MailerRay BradburyAlan WattsSalvador DaliJack LemmonJohn WayneGroucho Marx,[1] Timothy LearyJack Nicholson,[10] Alan Ginsburg,[11] Jayne MansfieldRaquel Welch, and musicians like John LennonDonna SummerJohn Coltrane,[12] Stevie Wonder,[13] Ringo StarrAlice Cooper, and Mick Jagger.[4]

Mintz was the host of the television interview show Head Shop, where he interviewed individuals including Kris Kristofferson.[14] He officially retired in 2014, upon which he released the website ElliotMintz.com, where a few hundred of his interviews with celebrities and public figures were made available. Other radio stations he worked for include KPPC, KABC, Earth News Radio, Innerview and Westwood One."

The Temple of SET

Setting The Stage

Watched on a TV SET

Michael Aquino on Oprah

A Life Actor on a "Set"

Founder of the Temple of Set, Dr. Michael A. Aquino and his wife Lilith Aquino, discussing the Church of Satan, and its development into the Temple of Set for "The Occult Experience." The Occult Experience. Video cassette, 1990. This made-for- television movie by Neville Drury features interviews with many types of current occultists from Right Hand Path and Left Hand Path groups.

Lieutenant Colonel Michael Aquino: A Man with No Wikipedia Entry

The Temple of Table SETtings

I read somewhere that Michael Aquino was a contributor to Wikipedia and that this might explain why he was able to have his Wikipedia entry erased.

A more recent interview. Towards the end, Mr. Aquino claims he has a top secret clearance and works out of Area 51, or something to that effect. Notice how he promotes the same U.F.O. conspiracy theory babble, that we can easily find online and in the obvious literature. I think the entire U.F.O. lecture circuit a source of disinformation and little else.

Government MindWar, PSYOPS, illuminati, occult ritual, and the objective universe is explored with Michael A. Aquino, who discusses the beliefs of the Temple of Set with Sean Stone. The Church of Satan, free will, splitting from Judeo-Christian mythology, and how the CIA failed with MK Ultra is clarified.

On a Film SET

Film: 1964's White Slaves Of Chinatown

It's All Make Believe Baby

Candy Jones AKA Jessica Arline Wilcox

Then there is Candy Jones. Here is an excerpt from her Wikipedia page, notice the use of an alias or "stage name":

"Candy Jones, originally known as Jessica Arline Wilcox (December 31, 1925 – January 18, 1990), was an American fashion model, writer and radio talk show hostess.

Born in Wilkes-Barre, Pennsylvania, she was raised and educated in Atlantic City, New Jersey.[1]

In the 1940s and 1950s she was a leading model and pin-up girl, and afterwards established a modeling school and wrote several books on modeling and fashion. In 1972, Jones married the popular radio show host Long John Nebel(he was her second husband), and became the co-host of his all-night talk-show on WMCA in New York City. The show dealt with paranormalUFO, and conspiracy theory claims.

Controversially, Jones claimed to be a victim of the CIA mind-control program, Project MKULTRA, in the 1960s."

"On December 31, 1972, Jones married radio host Long John Nebel after a one-month courtship; they had briefly met decades earlier when Nebel was a photographer.[2] Jones was soon the regular co-host of Nebel's popular overnight radio talk show, which usually discussed various paranormal topics."

"Shortly after their marriage, Nebel said, he noted that Jones exhibited violent mood swings, and, at times, seemed to display a different personality. Nebel called this "The Voice ... a look, a few moments of bitchiness."[2] The Voice usually vanished rather quickly, but the change was so drastic from Jones's usually pleasant demeanor that Nebel was startled and distressed.

Colin Bennett writes, "A few weeks after their marriage, [Jones] did tell Nebel that she had worked for the FBI for some time, adding mysteriously that she might have to go out of town on occasion without giving a reason. This left Nebel wondering whether there was a connection between the 'other' personality within Candy and the strange trips she said she made for the FBI."

Nebel began hypnotising Jones, and uncovered an alternate personality named "Arlene". Under hypnosis, Jones related a lengthy, elaborate account of her being trained in a CIA mind-control program, often at west coast colleges and universities. Jones and Nebel eventually recorded hundreds of hours of these hypnotic sessions"

We Need Content Baby

Candy Jones was married to Long John Nebel, who had a radio show where he promoted various paranormal subjects like U.F.O. reports and so on. Nebel himself did not believe much of what his show covered and he seems to have thought many of his guests were a bit on the crazy side of things. And yet, they still managed ending up promoting these ideas to the public. In exactly the same manner, Johny Carosn would promote Uri Gellar by showing him up as a fraud on national television.

Where's The Silverware Set?

Uri Gellar

Puppet Shows

In 1973, Carson had a legendary run-in with popular psychic Uri Geller when he invited Geller to appear on his show. Carson, an experienced stage magician, wanted a neutral demonstration of Geller's alleged abilities, so, at the advice of his friend and fellow magician James Randi, he gave Geller several spoons out of his desk drawer and asked him to bend them with his psychic powers.

The Amazing Randi

The Amazing Randi narrates the clip and claimed he was contacted by the Tonight Show staff to help them trip Uri Gellar up. Uri Gellar was famous for bending spoons and other feats of psychic power. The Amazing Randi has had it out for Gellar for years, which does not explain why Gellar would appear in a recent Amazing Randi documentary, "An Honest Liar", which seems to be a bit of a prank itself.. James Randi and Uri Gellar couldn't possibly be partners behind the scenes, could they? This would be a form of actual shilling, by the way.  Uri Gellar becomes a "household name" after this incident. This episode only serves to enhance his career as people must have felt some sympathy for the handsome young man.

Magical Misdirection

Keep in mind, this is television, this was filmed on a stage. These people are all performers. It is a common stage magician's trick to have a "plant" in the audience. The political left vs right political theater is another example of this kind of illusion. 

Planting The Shill: Seeding The Public Mind

I think this might be a tactic that is employed to cloud an issue. A platform is given for a very speculative idea that is presented without support. The host is dismissive of these ideas, but at the same time, these ideas are introduced to the mass public consciousness.

This reminds me of the Flat Earth theory. Turns out Sir Patrick Moore had a program about the subject, of course he dismissed it, but still he provided a soap box so the public heard what the "crackpot" had to say.  

Flat Earth Origins

"After Rowbotham's death, Lady Elizabeth Blount, wife of explorer Sir Walter de Sodington Blount, established a Universal Zetetic Society, whose objective was "the propagation of knowledge related to Natural Cosmogony in confirmation of the Holy Scriptures, based on practical scientific investigation". The society published a magazine, The Earth Not a Globe Review, and remained active well into the early 20th century.[7] A flat Earth journal, Earth: a Monthly Magazine of Sense and Science, was published between 1901–1904, edited by Lady Blount."

Problems with Physics? Confuse the issue.

Limit The Hang Out

Sir Patrick Moore "Can You Speak Venusian?"

Nikola Tesla : Pre Big Bang Heliocentrist

The Earth is a Globe- We are too small relative to the Huge size of the Earth. We are too small and cannot get high enough to appreciate the curvature. The motions of the heavenly bodies and the flight paths of high flying jets, as well as Direct TV satellite dishes - show that the Earth is a globe. The Flat Earth is an absurd and extremely intellectually dishonest con.

These propagandists ignore their own senses in order to maintain a fantasy designed to build a community of like minded individuals. There are obvious flaws with mainstream science and with the mainstream model, (see article index for more) the Flat Earth canard exists to cause confusion and to discredit legitimate research. One has to ignore how ships disappear over the horizon and all the obvious evidence that the Earth is a globe. The real problem is that nobody has ever really shown that the Earth moves and that all evidence points to a Geocentric model of the Universe.

"The earth is 4,000 miles radius. Around this conducting earth is an atmosphere. The earth is a conductor; the atmosphere above is a conductor, only there is a little stratum between the conducting atmosphere and the conducting earth which is insulating. Now, on the basis of my experiments in my laboratory on Houston Street, the insulating layer of air, which separates the conducting layer of air from the conducting surface of the earth, is shown to scale as you see it here. Those [radii lines] are 60 of the circumference of the earth, and you may notice that faint white line, a little bit of a crack, that extends between those two conductors. Now, you realize right away that if you set up differences of potential at one point, say, you will create in the media corresponding fluctuations of potential. But, since the distance from the earth's surface to the conducting atmosphere is minute, as compared with the distance of the receiver at 4,000 miles, say, you can readily see that the energy cannot travel along this curve and get there, but will be immediately transformed into conduction currents, and these currents will travel like currents over a wire with a return. The energy will be recovered in the circuit, not by a beam that passes along this curve and is reflected and absorbed, because such a thing is impossible, but it will travel by conduction and will be recovered in this [emphasis in original] way. Had I drawn this white line to scale on the basis of my Colorado experiments, it would be so thin that you would have to use a magnifying glass to see it."

Nikola Tesla

"To give you an idea, I have prepared a diagram [Fig. 81] illustrating an analogue which will clearly show how the current passes through the globe. You know that in a solar eclipse the moon comes between the sun and the earth, and that its shadow is projected upon the earth's surface. Evidently, in a given moment, the shadow will just touch at a mathematical point, the earth, assuming it to be a sphere.

Let us imagine that my transmitter is located at this point, and that the current generated by it now passes through the earth. It does not pass through the earth in the ordinary acceptance of the term, it only penetrates to a certain depth according to the frequency. Most of it goes on the surface, but with frequencies such as I employ, it will dive a few miles below. It can be mathematically shown that it is immaterial how it passes; the aggregate effect of these currents is as if the whole current passes from the transmitter, which I call the pole, to the opposite point, which I call the antipode.

Assume, then, that here is the transmitter, and imagine that this is the surface of the sea, and that now comes the shadow of the moon and touches, on a mathematical point, the calm ocean. You can readily see that as the surface of the water, owing to the enormous radius of the earth, is nearly a plane, that point where the shadow falls will immediately, on the slightest motion of the shadow downward, enlarge the circle at a terrific rate, and it can be shown mathematically that this rate is infinite. In other words, this half-circle on this side will fly over the globe as the shadow goes down; will first start at infinite velocity to enlarge, and then slower and slower and slower, and as the moon's shadow goes further and further and further, it will get slower and slower until, finally, when the three bodies are on the plane of the ecliptic, right in line one with the other in the same plane, then that shadow will pass over the globe with its true velocity in space. "

Nikola Tesla


The Devil's Deception and Hard Selling Shills

"A shill, also called a plant or a stooge, is a person who publicly helps a person or organization without disclosing that they have a close relationship with the person or organization.

Shill typically refers to someone who purposely gives onlookers the impression that they are an enthusiastic independent customer of a seller (or marketer of ideas) for whom they are secretly working. The person or group who hires the shill is using crowd psychology to encourage other onlookers or audience members to purchase the goods or services (or accept the ideas being marketed). Shills are often employed by professional marketing campaigns. "Plant" and "stooge" more commonly refer to any person who is secretly in league with another person or organization while pretending to be neutral or actually a part of the organization he is planted in, such as a magician's audience, a political party, or an intelligence organization (see double agent)."




Long John Nebel

From Nebel's Wikipedia entry:

"Nebel was perhaps best described as a curious skeptic with respect to the reality of paranormal topics; he frequently characterized himself as a "non-believer". Regarding the claims of the many contactees he interviewed, Nebel stated: "I don't buy any of it." He also noted that he was intrigued by some UFO reports, but did not have any firm conclusions or explanations.[3]

Some critics attacked Nebel for allowing crackpots free rein on the program, but he responded by saying his was not a traditional news or investigative journalism show, and that it was up to listeners to determine the validity of any guest's claims.

Nebel often asked pointed questions of his guests when he saw logical fallacies or inconsistencies in their stories. He did not suffer fools gladly, unless the fool was exceptionally entertaining. Still, he was rather sympathetic in at least offering guests a forum to state their claims.

Uniquely Fantastic Oculars

All The News Media Promotes Deceptive 'NEWS" or PROPAGANDA & SO DOES THE NEW (internet) MEDIA TOO:

When programs dealt with health and exercise, Nebel was fond of saying: "I am a lover, not an athlete." He also popularized the expression "wack-a-ding-hoi" for an idea or guest he believed was a little "crazy". When asked why his television show was no longer on the air, Nebel would respond that he was not good-looking enough to be on television. His friendly, good-humored approach was one of the great reasons for his popularity."

UFO'S are nothing but MIrages

UFO's and Flying saucers and super top secret Tesla technology seem like nothing but more propagandized promoted mythology. The mass public has always been controlled by the illusion that those in charge are all powerful and all knowing.

or Perhaps Just a Lot of Hot Air

"The earliest examples of electronically guided model aircraft were hydrogen-filled model airships of the late 19th century. They were flown as a music hall act around theater auditoriums using a basic form of spark-emitted radio signal."



Nikola Tesla made a few references to having plans for a 'flying machine', in an interview or two and in at least one personal correspondence. He claimed that his machine would be unlike any other (this was prior to the advent of the helicopter - his concept would seem to differ from the helicopter) and that it could ignore the winds and would resemble an oven, if I recall correctly. 

I think this is more misdirection than anything else. More myth and sci fi fantasy. Whatever Tesla meant or did not mean is something that would seem to be either lost or hidden away in the proverbial black hole of supposed government secrets. 

There are only a few actual DOCUMENTED TESLA QUOTES that support his concept of the flying machine. The rest seems like nothing but the stuff of fantasy and propaganda smoke screen nonsense.

“I am now planning aerial machines devoid of sustaining planes, ailerons, propellers, and other external attachments, which will be capable of immense speeds” – Tesla’s autobiography

“To a Westinghouse manager, Tesla wrote ‘You should not be at all surprised, if some day you see me fly from New York to Colorado Springs in a contrivance which will resemble a gas stove and weigh as much. … and could, if necessary enter and depart through a window.'” (7-7-1912)
[ it will be a small box, not a huge “cigar” ] 
pg. 198   Tesla: Man Out of Time   by Margaret Cheney"


Nikola Tesla's Wardenclyffe Project did not fail because he wanted to give the world free energy- this is a MYTH. Read the man in his own words. There are plenty of books and articles available. Do not trust authors like Margaret Cheney- for obvious reasons. Do not believe the unsourced quotes that claim Tesla as a Flat-Earther. He favored the then mainstream,  pre-Big Bang Heliocentric model of the Universe with the Earth's Sun at the Center, at least in print. There is way too much dis and mis-information available about Nikola Tesla. Always read the original work for yourselves.

Some Tesla Writings and Interviews:




Below Robert Plant and The Band of Joy perform "Satan Your Kingdom Must Come Down"

Robert Plant (Band of Joy) Satan Your Kingdom Must Come Down

  Jon Lovitz dressed as the Devil, from Saturday Night Live

Jon Lovitz dressed as the Devil, from Saturday Night Live

Bobby Darin performs "Hi De Ho" below, a song that refers to record contracts and the devil among, other things.

Bobby Darin Hi De Ho

ROLLING STONES- Sympathy For The Devil Live 1969 HD

Sex & Death Symbols Explained - 14 Between Pairs of Opposites

Uploaded by Samuel Roy on 2016-08-19.

An Illuminating Interview

This exchange between Mr. Moyers and Joseph Campbell illuminates the problem of religion and the modern News ‘programming’ and other media that has replaced it. Modern history, current affairs and the governments that offer the solutions to the mostly concocted and artificial problems area all part of the theatrical show the 666 Yellow Minion Beast puts on for all of us. The truth, however has a way of shining through the lies. We can use the screens of art to that were meant to trap us, to free our minds and imaginations. We can embrace out Natural heritage as creators in this creation. We are all artists.

From The Power of Myth:

“JOSEPH CAMPBELL:…When man had eaten of the fruit of the first tree, the tree of the knowledge of good and evil, he is said to have been expelled from the garden. He had already expelled himself from the garden. The garden is the place of unity, nonduality, nonduality of male and female, nonduality of man and God, nonduality of good and evil. You eat the duality, and you’re on the way out. So this tree of the nonduality, is the tree of the exit.

Now, the tree of coming back to the garden is the tree of immortal life. Where you know that “I and the father are one.” And the two that seem to become one again. And this is exactly the tree under which the Buddha sits.

BILL MOYERS: The tree of wisdom?

JOSEPH CAMPBELL: The tree of immortal life, of the knowledge of immortal life. And the Buddha under his tree, and Christ hanging on his tree are the same image. They are the same image. The one who has died to the flesh and been reborn in the spirit. This is an essential experience of any mystical realization; you die to your flesh and are born to your spirit. You identify yourself with the consciousness and life of which your body is but the vehicle. You die to the vehicle and become identified in your consciousness with that of which the vehicle is the carrier, do you understand me? And that is the god.

So that what you get in the vegetation traditions is this notion of identity behind the surface display of duality, identity behind it all. All of these are manifestations of the One. The one radiance shines through all things. The function of art, in a way, is to reveal through the object here the radiance, and that’s what you get when you see the beautiful organization of a fortunately composed work of art. You just say, aha. Somehow it speaks to the order in your own life. ‘This is a realization through art of the very thing that the religions are concerned to render.

BILL MOYERS: That death is life and life is death, and that the two are in accord.

JOSEPH CAMPBELL: You have to have a balance between death and life. They’re two aspects of the same thing, which is being/becoming.

BILL MOYERS: And that’s in all of these stories?

JOSEPH CAMPBELL: All of them. I don’t know one where death is rejected.

BILL MOYERS: This idea of sacrifice is so foreign to our world today.

JOSEPH CAMPBELL: Well, the old idea of being sacrificed is not what we think at all.


JOSEPH CAMPBELL: Just consider: I think the great model of sacrifice is the Mayan Indian ball game. You know they had a kind of basketball game, there’s a loop there up in the stadium wall, and the idea was to get this big heavy ball through that. I don’t know how they did it, with their shoulders or heads or something or other. And the captain of the winning team was sacrificed on the field by the captain of the losing team, his head was cut off. And going to your sacrifice as the winning stroke of your life is the essence of the early sacrificial idea.

There’s a wonderful story that I found in the Jesuit relations, you know, the Jesuits here in the 17th century as missionaries up in Canada and northern New York state and so forth, of a young Iroquois boy who had just been captured by the Hurons or perhaps it was the other way around, I’ve forgotten. And he was being brought to be tortured to death. The Northeast Indians engaged in a systematic torture, which would go on for a long time, and the ordeal was to be sustained with a smile, without flinching, that was it. That was real manhood.

But the boy is brought to this as though he were being brought to his wedding. He is singing, and the people with him are treating him as though they were his hosts and he was the honored guest. And he played the game with them, knowing where he was going. And the priests describing the thing are absolutely bewildered by the situation, and they say that the mockery of this kind of hospitality for people who are then going to be become the brutes. No, those people were the priests! And this was the sacrifice of the altar, and that boy was Jesus, you know, by analogy. And the priest every day is celebrating mass, which is an imitation or repetition actually of the sacrifice of the cross. That’s what this priest was witnessing.

But then you have it also, in John, in the Acts of John: Jesus, before going to crucify the Jesus dance, that’s one of the most beautiful passages in the Christian tradition. In the Matthew, Mark, Luke and John gospels, it’s certainly mentioned that we sang a hymn and Jesus went forth. Well, here you have the whole hymn described: in a ring, Jesus in the center, saying, ‘join hands and we’ll sing and we’ll dance,’ and he says, ‘I am this, I am that, I am so forth and so forth, amen, amen.’ Oh, my God, it’s grand. And then he walks out to be crucified. When you go to your death that way as a god, you are going to your eternal life. What’s sad about that? Let’s make it great And they do.

BILL MOYERS: The god of death is the lord of the dance.

JOSEPH CAMPBELL: The god of death is the lord of sex at the same time.

BILL MOYERS: What do you mean?

JOSEPH CAMPBELL: It’s a marvelous thing. One after another, you can see these gods Ghede, the death god of the Haitian voodoo, is also the sex god. Wotan had one eye covered and the other uncovered, do you see, and at the same time was the lord of life. Osiris, the lord of death and the lord of the generation of life. It’s a basic theme: that which dies is born. You have to have death in order to have life.

Now, this is the origin thought really of the head hunt, in Southeast Asia and particularly in the Indonesian zone. The head hunt, right up to now, has been a sacred act, it’s a sacred killing: Unless there is death, there cannot be birth, and a young man, before he can be permitted to marry and become a father, must have gone forth and had his kill.

BILL MOYERS: What does that say to you?

JOSEPH CAMPBELL: Well, that every generation has to die in order that the next generation should come. As soon as you beget or give birth to a child, you are the dead one; the child is the new life and you are simply the protector of that new life.

BILL MOYERS: Your time has come and you know it.

JOSEPH CAMPBELL: Yeah, well, that’s why there is this deep psychological association of begetting and dying.

BILL MOYERS: Isn’t there some relationship between what you’re saying and this fact, that a father will give his life for his son, a mother will give her life for her child?”

Ep. 4: Joseph Campbell and the Power of Myth -- 'Sacrifice and Bliss ...


XXX Marks The G(OD) Spot

The Lord of Sex is The Lord of Death. They are two sides of the same coin. This might explain why the Yellow Journal Beast makes use of both sexually explicit narratives and material along side horrific images and narratives of murder and war. This might also explain the military’s long fascination with both sex and death as well. Tales of homosexual activity are the literal stuff of Ancient Greek Homeric legend and the more recent tales of U.S. Air Force wife swapping parties are clear evidence that the cultural manipulators are simply continuing a long tradition of yellow journalistic, childish nonsense. What like minded willing adults do together is their business. Common sense must apply. We all need to grow up and stop letting sensational tall tales of sex and death distract us from reality.

Homosexuality in the militaries of ancient Greece was regarded as contributing to morale.[1] Although the primary example is the Sacred Band of Thebes, a unit said to have been formed of same-sex couples, the Spartan tradition of military heroism has also been explained in light of strong emotional bonds resulting from homosexual relationships.[2] Various ancient Greek sources record incidents of courage in battle and interpret them as motivated by homoerotic bonds.”

Homosexuality in ancient Greece - Wikipedia, the free encyclopedia

-So-called “key parties” originated on military bases in the 1940s, ... American swingers were crew-cut World War II air force pilots and their …”

source: Not All Military Adultery Results in Scandal | Psychology Today


see also: Homosexuality in ancient Greece - Wikipedia, the free encyclopedia

Swinging (sexual practice) - Wikipedia


The seven heads of the beast refer us to the seven whole notes of the musical scale or the seven colors of the rainbow, (visual arts). The seven heads of the beasts of Revelations would seem to indicate art in the service of lies. All major and culturally important art and architecture has always been paid for and commissioned by the elite for the underlying and fundamental purpose of reinforcing belief systems that are designed to keep us, the mass public and even the so-called ‘leisure’ classes in our place. We do not know it, but we are all wage slaves with real economic chains, whether our cages are gilded or not. 


The basis for all beliefs in the power of so-called Royalty, Military, Religion, the University System and institutions like Government, The “Justice” System and the News are all founded and grounded in a mythological, dreamlike and childlike reasoning.

The mythological nightmare we call culture, civilization and history is nothing more than the fantasy of   a few childish minds who started the scam and racket we call civilization centuries ago.

This literal game of Royal make believe is nothing but a Global Mafia run scam andcrime of protection racketeering. We have been led to believe we are free but we are not. Economic chains of paper, that have gone digital, bind all of us, to a very real pyramid scheme. Please check out the article index for more.


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