The Lord of Death is The Lord of Sex
"BILL MOYERS: The god of death is the lord of the dance.
JOSEPH CAMPBELL: The god of death is the lord of sex at the same time.
BILL MOYERS: What do you mean?
JOSEPH CAMPBELL: It’s a marvelous thing. One after another, you can see these gods Ghede, the death god of the Haitian voodoo, is also the sex god. Wotan had one eye covered and the other uncovered, do you see, and at the same time was the lord of life. Osiris, the lord of death and the lord of the generation of life. It’s a basic theme: that which dies is born. You have to have death in order to have life.
Now, this is the origin thought really of the head hunt, in Southeast Asia and particularly in the Indonesian zone. The head hunt, right up to now, has been a sacred act, it’s a sacred killing: Unless there is death, there cannot be birth, and a young man, before he can be permitted to marry and become a father, must have gone forth and had his kill.
BILL MOYERS: What does that say to you?
JOSEPH CAMPBELL: Well, that every generation has to die in order that the next generation should come. As soon as you beget or give birth to a child, you are the dead one; the child is the new life and you are simply the protector of that new life."
The God of Time is The Lord of Death & Generation
Saturn is the Roman name for the Greek Titan Chronos, the father of the Gods.
"Chronos already was confused with, or perhaps consciously identified with, the Titan Cronus in antiquity due to the similarity in names. The identification became more widespread during the Renaissance, giving rise to the allegory of "Father Time" wielding the harvesting scythe.
Chronos is usually portrayed as an old, wise man with a long, grey beard, similar to Father Time. Some of the current English words whose etymological root is khronos/chronos include chronology, chronometer, chronic, anachronism, and chronicle."
"In the Orphic cosmogony, the unaging Chronos produced Aether and Chaos, and made a silvery egg in the divine Aether. It produced the hermaphroditic god Phanes and Hydros who gave birth to the first generation of gods and is the ultimate creator of the cosmos."
"Pherecydes of Syros in his lost Heptamychos (the seven recesses), around 6th century BC, claimed that there were three eternal principles: Chronos, Zas (Zeus) and Chthonie (the chthonic). The semen of Chronos was placed in the recesses and produced the first generation of gods."
"During antiquity, Chronos was occasionally interpreted as Cronus. According to Plutarch, the Greeks believed that Cronus was an allegorical name for Chronos. In addition to the name, the story of Cronus eating his children was also interpreted as an allegory to a specific aspect of time held within Cronus' sphere of influence. As the theory went, Cronus represented the destructive ravages of time which consumed all things, a concept that was definitely illustrated when the Titan king devoured the Olympian gods — the past consuming the future, the older generation suppressing the next generation. During the Renaissance, the identification of Cronus and Chronos gave rise to "Father Time" wielding the harvesting scythe."
Saturn with Sickle - Origin of the Grim Reaper
SA TV RN 9
S9 or 69
Saturn supported by the astrological symbols of the Zodiac. The horoscope's goat and water bearer are shown as wheels beneath the throne of the God Saturn (Cronus), above. The Zodiac signs, Capricorn and Aquarius are associated with Saturn.
"One of the famous myths of Pan involves the origin of his pan flute, fashioned from lengths of hollow reed. Syrinx was a lovely water-nymph of Arcadia, daughter of Landon, the river-god. As she was returning from the hunt one day, Pan met her. To escape from his importunities, the fair nymph ran away and didn't stop to hear his compliments. He pursued from Mount Lycaeum until she came to her sisters who immediately changed her into a reed. When the air blew through the reeds, it produced a plaintive melody. The god, still infatuated, took some of the reeds, because he could not identify which reed she became, and cut seven pieces (or according to some versions, nine), joined them side by side in gradually decreasing lengths, and formed the musical instrument bearing the name of his beloved Syrinx. Henceforth Pan was seldom seen without it.
Echo was a nymph who was a great singer and dancer and scorned the love of any man. This angered Pan, a lecherous god, and he instructed his followers to kill her. Echo was torn to pieces and spread all over earth. The goddess of the earth, Gaia, received the pieces of Echo, whose voice remains repeating the last words of others. In some versions, Echo and Pan had two children: Iambe and Iynx. In other versions, Pan had fallen in love with Echo, but she scorned the love of any man but was enraptured by Narcissus. As Echo was cursed by Hera to only be able to repeat words that had been said by someone else, she could not speak for herself. She followed Narcissus to a pool, where he fell in love with his own reflection and changed into a narcissus flower. Echo wasted away, but her voice could still be heard in caves and other such similar places."
"The Age of Aquarius is an astrological term denoting either the current or forthcoming astrological age, depending on the method of calculation. Astrologers maintain that an astrological age is a product of the earth's slow precessional rotation and lasts for 2,160 years, on average (26,000-year period of precession / 12 zodiac signs = 2,160 years). In popular culture, the Age of Aquarius refers to the advent of the New Age movement in the 1960s and 1970s.
There are various methods of calculating the length of an astrological age. In sun-sign astrology, the first sign is Aries, followed by Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius, Capricorn, Aquarius, and Pisces, whereupon the cycle returns to Aries and through the zodiacal signs again. Astrological ages, however, proceed in the opposite direction ("retrograde" in astronomy). Therefore, the Age of Aquarius follows the Age of Pisces."
"Astrologers believe that an astrological age affects mankind, possibly by influencing the rise and fall of civilizations or cultural tendencies."
"Traditionally, Aquarius is associated with electricity, computers, flight, democracy, freedom, humanitarianism, idealism, modernization, astrology, nervous disorders, rebellion, nonconformity, philanthropy, veracity, perseverance, humanity, and irresolution."
"Astrological ages exist as a result of precession of the equinoxes. The slow wobble of the earth's spin axis on the celestial sphere is independent of the diurnal rotation of the Earth on its own axis and the annual revolution of the earth around the sun. Traditionally this 25,800-year-long cycle is calibrated, for the purposes of determining astrological ages, by the location of the sun in one of the twelve zodiac constellations at the vernal equinox, which corresponds to the moment the sun rises above the celestial equator, marking the start of spring in the Northern Hemisphere each year. Roughly every 2,150 years the sun's position at the time of the vernal equinox will have moved into a new zodiacal constellation. However zodiacal constellations are not uniform in size, leading some astrologers to believe that the corresponding ages should also vary in duration."
John The Baptist "Lost His Head"
"Stages of script and novel development
The script went through many stages. In early 1965, when backing was secured for the film, Clarke and Kubrick still had no firm idea of what would happen to Bowman after the Star Gate sequence. Initially all of Discovery ' astronauts were to survive the journey; by October 3, Clarke and Kubrick had decided to leave Bowman the sole survivor and have him regress to infancy. By October 17, Kubrick had come up with what Clarke called a "wild idea of slightly fag robots who create a Victorian environment to put our heroes at their ease." HAL 9000 was originally named Athena after the Greek goddess of wisdom and had a feminine voice and persona.
Early drafts included a prologue containing interviews with scientists about extraterrestrial life, voice-over narration (a feature in all of Kubrick's previous films), a stronger emphasis on the prevailing Cold War balance of terror, and a different and more explicitly explained breakdown for Hal. Other changes include a different monolith for the "Dawn of Man" sequence, discarded when early prototypes did not photograph well; the use of Saturn as the final destination of the Discovery mission rather than Jupiter, discarded when the special effects team could not develop a convincing rendition of Saturn's rings; and the finale of the Star Child exploding nuclear weapons carried by Earth-orbiting satellites, which Kubrick discarded for its similarity to his previous film, Dr. Strangelove. The finale and many of the other discarded screenplay ideas survived into Clarke's novel.
Kubrick made further changes due to his desire to make the film more non-verbal, communicating at a visual and visceral level rather than through conventional narrative. Vincent LeBrutto writes that Clarke's novel has "strong narrative structure", while the film is a mainly visual experience where much remains symbolic."
Going towards and then beyond the planet Saturn, from the film "Interstellar".
Boundless & yet self-contained, is the 'Universe' that has been kept Hidden by the Screens & Minion's Magic Mouths &
Texts and Magically Spelled Scripts
capital of Babylon, late 14c., from Hebrew Babhel (Gen. xi), from Akkadian bab-ilu "Gate of God" (from bab "gate" + ilu "god"). The name is a translation of Sumerian Ka-dingir. Meaning "confused medley of sounds" (1520s) is from the biblical story of the Tower of Babel.
Compare the library scene in Interstellar to this novel: The Library of Babel.
"Father Time is usually depicted as an elderly bearded man, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device (which represents time's constant one-way movement, and more generally and abstractly, entropy). This image derives from several sources, including the Grim Reaper and Chronos, the Greek Titan of human time, reaping and calendars, or the Lord of Time."
c. 1200, "a sentence, a brief statement, a short passage," from Old French clause "stipulation" (in a legal document), 12c., from Medieval Latin clausa"conclusion," used in the sense of classical Latin clausula "the end, a closing, termination," also "end of a sentence or a legal argument," from clausa, fem. noun from past participle of claudere "to close, to shut, to conclude" (see close (v.)). Grammatical sense is from c. 1300. Legal meaning "distinct condition, stipulation, or proviso" is recorded from late 14c. in English. The sense of "ending" seems to have fallen from the word between Latin and French.
"Around New Year's Eve many editorial cartoons use the convenient trope of Father Time as the personification of the previous year (or "the Old Year") who typically "hands over" the duties of time to the equally allegorical Baby New Year (or "the New Year") or who otherwise characterizes the preceding year."
"Santa Claus, Saint Nicholas, Saint Nick, Father Christmas, Kris Kringle, Santy, or simply Santa is a figure with legendary, historical and folkloric origins who, in many Western cultures, is said to bring gifts to the homes of good children on 24 December, the night before Christmas Day. The modern figure of Santa Claus is derived from the Dutch figure of Sinterklaas, whose name is a dialectal pronunciation of Saint Nicholas, the historical Greek bishop and gift-giver of Myra. During the Christianization of Germanic Europe, this figure may have absorbed elements of the god Odin, who was associated with the Germanic pagan midwinter event of Yule and led the Wild Hunt, a ghostly procession through the sky."
"Saturn, in his incarnation as Father Time, is the central figure in Simon Vouet's 1627 painting, Time Vanquished by Love, Hope & Beauty, which is in the collection of the Museo de Prado in Madrid, Spain."
"Saturnalia was an ancient Roman festival in honor of the deity Saturn, held on 17 December of the Julian calendar and later expanded with festivities through to 23 December. The holiday was celebrated with a sacrifice at the Temple of Saturn, in the Roman Forum, and a public banquet, followed by private gift-giving, continual partying, and a carnival atmosphere that overturned Roman social norms: gambling was permitted, and masters provided table service for their slaves. The poet Catullus called it "the best of days.""
Saturn is the Lord of Capricorn (or Sex) and Lord of Aquarius (or Electronic Communications)
"Saturn (Latin: Saturnus Latin pronunciation: [saˈtʊr.nʊs]) is a god in ancient Roman religion, and a character in myth. Saturn is a complex figure because of his multiple associations and long history. He was the first god of the Capitol, known since the most ancient times as Saturnius Mons, and was seen as a god of generation, dissolution, plenty, wealth, agriculture, periodic renewal and liberation. In later developments he came to be also a god of time. His reign was depicted as a Golden Age of plenty and peace. The Temple of Saturn in the Roman Forum housed the state treasury. In December, he was celebrated at what is perhaps the most famous of the Roman festivals, the Saturnalia, a time of feasting, role reversals, free speech, gift-giving and revelry. Saturn the planet and Saturday are both named after the god."
Saturday or Saturn's day is the Seventh day of the week.
SAT V Rocket
A Shire Reeve or Sun Man between Twin Pillars at the ruins of Temple of Saturn, Rome
masc. proper name, Church Latin Christophoros, from Ecclesiastical Greek khristophoros, literally "Christ-bearing;" from phoros"bearer," from pherein "to carry" (see infer). In medieval legend he was a giant (one of the rare virtuous ones) who aided travellers by carrying them across a river. Medallions with his image worn by travellers are known from the Middle Ages (Chaucer's Yeoman had one). Not a common name in medieval England.
"steward," Old English gerefa "king's officer," of unknown origin and with no known cognates. Not connected to German Graf (see margrave). An Anglo-Saxon official of high rank, having local jurisdiction under a king. Compare sheriff.
"V" as a symbol can represent:
Victory, Vulcan, The Roman Number Five, or a Valley as opposed to a Mountain or Pyramid
Please note Saturn on our right in the photo below.
Star Trek V
The Temple of Saturn in Rome
""El" (Father of Heaven / Saturn) and his major son: "Hadad" (Father of Earth / Jupiter), are symbolized both by the bull, and both wear bull horns on their headdresses."
The Sphere of Saturn: The Final Frontier
"The celestial spheres, or celestial orbs, were the fundamental entities of the cosmological models developed by Plato, Eudoxus, Aristotle, Ptolemy, Copernicus and others. In these celestial models the apparent motions of the fixed stars and the planets are accounted for by treating them as embedded in rotating spheres made of an aetherial, transparent fifth element (quintessence), like jewels set in orbs. Since it was believed that the fixed stars did not change their positions relative to one another, it was argued that they must be on the surface of a single starry sphere."
"The planetary spheres were arranged outwards from the spherical, stationary Earth at the centre of the universe in this order: the spheres of the Moon, Mercury, Venus, Sun, Mars, Jupiter, and Saturn. In more detailed models the seven planetary spheres contained other secondary spheres within them. The planetary spheres were followed by the stellar sphere containing the fixed stars; other scholars added a ninth sphere to account for the precession of the equinoxes,"
Star Trek V
used in various senses in English; Latin, literally "little head," diminutive of caput "head," also "leader, guide, chief person; summit; capital city; origin, source, spring," figuratively "life, physical life;" in writing "a division, paragraph;" of money, "the principal sum," from PIE *kaput- "head" (see head (n.)).
late 14c., capitayn, "a leader, chief, one who stands at the head of others," from Old French capitaine "captain, leader," from Late Latin capitaneus "chief," noun use of adjective capitaneus "prominent, chief," from Latin caput (genitive capitis) "head" (see capitulum).
Military sense of "officer who commands a company" (rank between major and lieutenant) is from 1560s; naval sense of "officer who commands a man-of-war" is from 1550s, extended to "master or commander of a vessel of any kind" by 1704. Sporting sense is first recorded 1823.
c. 1200, northern England and Scottish dialectal form of church, from a Scandinavian source such as Old Norse kirkja "church," from Old English cirice (see church).
Old English cirice, circe "church, public place of worship; Christians collectively," from Proto-Germanic *kirika (cognates: Old Saxon kirika, Old Norse kirkja, Old Frisian zerke, Middle Dutch kerke, Dutch kerk, Old High German kirihha, German Kirche), probably [see note in OED] from Greek kyriake (oikia), kyriakon doma "Lord's (house)," from kyrios "ruler, lord," from PIE root *keue- "to swell" ("swollen," hence "strong, powerful"); see cumulus. Phonetic spelling from c. 1200, established by 16c. For vowel evolution, see bury. As an adjective from 1570s.
Greek kyriakon (adj.) "of the Lord" was used of houses of Christian worship since c.300, especially in the East, though it was less common in this sense than ekklesia or basilike. An example of the direct Greek-to-Germanic progress of many Christian words, via the Goths; it probably was used by West Germanic people in their pre-Christian period.
Also picked up by Slavic, probably via Germanic (Old Church Slavonic criky, Russian cerkov). Finnish kirkko, Estonian kirrik are from Scandinavian. Romance and Celtic languages use variants of Latin ecclesia (such as French église, 11c.).
Church-bell was in late Old English. Church-goer is from 1680s. Church key is early 14c.; slang use for "can or bottle opener" is by 1954, probably originally U.S. college student slang. Church-mouse, proverbial in many languages for its poverty, is 1731 in English.
"to bring or lead to church," mid-14c., from church (n.). Related: Churched.
"Empyrean, from the Medieval Latin empyreus, an adaptation of the Ancient Greek ἔμπυρος empyrus "in or on the fire (pyr)", properly Empyrean Heaven, is the place in the highest heaven, which in ancient cosmologies was supposed to be occupied by the element of fire (or aether in Aristotle's natural philosophy)."
"The Empyrean was thus used as a name for the firmament, and in Christian literature, notably the Divine Comedy, for the dwelling-place of God, the blessed, celestial beings so divine they are made of pure light, and the source of light and creation. The word is used both as a noun and as an adjective, but empyreal is an alternate adjective form as well. Having the same Greek origin are the scientific words empyreuma and empyreumatic, applied to the characteristic smell of the burning or charring of vegetable or animal matter."
I am The Eye In The Sky
Compare to CBS logo and classic map below.
"1830, American English, from Pennsylvania German hexe "to practice witchcraft," from German hexen "to hex," related to Hexe "witch," from Middle High German hecse, hexse, from Old High German hagazussa (see hag). Noun meaning "magic spell" is first recorded 1909; earlier it meant "a witch" (1856)."
The Earth itself, "Mother Nature" is at the Center of The Hex. Just like the center of a magic conjurer's circle.
Cyclops: Earth at The Center of The One Eye
PTOLEMY WAS RIGHT!
The geocentric based GLOBE model was used to successfully navigate the World and was the model used at the time of Columbus. At least according to the narrative we have been told.
Astronomy based on this model worked just fine despite the mainstream narrative.
The Earth is at the center of the HEX and all the other geometrical patterns like the octagon, for example. These Geometrical Patterns (like magic circles or pentagrams) are based on the observations of the planets.
I See You
"The Ainulindalë, the cosmological myth prefixed to The Silmarillion, explains how the supreme being Eru initiated his creation by bringing into being innumerable spirits, "the offspring of his thought", who were with him before anything else had been made. The being later known as Sauron originated as an "immortal (angelic) spirit". In his origin, Sauron therefore perceived the Creator directly. As Tolkien noted: "Sauron could not, of course, be a 'sincere' atheist. Though one of the minor spirits created before the world, he knew Eru, according to his measure.""
"Sauron was prominent among the Maiar who served Aulë the Smith, the great craftsman of the Valar. As a result, Sauron came to possess great knowledge of the physical substances of the world, forging, and all manner of craftsmanship—emerging as "a great craftsman of the household of Aulë". Sauron would always retain the "scientific" knowledge he derived from the great Vala of Craft: "In his beginning he was of the Maiar of Aulë, and he remained mighty in the lore of that people." Sauron's original name was Mairon (the Admirable), but this name was changed to Sauron after he joined Melkor. However, during the Second Age Sauron continued to call himself Tar-Mairon (Lord Mairon)."
The One Ring renders the ruler of the artificial world invisible to his or her subjects.
Seven The Number of Dwarf Kings or authorities who were corrupted by the rings of Sauron. Authorities as in authors or "King Arthurs" of sorts. The magic sword is not weaker than the pen, it is a metaphor for the pen.
"Also in the Second Age Sauron gave the Seven to various Dwarf-lords (though the Dwarves of Moria maintained a tradition that the ring given to Durin III came directly from the Elven smiths). Gandalf mentions a rumour that the seven hoards of the dwarves began each with a single golden ring, and although the Dwarves used their rings to increase their treasure, Tolkien does not explain how the rings accomplished this (save for a reference that the rings "need gold to breed gold"). The main power of the Seven on their wearers was to excite their sense of avarice. The wearers did not become invisible, did not get extended life-spans, nor succumb directly to Sauron's control – though he could still influence them to anger and greed."
Tools of Manipulation: Anger, Avarice, Greed and Lust
The arts and crafts in the service to manipulate the lower impulses of men and women. Instead of beholding a beautiful work as it is for what it is, how the whole compares to the parts and how the whole thing works together as one composition, we are supposed to desire and lust after the artifice instead.
So, you better be good for goodness' sake.
"he seven deadly sins, also known as the capital vices or cardinal sins, is a Western grouping and classification of vices. This grouping emerged in the fourth century AD and was used for Christian ethical education and for confession. According to the Catechism of the Catholic Church, a mortal or deadly sin is believed to destroy the life of grace and charity within a person. Though the sins have fluctuated over time, the currently recognized list includes pride, greed, lust, envy, gluttony, wrath and sloth. There is a parallel tradition of seven virtues."
Sheriffs Work For the British Royalty
(n.) late Old English scirgerefa "representative of royal authority in a shire," from scir (see shire) + gerefa "chief, official, reeve" (see reeve). As an American county official, attested from 1660s; sheriff's sale first recorded 1798. Sheriff's tooth (late 14c.) was a common name for the annual tax levied to pay for the sheriff's victuals during court sessions.
The Hex is Found Within The Six Sided Star
c. 1300, autor "father," from Old French auctor, acteor "author, originator, creator, instigator (12c., Modern French auteur), from Latin auctorem (nominative auctor) "enlarger, founder, master, leader," literally "one who causes to grow," agent noun from auctus, past participle of augere "to increase" (see augment). Meaning "one who sets forth written statements" is from late 14c. The -t- changed to -th- 16c. on mistaken assumption of Greek origin.
Seven the number of individual notes in a musical octave, the number of colors in a rainbow, the colors God uses to paint the world, the colors an artist uses to do the same.
"The six-pointed star is commonly used both as a talisman and for conjuring spirits and spiritual forces in divers forms occult magic. In the book The History and Practice of Magic, Vol. 2, the six-pointed star is called the talisman of Saturn and it is also referred to as the Seal of Solomon. Details are given in this book on how to make these symbols and the materials to use."
"In Germanic mythology, a dwarf is a being that dwells in mountains and in the earth, and is variously associated with wisdom, smithing, mining, and crafting. Dwarfs are often also described as short and ugly, although some scholars have questioned whether this is a later development stemming from comical portrayals of the beings. The concept of the dwarf has had influence in modern popular culture and appears in a variety of media."
Dwarfs are Creators, Craftsmen & Artists
"Very few beings explicitly identifiable as dwarfs appear in the Poetic Edda and Prose Edda and have quite diverse roles: murderous creators who create the mead of poetry, 'reluctant donors' of important artifacts with magical qualities, or sexual predators who lust after goddesses. They are primarily associated with metalsmithing, and also with death; as in the story of King Sveigðir in Ynglinga saga, the first segment of the Heimskringla, the doorways in the mountains that they guard may be regarded as doors between worlds. One dwarf, Alvíss, claimed the hand of the god Thor's daughter Þrúðr in marriage, but when kept talking until daybreak, turned to stone much like some accounts of trolls"
"After the Christianization of the Germanic peoples, tales of dwarfs continued to be told in the folklore of areas of Europe where Germanic languages were (and are) spoken. In the late legendary sagas, they demonstrate skill in healing as well as in smithing."
I Know What You Are Thinking
The Palantir as a Symbol For Modern Communication Technology & Its PowerTo Enthrall The Mass
"A palantír (sometimes translated as Seeing Stone but actually meaning "Farsighted" or "One that Sees from Afar") is a stone that functions somewhat like a crystal ball. When one looks in it, one can communicate with other Stones and anyone who might be looking into them; people of great power can manipulate the Stones to see virtually any part of the world."
"Mass society is any society of the modern era that possesses a mass culture and large-scale, impersonal, social institutions. A mass society is a society in which prosperity and bureaucracy have weakened traditional social ties."  Descriptions of society as a "mass" took form in the 19th century, referring to the leveling tendencies in the period of the Industrial Revolution that undermined traditional and aristocratic values.
Capricorn the Horned Goat, Pan the Horney Goat God, Hex and Saturnalian Sex
In the work of early 19th century political theorists such as Alexis de Tocqueville, the term was used in discussions of elite concerns about a shift in the body politic of the Western world pronounced since the French Revolution. Such elite concerns centered in large part on the "tyranny of the majority," or mob rule."
"Dr. Bill Harford (Tom Cruise) and his wife, Alice (Nicole Kidman), are a young couple living in New York. They go to a Christmas party thrown by a wealthy patient, Victor Ziegler (Sydney Pollack). Bill meets an old friend from medical school, Nick Nightingale (Todd Field), who now plays piano professionally. While a Hungarian man named Sandor Szavost (Sky du Mont) tries to pick up Alice, two young models try to take Bill off for a tryst. He is interrupted by a call from his host upstairs, who had been having sex with Mandy (Julienne Davis), a young woman who has overdosed on a speedball. Mandy recovers with Bill's aid."
"The next evening at home, while smoking cannabis, Alice asks him if he had sex with the two girls. After Bill reassures her, she asks if he is ever jealous of men who are attracted to her. As the discussion gets heated, he states that he thinks women are more faithful than men. She rebuts him, telling him of a recent fantasy she had about a naval officer they had encountered on a vacation. Disturbed by Alice's revelation, Bill is then called by the daughter of a patient who has just died; he then heads over to her place. In her pain, Marion Nathanson (Marie Richardson) impulsively kisses him and says she loves him. Putting her off before her fiance Carl (Thomas Gibson) arrives, Bill takes a walk. He meets a prostitute named Domino (Vinessa Shaw) and goes to her apartment.
Alice phones just as Domino begins to kiss Bill, after which he calls off the awkward encounter. Meeting Nick at the jazz club where he's just finishing his last set, Bill learns that Nick has an engagement where he must play piano blindfolded. Bill presses for details. He learns that to gain admittance, one needs a costume, a mask, and the password (which Nick writes down for him). Bill goes to a costume shop. He offers the owner, Mr. Milich (Rade Serbedzija), a generous amount of money to rent a costume. In the shop, Milich catches his teenage daughter (Leelee Sobieski) with two Japanese men and expresses outrage at their lack of a sense of decency.
Bill takes a taxi to the country mansion mentioned by Nick. He gives the password and discovers a quasi-religious sexual ritual is taking place. Although he is masked, a woman takes Bill aside and warns him he does not belong there, insisting he is in terrible danger. She is then whisked away by someone else, so Bill spends some time wandering from room to room in the mansion, where groups of masked people are engaged in various types of sexual acts, while others watch. He is then interrupted by a porter who tells Bill that the taxi driver wants to speak urgently with him at the front door. However, the porter takes him to the ritual room, where a disguised red-cloaked Master of Ceremonies confronts Bill with a question about a second password. Bill says he has forgotten. The Master of Ceremonies insists that Bill "kindly remove his mask", then his clothes. The masked woman who had tried to warn Bill now intervenes and insists that she be punished instead of him. Bill is ushered from the mansion and warned not to tell anyone about what happened there.
Just before dawn, Bill arrives home guilty and confused. He finds Alice laughing loudly in her sleep and awakens her. While crying, she tells him of a troubling dream in which she was having sex with the naval officer and many other men, and laughing at the idea of Bill seeing her with them. The next morning, Bill goes to Nick's hotel, where the desk clerk (Alan Cumming) tells Bill that a bruised and frightened Nick checked out a few hours earlier after returning with two large, dangerous-looking men. Nick tried to pass an envelope to the clerk when they were leaving, but it was intercepted, and Nick was driven away by the two men.
Saturn is The Old Man or Final Gatekeeper
Bill goes to return the costume — but not the mask, which he has misplaced — and Milich, with his daughter by his side, states he can do other favors for Bill "and it needn't be a costume." The same two Japanese men leave; Milich implies to Bill that he has sold his daughter for prostitution. Bill returns to the country mansion in his own car and is met at the gate by a man with a note warning him to cease and desist his inquiries. At home, Bill thinks about Alice's dream while watching her tutor their daughter.
Beyond the Gate is the Mythical Kingdom of The Sun's Father
Bill reconsiders his sexual offers the night before. He first phones Marion, but hangs up after Carl answers the phone. Bill then goes to Domino's apartment with a gift. Her roommate Sally (Fay Masterson) is home, but not Domino. After Bill attempts to seduce Sally, she reveals to him that Domino has just tested positive for HIV. Bill leaves and notices a man is following him. After reading a newspaper story about a beauty queen who died of a drug overdose, Bill views the body at the morgue and identifies it as Mandy. Bill is summoned to Ziegler's house, where he is confronted with the events of the past night and day. Ziegler was one of those involved with the ritual orgy, and identified Bill and his connection with Nick. His own position with the secret society has been jeopardized by Bill's intrusion since Ziegler recommended Nick for the job."
"Ziegler claims that he had Bill followed for his own protection, and that the warnings made against Bill by the society are only intended to scare him from speaking about the orgy. But he implies the society is capable of acting on their threats, telling Bill: "If I told you their names, I don't think you'd sleep so well". Bill asks about the death of Mandy, whom Ziegler has identified as the masked woman at the party who'd "sacrificed" herself to prevent Bill's punishment, and about the disappearance of Nick, the piano player. Ziegler insists that Nick is safely back at his home in Seattle. Ziegler also says the "punishment" was a charade by the secret society to further frighten Bill, and it had nothing to do with Mandy's death; she was a hooker and addict and had indeed died from another accidental drug overdose. Bill clearly does not know if Ziegler is telling him the truth about Nick's disappearance or Mandy's death, but he says nothing further and lets the matter drop.
When he returns home, Bill finds the rented mask on his pillow next to his sleeping wife. He breaks down in tears and decides to tell Alice the whole truth of the past two days. The next morning, they go Christmas shopping with their daughter. Alice muses that they should be grateful they have survived, that she loves him, and there is something they must do as soon as possible. When Bill asks what it may be, she simply says: "Fuck"."
Eyes Wide Shut Now Open: Christmas is Saturnalia
Eyes Wide Shut is a Hollywood version of the Saturnalia tradition. Saturn is the Roman God of Capital and The God of The Capitol as well.
"Saturnalia was an ancient Roman festival in honour of deity Saturn, held on 17 December of the Julian calendar and later expanded with festivities through to 23 December. The holiday was celebrated with a sacrifice at the Temple of Saturn, in the Roman Forum, and a public banquet, followed by private gift-giving, continual partying, and a carnival atmosphere that overturned Roman social norms: gambling was permitted, and masters provided table service for their slaves. The poet Catullus called it "the best of days".
Saturnalia is the best-known of several festivals in the Greco-Roman world characterized by role reversals and behavioral license. Slaves were treated to a banquet of the kind usually enjoyed by their masters. Ancient sources differ on the circumstances: some suggest that master and slave dined together, while others indicate that the slaves feasted first, or that the masters actually served the food. The practice might have varied over time, and in any case slaves would still have prepared the meal.
Saturnalian license also permitted slaves to disrespect their masters without the threat of a punishment. It was a time for free speech: the Augustan poet Horace calls it "December liberty". In two satires set during the Saturnalia, Horace has a slave offer sharp criticism to his master. Everyone knew, however, that the leveling of the social hierarchy was temporary and had limits; no social norms were ultimately threatened, because the holiday would end.
The toga, the characteristic garment of the male Roman citizen, was set aside in favor of the Greek synthesis, colourful "dinner clothes" otherwise considered in poor taste for daytime wear.Romans of citizen status normally went about bare-headed, but for the Saturnalia donned the pilleus, the conical felt cap that was the usual mark of a freedman. Slaves, who ordinarily were not entitled to wear the pilleus, wore it as well, so that everyone was "pilleated" without distinction.
The participation of freeborn Roman women is implied by sources that name gifts for women, but their presence at banquets may have depended on the custom of their time; from the late Republic onward, women mingled socially with men more freely than they had in earlier times. Female entertainers were certainly present at some otherwise all-male gatherings.
Role-playing was implicit in the Saturnalia's status reversals, and there are hints of mask-wearing or "guising". No theatrical events are mentioned in connection with the festivities, but the classicist Erich Segal saw Roman comedy, with its cast of impudent, free-wheeling slaves and libertine seniors, as imbued with the Saturnalian spirit.
Gambling and dice-playing, normally prohibited or at least frowned upon, were permitted for all, even slaves. Coins and nuts were the stakes. On the Calendar of Philocalus, the Saturnalia is represented by a man wearing a fur-trimmed coat next to a table with dice, and a caption reading: "Now you have license, slave, to game with your master." Rampant overeating and drunkenness became the rule, and a sober person the exception.
Seneca looked forward to the holiday, if somewhat tentatively, in a letter to a friend:
"It is now the month of December, when the greatest part of the city is in a bustle. Loose reins are given to public dissipation; everywhere you may hear the sound of great preparations, as if there were some real difference between the days devoted to Saturn and those for transacting business. … Were you here, I would willingly confer with you as to the plan of our conduct; whether we should eve in our usual way, or, to avoid singularity, both take a better supper and throw off the toga."
Some Romans found it all a bit much. Pliny describes a secluded suite of rooms in his Laurentine villa, which he used as a retreat: "...especially during the Saturnalia when the rest of the house is noisy with the licence of the holiday and festive cries. This way I don't hamper the games of my people and they don't hinder my work or studies."
The Sigillaria on 19 December was a day of gift-giving. Because gifts of value would mark social status contrary to the spirit of the season, these were often the pottery or wax figurines called sigillaria made specially for the day, candles, or "gag gifts", of which Augustus was particularly fond. Children received toys as gifts. In his many poems about the Saturnalia, Martial names both expensive and quite cheap gifts, including writing tablets, dice, knucklebones, moneyboxes, combs, toothpicks, a hat, a hunting knife, an axe, various lamps, balls, perfumes, pipes, a pig, a sausage, a parrot, tables, cups, spoons, items of clothing, statues, masks, books, and pets. Gifts might be as costly as a slave or exotic animal, but Martial suggests that token gifts of low intrinsic value inversely measure the high quality of a friendship. Patrons or "bosses" might pass along a gratuity (sigillaricium) to their poorer clients or dependents to help them buy gifts. Some emperors were noted for their devoted observance of the Sigillaria.
In a practice that might be compared to modern greeting cards, verses sometimes accompanied the gifts. Martial has a collection of poems written as if to be attached to gifts. Catullus received a book of bad poems by "the worst poet of all time" as a joke from a friend.
Gift-giving was not confined to the day of the Sigillaria. In some households, guests and family members received gifts after the feast in which slaves had shared."
"Saturn (Latin: Saturnus pronounced [saˈtʊr.nʊs]) is a god in ancient Roman religion, and a character in myth. Saturn is a complex figure because of his multiple associations and long history. He was the first god of the Capitol, known since the most ancient times as Saturnius Mons, and was seen as a god of generation, dissolution, plenty, wealth, agriculture, periodic renewal and liberation. In later developments he came to be also a god of time. His reign was depicted as a Golden Age of plenty and peace. The Temple of Saturn in the Roman Forum housed the state treasury. In December, he was celebrated at what is perhaps the most famous of the Roman festivals, the Saturnalia, a time of feasting, role reversals, free speech, gift-giving and revelry. Saturn the planet and Saturday are both named after the god."
"The Roman soil preserved the remembrance of a very remote time during which Saturn and Janus reigned on the site of the city before its foundation: the Capitol was named mons Saturnius. The Romans identified Saturn with the Greek Cronus, whose myths were adapted for Latin literature and Roman art. In particular, Cronus's role in the genealogy of the Greek gods was transferred to Saturn. As early as Livius Andronicus (3rd century BC), Jupiter was called the son of Saturn.
Saturn had two consorts who represented different aspects of the god. The name of his wife Ops, the Roman equivalent of Greek Rhea, means "wealth, abundance, resources." The association with Ops though is considered a later development, as this goddess was originally paired with Consus. Earlier was Saturn's association with Lua ("destruction, dissolution, loosening"), a goddess who received the bloodied weapons of enemies destroyed in war.
According to Varro, Saturn's name was derived from satu, meaning "sowing". Even though this etymology looks implausible on linguistic grounds (for the long quantity of the a in Sāturnus and also because of the epigraphically attested form Saeturnus) nevertheless it does reflect an original feature of the god. A more probable etymology connects the name with Etruscan god Satre and placenames such as Satria, an ancient town of Latium, and Saturae palus, a marsh also in Latium. This root may be related to Latin phytonym satureia. Another epithet, variably Sterculius, Stercutus, and Sterces, referred to his agricultural functions; this derives from stercus, "dung" or "manure", referring to re-emerge from death to life. Agriculture was important to Roman identity, and Saturn was a part of archaic Roman religion and ethnic identity. His name appears in the ancient hymn of the Salian priests, and his temple was the oldest known to have been recorded by the pontiffs.
The temple of Saturn was located at the base of the Capitoline Hill, according to a tradition recorded by Varro formerly known as Saturnius Mons, and a row of columns from the last rebuilding of the temple still stands. The temple was consecrated in 497 BC but the area Saturniwas built by king Tullus Hostilius as confirmed by archaeological studies conducted by E. Gjerstad. It housed the state treasury (aerarium) throughout Roman history.
The position of Saturn's festival in the Roman calendar led to his association with concepts of time, especially the temporal transition of the New Year. In the Greek tradition, Cronus was sometimes conflated with Chronus, "Time," and his devouring of his children taken as an allegory for the passing of generations. The sickle or scythe of Father Time is a remnant of the agricultural implement of Cronus-Saturn, and his aged appearance represents the waning of the old year with the birth of the new, in antiquity sometimes embodied by Aion. In late antiquity, Saturn is syncretized with a number of deities, and begins to be depicted as winged, as is Kairos, "Timing, Right Time"."
Somewhere Over The Rainbow - Magic Tricks Are For Everyone! The magical box will tell you what to think.
Carter Beats The Devil
A Rabbit Hole Found Under The Rainbow - Perfecting Special Effect Illusions For The Wizard of Oz FIlm
Please Allow Me To Introduce the Sons of SAM