A Proper Gander At Propaganda


PLEASE NOTE: This is not a conspiracy theory blog.

This website exists to serve as public resource for reverse imagineering world-wide culture, one that takes a critical look at the numerous artifacts and other types of relics that represent our shared collective international heritage. This blog is dedicated to examining social engineering and the use of tax funded governmental propaganda, and the mainstream media, as international human resource management tools.

About The AA Morris Proper Gander At Propaganda Podcast: Coming to you from one of the suburban metropolitan melting pots of international culture, outside of one of the multimedia capitals of the world, New York City, the Proper Gander at Propaganda podcast is meant to be a filter free look at our shared international cultural heritage, our shared social media infused and obsessed present, and what our children and their children could be looking forward to. This link will bring you to the podcast page of this website, with embedded squarespace audio: link: http://www.aamorris.net/podcast/

Thank you for taking the time to read this,

AA "The Proper Gander" Morris

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Welcome To The Royal Show, Be Prepared To Be Deceived - You Won't Believe The Lies!

Please excuse any typos you may come across. Spell check is evil. We will fix them as we find them. Thank you. AAMorris Staff.

A Real Stockholm Syndrome indeed!

Want to bet this contract is standard practice?

The images of the celebrities are very controlled and highly manipulated. There are layers of illusion woven with some small doses of  truth and this creates the biography and persona of the so-called film, television, news, pop, music or other sort of celebrity "Star".

We are supposed to look up to those people as successful examples of human beings. We are supposed to emulate their behavior. We must avoid this sort of idolatry. We must learn to ignore the messenger and learn to appreciate reading the message.

We think we know who the famous people really are, but we only know what we are shown and told. We know nothing about these people and their real lives. We only know the propaganda or public relations noise.

We can not be sure we know who is who.

"Real World" Contracts

“When signing the contract, cast members also agree that producers can humiliate them, portray them “in a false light,” and even hire “actors who may or may not resemble” them to achieve whatever ends they’d like. So, even if you’re a saint, they can make you look like the devil. MTV also gets blanket rights to all contestants’ experiences “which occur, will occur, or have occurred at any time… (my ‘Life Story’).” That means if you tell the producers a story that happened in your past, they can work it in any way they want. It sounds like something straight out of an Orwellian novel.”

— http://www.looper.com/15293/untold-truth-mtvs-real-world/?utm_campaign=clip

Do You Think You Are Free From Propaganda? Do you think the NEWS and Hollywood are independent from the Government?

Ever hear about The Defense Information School? “The Defense Information School or DINFOS, is a United States Department of Defense (DoD) school located at Fort George G. MeadeMaryland. DINFOS fulfills the Department of Defense's need for an internal corps of professional journalists, broadcasters, and public affairs professionals.” This was formed in 1946! The purpose of this school is to brainwash our minds. Don’t believe us? Please keep reading or check out the article index. Please keep an open mind, everything we think we know is probably wrong, we will explain why we make this claim. This is but the tip of the proverbial iceberg.


Did you ever read or hear about any of these other absurd stories about the ‘War to End all Wars’? What we think of wars and history is more lie than not. Did you know film makers have been faking so-called real war footage for years?  Ever read or hear about the Ghost Army and all the rest? Please keep reading this article.






see also: https://en.wikipedia.org/wiki/Fort_George_G._Meade

A Fort Where Art, Journalism & Information Management are Taught

"Fort George G. Meade is a United States Army installation that includes the Defense Information School, the Defense Media Activity, the United States Army Field Band, and the headquarters of United States Cyber Command, the National Security Agency, the Defense Courier Service, and Defense Information Systems Agency headquarters. It is named for George G. Meade, a general from the U.S. Civil War, who served as commander of the Army of the Potomac. The fort's smaller census-designated place includes support facilities such as schools, housing, and the offices of the Military Intelligence Civilian Excepted Career Program (MICECP)."


Warning! Some Mature Content Ahead

Space Out Baby - The Origin of Beyonce's Current Act

Excellence must be pursued, it must be wooed with all of one's might and every bit of effort that we have; each day there's a new encounter, each week is a new challenge. All of the noise and all of the glamour, all of the color all of the excitement, all of the rings and all of the money.

Do The Royalty Literally Run The Show?

We all seem to really enjoy being entertained. Singing and dancing is natural. Every human is an artist. The thing is art has been used to enslave the minds of the masses for generations because we naturally enjoy entertainment. The idea of the 5 day work week and blowing off steam after work with a beer and a song is something commercials have promoted for years. Maybe it's past time we rethink this scheme. Perhaps a 3 day work week is in order in this magical age of cloud computing. Imagine the world that could be built if the imaginations of most of us were set free. Television is a powerful tool. The actors and performers are literally in our living rooms. We tend to regard our favorite celebrities like we consider our friends and family. This is due to our inherent behavioral natures, which this medium is used to take advantage of. We tend to parrot and monkey each other's behavior. Here television is used to sell the public on new ideas of fashion and sexual freedom. These ideas themselves have obvious merit, but the multimedia beast uses these cultural creations to create division among the public. In other words we are naturally free to do as we please with our bodies and with others who agree with us. We shouldn't go around forcing other people to act or think how we deem fit. What you do is on you. But this obvious logical application of the Golden Rule is ignored by the multimedia beast which promotes various forms of social shepherding and behavioral control. People are encouraged to join groups of the like minded, more often than not led by controlled opposition figures, who are figurative "Led Zeppelins" who will never actually go anywhere. This makes managing the resources of 'the estate' that much easier. Better still keep the public fighting over nonsense like sexual preference, rather than allowing the public to get our act together so we can collectively change things to our advantage. 

The political system, and events like the presidential elections, are means of social control through team building division. We are supposed to worry about Trump or Hillary - getting in, instead of realizing it doesn't matter who is in office. What matters is knowing what to ask of the system. If enough of us get together it might be possible to slightly alter our collective fate. We might be able to end some of the war on drugs, for example. This is one of the most obvious examples of government corruption and how private business benefits from this imposed fraudulent so called legal system by way of the absurd prison system. 

Historically, the nobility were the only ones with the time to learn the arts in the first place. They were literate and the masses not so much.

Things must have changed as the merchant or middle class rose.

I have a book of old renaissance wood cuts and they show the royal ladies playing lutes and other musical instruments, for example. It's pretty clear that these are also the people who enjoy playing dress up on elaborate stages. The royal court robes and the powdered wigs are all part of the show.

The royals are also the traditional patrons of the arts. They paid and pay for the architecture and the rest of the cultural artifacts used to keep the masses in their place. It's like the Pied Piper fable. Religion is another construct paid for by the nobles to control the masses. They paid for all the art and architecture. This defines the imagination of the mass public. It's basic psychology. The university system was also the creation of the nobility and was heavily influenced by the Jesuit order.

It is a traveling Royal Road Show. They literally sent artists around the world to create this world wide empire we know today. The New World Order has been around for a long time. Well over 200 years or so. Masons are just artists of one kind or another.

It's like the tales of the traveling elf royalty from Celtic mythology or the gypsy's coming to town and putting on a show, a traveling carnival. Basically the world is run by carnies. These families are the real 'Mafia'.



Welcome To The Social Experiment You Call The Real World

The Prisoner: Was Patrick McGoohan trying to tell us all something?  It's interesting how McGoohan has no military background. He was evacuated during World War Two and seems to have a background in theater only. His biography would seem to indicate that of a regular person who was caught up in the show, just like the rest of us. A show he would join later on. Something to consider. Of course, we did not know the man and wouldn't be surprised if he wasn't who he claimed to be. It is interesting how we see another example of the royalty's need to play this immigration game of moving people around. All part of the social control experiment we call home and subject for another, future article.


"Number Six is monitored heavily by Number Two, the Village administrator acting as an agent for an unseen "Number One". A variety of techniques are used by Number Two to try to extract information from Number Six, including hallucinogenic drug experiences, identity theftmind controldream manipulation, and various forms of social indoctrination."


PLEASE TAKE NOTE: The description above reads like a mainstream newscast or alt media one. Interesting isn't it? Fiction is the source for so-called fact in our fake social experiment world. See? These people are not very original. They grab their ideas from the pop culture they paid for. The social engineers are not as smart as they think. Please keep in mind, the internet is part of the experiment. It is a feedback tool as well as medium for behavioral control. YouTube, Facebook, Twitter, swinging and dating sites and porn, are all part of it. The basic con goes like this: get a controlled actor to go public with the new behavior. This actor might be on screen, on stage or even among the common folk. The oldest way to get people to change their behavior was simple word of mouth and it is so easy to lie. Please notice too how controlled some so-called alt media sources actually are. Please notice how many of these forums and websites end up going in circles and never getting anywhere. They post and chat about the same subjects over and over and never add much by way of new information to it. It only goes so far. It is a limited hang out. 

Keep in mind the internet, like the governments themselves, are not meant for us. They are meant to control our behavior.
We weren’t really suppose to use this thing to learn the truth and communicate it to each other were we? The minions of the royalty think they can continue with old tactics that no longer apply. Noise can no longer drown out the truth, when we know now how to recognize noise for what it is. Intellectual dishonesty, whether contrived or not, is easy to spot.

Too many so-called alt media websites are really entertainment sites, along the lines of People Magazine or the Enquirer. Just another version of yellow print journalism - tabloid nonsense. 

The contrived behavior is then taken as legitimate by the unsuspecting public who then copy it.

Fractured Families Cannot Fight Nor Can They Win The Generational War With The United Mafia Families

Project MK Ultra Found On Every Television in The Nation

Basic behaviorism is the only tool you need to use to control the imaginations of the masses. The 7 headed multimedia hydra is and was always used to control the minds of the working public. We have to accept the authority of the various governments and institutions, less society fall to ruin and chaos. Funny how in this the so called 21st Century we have more laws and rules restricting our behavior than ever before. We also pay more of our income to the tax man than ever Taxes come in so many forms these days, social security is here included as another form of taxation. We have taxation with representation. We were better off before the so called Revolt of 1776. Each  subsequent war and national emergency brings more control to DC and less control for you and me.

Not everyone in on the show needs to be born into royalty. If you have skills that are needed, you can join the show. If your really lucky maybe you’d get promoted. Royalty isn’t real and titles are words on paper and in air. The Queen can Knight you too. Besides title do not matter. Aristocracy does not need to label itself. But an awful lot of those 'stars' do have the aristocratic background. The original families that settled the new world, for example, would have grown powerful by now, assuming they survived and remained coherent. The deconstruction of the family and extended family, in terms of propaganda, might be explained by this. If we build on what our families have done, we will grow stronger. If we keep starting over again, we will never grow a generational business. The world is run by the original long standing mafia con.

Origins of MTV - Before Beyonce There Was Raquel Welch, Miniskirts, Gyrating Hips & Go-Go Boots!

The So-Called Counter Culture was Always Mainstream

Jo Raquel Tejada (born September 5, 1940), better known as Raquel Welch, is an American actress, author and sex symbol. Welch came to attention as a "new-star" on the 20th Century-Fox lot in the mid-1960s. She posed iconically in an animal skin bikini for the British-release One Million Years B.C.

A Mayflower Queen

Welch was born as Jo Raquel Tejada on September 5, 1940, in Chicago, Illinois. Her father, Armando Carlos Tejada Urquizo (1911–1976), was an aeronautical engineer from La Paz, Bolivia. Her mother, Josephine Sarah (née Hall; 1909–2000), was the daughter of architect Emery Stanford Hall and his wife Clara Louise Adams, and was of English origin originally of Salford, Lancashire, that dated back to the Mayflower.
— https://en.wikipedia.org/wiki/Raquel_Welch
infirmary scene

"She's a Man Baby!"

Fluid Sexuality is Patriotically Promoted

Welch as a Man (Myron) Who Becomes Myra The Transexual Heroine

"About everything they make a movie about then becomes a fad. And there are going to be number now of Sex Change Movies..." - Dick Cavett 1970

The talk show host Dick Cavett was very influential back in his day. He would interview all sorts of celebrities. He is clearly part of the promotional aspect if this big show. He is a MK Ultra handler and the MK Ultra Slaves he handles is the public. The scantily clad actress Rachel Welch  is no slave, she is a handler too, and she's trying to handle you.

Watch The Interview :

Add "&fmt=18" for the high-resolution version. From THE DICK CAVETT SHOW. June 25, 1970.

The Film Myra Breckinridge

"Like the novel, the picture follows the exploits of Myra Breckinridge as she goes to Hollywood to turn it inside out; also in the story are a former Hollywood siren named Leticia and Myra's alter ego, Myron, who originally was a man before he became Myra.

Myra Breckinridge is a 1970 American comedy film based on Gore Vidal's 1968 novel of the same name. The film was directed by Michael Sarne, and featured Raquel Welch in the title role. It also starred John Huston as Buck Loner, Mae West as Leticia Van Allen, Farrah Fawcett, Rex Reed, Roger Herren, and Roger C. Carmel. Tom Selleck made his film debut in a small role as one of Leticia's "studs". Theadora Van Runkle was costume designer for the film, though Edith Head designed West's costumes.

The picture was controversial for its sexual explicitness (including acts like pegging), but unlike the novel, Myra Breckinridge received little to no critical praise and has been cited as one of the worst films ever made."


"Welch's most controversial role came in Myra Breckinridge. She took the part as the film's transsexual heroine in an attempt to be taken seriously as an actress, but the movie was a failure. Welch starred in the movie, 100 Rifles, a 1969 western directed by Tom Gries. The film also starred Jim Brown, Burt Reynolds, and Fernando Lamas."


Talk Shows Program Public Perceptions: The Dick Cavett Show

The Dick Cavett Show most often refers to the shows on ABC-TV that Dick Cavett hosted between 1968 and 1975 in New York. The first daytime show featured Gore Vidal, Muhammad Ali, and Angela Lansbury. ABC pressured Cavett to “get big names,” although subsequent shows without them got higher ratings and more critical acclaim.
— https://en.wikipedia.org/wiki/The_Dick_Cavett_Show#Show_history
The Dick Cavett Show was the title of several talk shows hosted by Dick Cavett on various television networks, including:
ABC daytime, (March 4, 1968–January 24, 1969) originally titled This Morning
ABC prime time, Tuesdays, Wednesdays & Fridays (May 26 – September 19, 1969)
ABC late night (December 29, 1969 – January 1, 1975)
CBS prime time, Saturdays (August 16 – September 6, 1975; this version was actually more of a variety show)
PBS, early evenings, weeknights (October 10, 1977 – October 8, 1982)
USA Network prime time (September 30, 1985 – September 23, 1986)
ABC late night, Tuesdays & Wednesday nights (September 22 – December 30, 1986)
CNBC (April 17, 1989 – January 26, 1996)
TCM (2006–2007)
Cavett taped his programs in New York City.
— https://en.wikipedia.org/wiki/The_Dick_Cavett_Show


Like Masons, Stage Magicians & The Royals, The Hidden Faire Court Likes To Travel & Hide 'Underground'

"The trooping fairies contain the aristocracy of the fairy world, including the Irish Aos Sí.[7] They are known as trooping faeries because they travel in long processions, such as the one from which Tam Lin was rescued.[15] But the trooping fairies also include other fairies of lesser importance; a trooping fairy can be large or small, friendly or sinister."



Please take a listen to this excellent discussion about the entertainment industry and the aristocracy below, we recommend Hoax Busters Call for its thought provoking conversations:



"About everything they make a movie about then becomes a fad. And there are going to be number now of Sex Change Movies..." -1970 Dick Cavett

Weaponized or toxic culture is concocted to distract us from seeing the walls of our collective socially controlled prison. It's not really about freedom, which we already possess, it's about ensuring the unaware do not become aware of the social control mechanisms and the crime and racket that is government.

Its about distracting us from real issues that really effect our lives, like the unlawful Drug War.

How Do We Have A Drug War if Nobody is Doing Drugs?

The multimedia beast will sell the public a youth drug subculture and then the other head of the very same beast, eats these children by way of the pay for prison injustice system we pay for. This is the real purpose of the so-called toxic drug culture. We must end the Drug War. 

Mainstream Multimedia Has Long Supported Counter Culture

We Must End The Unlawful and Illogical Drug War - It Is Nothing But a Scam

Nobody has any right or real reason to tell any other adult what they can do with themselves. Drug use can not be legislated away and the laws regarding drugs are only about control and profit for Big Pharma. Substances like cannabis have long been considered and illogically classified as poison. The obvious reason would have to do with the emerging pharmaceutical industry and products like vaccine shots. Of all the so-called drugs, cannabis is not only safe and non toxic, it is in breast milk, our bodies produce it. The entire subject is purposefully distorted by the multimedia beast and large parts of the University system as well. 

Not only is cannabis safe, it does not hinder motor skills nor does it impair driving. Newbies might get a panic attack but long time users do not, and as any coffee drinker or cigarette smoker knows, we build tolerances to the intensity of the buzz. There's the cliche of the stoner in the basement playing the video game or the stoner playing a musical instrument. Or the stoner skateboarding or snowboarding. Stoners play jacket sack and football and frisbee. Oh yea and cannabis is not only neural protective it "makes you smarter".

Cannabinoids and tumor inhibition in the news again this week!: http://www.mapinc.org/drugnews/v08/n076/a02.html On this video filmed in 2006, Dr. Robert Melamede, Professor of Biology at the University of Colorado, explains how the body's Endo-Cannabinoid system (and plant based Cannabinoids as suppliment) kills cancer cells and inhibits tumor growth.

When we read a media headline claiming that we should fear cannabis due to lack of research we laugh, the opposite is true, the fact is more research is needed into the benefits of this miracle plant. It should be taken like vitamins.

The fact is that if someone is feeling too 'stoned' they do not want to drive, more often than not. They do not get alcoholic bravery. They get paranoid and are less likely to drive fast or radically and in fact they end up driving too slow. In any case, the entire subject is being discussed in the media by people who have no idea what they are talking about.

Alcohol and prescription drugs have more drastic side effects than cannabis, and people do drive after having one drink and do drive when they take things like allergy medicine, which does make them drowsy. Context is important. The side effects of cannabis are the munchies and giggles. The lists of side effects for all pharmaceutical products are so long as to be nearly impossible to list here.

An Out Of Focus Media Hocus Pocus

The media tries to focus our attention on things that do not matter to us like how people dress, who people love or who they think they are, instead of focusing on things like ending the unlawful Drug War which itself is a crime and racket. The media, like a good religious leader or snake oil sales man will try to get us to believe in things that are not only lies, but are not good for us. What is not good for us is to be worried about what the other people are doing. We need to mind our own business.

The transgender meme is promoted to confuse masculine with male and feminine with female. Every human being has masculine and feminine aspects, as does nature. This is the meaning of the hermaphrodite image. This is not the same as the natural roles both biological systems play. Bruce Jenner or Max Klinger will never be able to give birth or use their body to feed the growing child. 

Hollywood's Long History of Transgender Roles

What you do with your body is up to you. This isn't about whether or not you are or aren't gay, lesbian, or transgender. This is about how this subject was treated and used by the mainstream mass multimedia complex. Like with most topics in the media, there is some truth mixed with fiction and there is some good mixed in with the show. The issue really is how this subject was and is used to divide the public. In fact this is done at the expense of real transgender people, since shows like the Bruce Jenner show do very little to actually promote anything but Bruce Jenner.

We are all for personal expression and we do not care what you do, but sweet Jesus! - Hollywod has pushed this meme hard! Pun intended.

Several movies feature transgender as a central plot element, or well known movies in which a transgender character plays a minor but important role:
Trans men[edit]
"Desperate Living" (1977): A John Waters comedy featuring a trans man character who gets phalloplasty.
"Linda/Les and Annie: The First Female-to-Male Transsexual Love Story" (1992): A 30-minute docu-drama, written, co-directed/co-edited by Annie Sprinkle.
Boys Don't Cry (1999): A drama film based on the real-life story of Brandon Teena, a transgender man who was raped and murdered by male friends. The movie received lots of media attention when its star Hilary Swank, who played Brandon, won the Academy Award for Best Actress.
Southern Comfort (2001): A documentary film about the final year in the life of Robert Eads, a transgender man from the southern United States.
"By Hook or by Crook" (2001): A queer buddy film written, directed by, and starring trans men.
Flying with One Wing (2003): Revolutionary Sri Lankan movie – a transgender man, Manju, is discovered after being taken to a clinic after a car accident. Film contains themes about sexism, homophobia.
Funny Kinda Guy (2005): A documentary following the singer Simon de Voil's transition to manhood, encountering the sacrifice of her female singing voice. Directed by Travis Reeves, a man who has also transitioned.
Strange Circus (2005): Yuji, the novelist's assistant, is a transgender man.
Boy I Am (2006): A documentary that explores antagonism in the lesbian community as a result of the increased visibility of transgender men.
Itty Bitty Titty Committee (2007): A comedy about young feminists who spread their message through public art and vandalism. Aggie (played by Lauren Mollica) has gender dysphoria. She bonds with the main character, Anna, and develops an apparent crush on her.
Romeos (2011): A drama and tragicomedy which revolves around the romantic relationship between Lukas, a 20-year-old gay trans man who is transitioning from female to male, and a cisgender gay man named Fabio.
Tomboy (2011): A French drama about a 10-year-old transgender child who, after moving with his family to a new neighborhood introduces himself to his new friends as Mikäel.
Albert Nobbs (2011): A drama about a trans man living in 19th century Dublin and working as a butler. He bonds with another trans man, who is a painter, in the same city. Film is criticized for its portrayal of trans men as "women in disguise."
Pierrot Lunaire (2014): an adaptation of Arnold Schoenberg's Pierrot Lunaire that features a trans man in the title role.
Trans: a documentary about transboys (2014): A documentary film that explores the female-to-male transition by following several subjects in Ghent, Belgium.
About Ray (2015): A drama about a young person transitioning female to male (Ray). Elle Fanning plays Ray.
Trans women[edit]
"Glen or Glenda" (1953): A loose, unauthorized retelling of Christine Jorgenson's story by director Ed Wood.
The Christine Jorgensen Story (1970): Former Army private from the Bronx undergoes surgery and hormone treatments in Denmark in 1952 to transition from male to female.
Myra Breckinridge (1970): Starring Raquel Welch in an off-beat role.
Dinah East (1970): A young actor makes it big in 1950s Hollywood – as an actress. Told in flashbacks, her secret is slowly revealed.
I Want What I Want (1972)
The Triple Echo (1972): A British soldier (Brian Deacon) deserts his unit during WWII. At the suggestion of a woman (Glenda Jackson) he meets while exploring the countryside nearby, he disguises himself as her sister to escape detection. Enjoying the experience a little too much, he agrees to accept the invitation of a soldier (Oliver Reed) to attend a dance at the base, risking exposure. Based on a novella by H.E. Bates.
Dog Day Afternoon (1975): Al Pacino's lover, played by Chris Sarandon, was a pre-operative transgender woman. Pacino's character was robbing a bank to pay for her gender reassignment surgery.
Let Me Die a Woman (1978): A documentary film featuring interviews with sex reassignment surgeon Leo Wollman and various trans women.
Dressed to Kill (1980): A film about a transgender murderer.
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982): Karen Black portrays a woman named Joanne who is revealed to be transgender and a former male friend of the already existing cast members in this Robert Altman film. Joanne's former self, Joe, was portrayed by Mark Patton.
The World According to Garp (1982): In this film, the character Roberta Muldoon (played by John Lithgow in an Oscar-nominated role) is a transgender former football player.
Sleepaway Camp series (1983, 1988, 1989, 2008): Angela Baker (portrayed by Felissa Rose in the first and fourth installments and Pamela Springsteen in the second and third), the killer and main character of the series, is a trans woman.
Kiss of the Spider Woman (1985): Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis is found guilty of immoral behaviour and Valentin is a political prisoner. To escape reality Luis invents romantic movies, while Valentin tries to keep his mind on the situation he is in. During the time they spend together, the two come to understand and respect one another. Molina is more accurately transgender, if not transsexual.
Twin Peaks: Actor David Duchovny plays Denise Bryson, a transgender DEA agent.
The Silence of the Lambs (1991): Ted Levine plays a serial killer named Buffalo Bill who identifies as transgender.
Soapdish (1991): In this soap opera parody, Montana Morehead (Cathy Moriarty), the show's star and scheming antagonist, is revealed, on live television, as a transgender woman.
The Crying Game (1992): A drama film. The plot revolves around a trans woman named Dil (played by the Oscar-nominated Jaye Davidson).
Orlando (1992): Tilda Swinton portrays Orlando, a character whose sex changes after 2/3 of the film.
Tales of the City (1993): In the miniseries, based on Armistead Maupin's series of novels, Anna Madrigal (played by Olympia Dukakis), the landlady of the San Francisco apartment building in which the story is centered is revealed, in the concluding episode, to be a trans woman.
Naked Gun 33 1/3: The Final Insult (1994): Anna Nicole Smith's character, Tanya Peters, is revealed to be a transgender woman at the end of the film.
Ace Ventura: Pet Detective (1994): One of the main characters is a trans woman.
The Adventures of Priscilla, Queen of the Desert (1994): Cult Australian film starring Hugo Weaving, Guy Pearce as drag queens and Terence Stamp as a trans woman.
A Transgender Path (1995): A documentary short about the experiences of Jo Ryan, a transgender student at the University of New Hampshire who came out in the early 1990s.
Different for Girls (1996): A British comedy film about two childhood friends who are reunited, after one of them has undergone sex reassignment surgery.
Crayon Shin-chan: Pursuit of the Balls of Darkness (1997): Japanese comic anime with three transwomen heroes who help Shin Chan protect his sister and fight to stop a demon's birth.
Ma vie en rose (1997): A Belgian film about a young child, Ludovic, who believes that she was born in the wrong body and should have been a girl.
The Adventures of Sebastian Cole (1998)
Better Than Chocolate (1999): Features a sub-plot involving the transgender character named Judy (Peter Outerbridge), who struggles with family rejection throughout the film and who has a crush on, and ultimately begins a romantic relationship with, lesbian separatist Frances (Ann-Marie MacDonald), who owns the gay & lesbian bookstore in which the film's central character Maggie (Karyn Dwyer) works. Judy also becomes friends with Maggie's somewhat sexually repressed mother, Lila (Wendy Crewson)
Creature (1999): Documentary by Parris Patton about trans woman Stacey Hollywood; a four-year chronicle of Stacey's transformation into womanhood, life in the West Hollywood LGBT nightclub scene, and her journey from Los Angeles back home to visit her conservative Christian family in North Carolina.
Todo sobre mi madre (1999): A film by Pedro Almodóvar that tells the story of Manuela, a nurse whose son is hit by a car and killed. The son's father is transgender. Agrado, a friend of Manuela, is also transgender, and sex worker.
Wild Zero (1999)
Hedwig and the Angry Inch (2001): An off-Broadway cult musical adapted for cinema about a transgender German glam rocker (John Cameron Mitchell) recounting the story of her betrayal by her former boyfriend.
Yellow Hair 2 (2001): A South Korean film starring actress Harisu.
The Badge (2002): Billy Bob Thornton stars as a sheriff investigating the death of a local trans woman.
Beautiful Boxer (2003): A Thai film based on the real-life story of Nong Thoom/Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.
Normal (2003): A drama film about a midwestern factory worker and closeted trans woman who stuns her wife of 25 years revealing that she wishes to have sex reassignment surgery. It starred Jessica Lange and Oscar-nominated actor Tom Wilkinson.
Bad Education (aka La Mala Educacion) (2004): Features Gael García Bernal as an actress who is transgender.
20 centímetros (2005): A Spanish musical comedy about a narcoleptic trans woman during her transition from male to female.
Breakfast on Pluto (2005): Another film by Neil Jordan. Stars Cillian Murphy as a young preoperative trans woman during the Irish Times of Trouble. An orphan, she searches for her mother. Lighter than The Crying Game.
Transamerica (2005): A comedy-drama starring Felicity Huffman, who plays Bree, a transgender woman. It was nominated for two Academy Awards in 2006: Felicity Huffman for Best Actress, and Dolly Parton for Best Original Song.
Tom-Yum-Goong (2005): Known as "The Protector" in the US release, this is a foreign action film starring Tony Jaa. The main villain, Madame Rose, is a transgender women in the international versions. The actress who plays Rose, Jin Xing is transgender herself.
The World's Fastest Indian (2005): Based on the true story of Burt Munro, who broke the motorcycle land speed record. In the film, Munro met a trans woman motel clerk, Tina Washington (played by Chris Williams), who helps Burt on his way to the Bonneville Salt Flats in Utah for Speed Week.
En Soap (English: A Soap, 2006): A Danish film about the love between a (pre-operative) trans woman and a lesbian.
Grilled (2006): A comedy film in which Sofía Vergara plays character of Loridonna, a sultry trans woman who seduces unsuspecting Maurice (Ray Romano) when he and Dave (Kevin James), two desperate meat salesmen, knock on her door. A call from a suicidal friend interrupts signing the contract, so Maurice and Dave offer to drive her to her friend's house, hoping to close the deal. There, troubles multiply as they meet an arms dealer (Kim Coates) - who outs Lori to Maurice just before they got intimate, then hit-men working for a gregarious mob boss (Burt Reynolds).
Red without Blue (2007): A documentary featuring identical twins Mark and Alex Farley. Alex transitions to Clair during the film. Clair is featured again in a 2012 National Geographic documentary "American Transgender"
Be Like Others (2008), a documentary film about transphobia in Iran
Citulja za Eskobara (2008): Serbian movie includes trans woman named Borko becoming a girl named Lela.
Ticked-Off Trannies With Knives (2010): A rape/revenge "transploitation" film about a trio of trans women who avenge themselves on three men who brutally attack them and kill two of their friends.
Gun Hill Road (2011): A drama about a recently released ex-convict coping with her estranged wife and daughter, who is going through transition from male to female.
The Skin I Live In (2011) [Spanish: La piel que habito]: A Pedro Almodóvar film in which a young man named Vicente, portrayed Jan Cornet, is kidnapped by Antonio Banderas' character, undergoes forced sex reassignment surgery and becomes a woman named Vera, portrayed by Elena Anaya.
Dallas Buyers Club (2013): Jared Leto plays 'Rayon', a transgender woman dying from AIDS.
Boy Meets Girl (2014): 'Ricky' (Michelle Hendley), a transgender woman from rural Kentucky, awaiting acceptance into a New York fashion design school, learns about acceptance, friendship, sexuality and love.
The Gap (2014) [German: Der Spalt]: A movie about the core-misunderstanding of transgender women. It's about a girl named "Alex", who is born with body-parts that do not fit to her gender. The people around her do not believe that she exists.
Tangerine (2015): An independent film directed by Sean S. Baker where Kitana Kiki Rodriguez and Mya Taylor play the main protagonists, two transgender women, Sin-Dee and Alexandra respectively.
Tchindas (2015): An award winning feature documentary with Tchinda Andrade, the most respected trans woman from Cape Verde (West Africa) as main character.
The Danish Girl (2015): A drama film about Lili Elbe, based on the book of the same name, starring Eddie Redmayne and Alicia Vikander.
Rainbow Gurl (2016): A film about a trans woman lesbian street musician.
Depictions of both[edit]
Wandering Son (2011): An 11-episode anime adaptation produced by AIC Classic based on the manga by Takako Shimura. The story depicts a transgender girl named Shūichi Nitori, and her friend Yoshino Takatsuki, a transgender boy. The series deals with issues such as transphobia, gender identity, and the beginning of puberty.


The History of The Global Multimedia Empire:

Art or Porn? Authoring A Sexual Rhapsody - The Guy Who Wrote the Original "Eyes Wide Shut"

"Arthur Schnitzler (15 May 1862 – 21 October 1931) was an Austrian author and dramatist.

(he wrote) Rhapsody – also published as Dream Story (Traumnovelle – 1925/26), later adapted as the film Eyes Wide Shut by American director Stanley Kubrick

Schnitzler was branded as a pornographer after the release of his play Reigen, in which ten pairs of characters are shown before and after the sexual act, leading and ending with a prostitute. The furore after this play was couched in the strongest anti-semitic terms.[5] Reigen was made into a French language film in 1950 by the German-born director Max Ophüls as La Ronde. The film achieved considerable success in the English-speaking world, with the result that Schnitzler's play is better known there under its French title. Roger Vadim's film Circle of Love (1964) and Otto Schenk's Der Reigen (1973) are also based on the play. More recently, in Fernando Meirelles' film 360, Schnitzler's play was provided with a new version, as has been the case with many other TV and film productions.

In the novella Fräulein Else (1924) Schnitzler may be rebutting a contentious critique of the Jewish character by Otto Weininger (1903) by positioning the sexuality of the young female Jewish protagonist.[6] The story, a first-person stream of consciousness narrative by a young aristocratic woman, reveals a moral dilemma that ends in tragedy.

In response to an interviewer who asked Schnitzler what he thought about the critical view that his works all seemed to treat the same subjects, he replied, "I write of love and death. What other subjects are there?"


SEX & DEATH - Two Sides of The Same Coin -

Eyes Wide Shut Indeed

Since these people run the system, it's not hard to see how they could fake celebrity deaths. The names on our birth certificates are as artificial as the rest of the system. The social security numbers are theirs to delete or create. Actors, musicians, comedians and writers use stage names, so how do we know who is really who? How can we be sure of our history? We tend to take what we were told (hearsay) for granted. The proverbial house of cards is built on assumptions.

Robert Plant and the Band Of Joy play 'Houses Of The Holy' Live on Friday 29th October 2010. Buddy Miller (Guitar), Patty Griffin (Vocals), Byron House (Bass), Darrell Scott (Slide Guitar), Marco Giovino (Drums). HD.


"Little Robert Anthony Want To Come & Play" A Tale of Rock N Roll Royalty -

"Robert Anthony Plant was born in the Black Country town of West Bromwich, Staffordshire to Robert C. Plant, a qualified civil engineer who worked in the Royal Air Force during World War II,[6] and Annie Celia Plant (née Cain),[7] a Romanichal woman.[8] He grew up in Kidderminster, Worcestershire. Plant gained an interest in singing and rock and roll music at an early age.

“    When I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten-year-old. That was all the ambience I got at ten years old... I think! And I always wanted to be a curtain, a bit similar to that.[9]    ”
He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early rendition of songs in this genre.

“    I suppose I was quite interested in my stamp collection and Romano-British history. I was a little grammar school boy and I could hear this kind of calling through the airwaves.[10]    ”
He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes (General Certificates of Education) and to become part of the English Midlands blues scene.[11][12] "I left home at 16", he said, "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to".[13]

Plant's early blues influences included Johnson, Bukka White, Skip James, Jerry Miller, and Sleepy John Estes. Plant had various jobs while pursuing his music career, one of which was working for the major British construction company Wimpey in Birmingham in 1967 laying tarmac on roads. He also worked at Woolworth's in Halesowen town for a short period of time. He cut three obscure singles on CBS Records[14] and sang with a variety of bands, including the Crawling King Snakes, which brought him into contact with drummer John Bonham. They both went on to play in the Band of Joy, merging blues with newer psychedelic trends."


"Real World" Contracts

“When signing the contract, cast members also agree that producers can humiliate them, portray them “in a false light,” and even hire “actors who may or may not resemble” them to achieve whatever ends they’d like. So, even if you’re a saint, they can make you look like the devil. MTV also gets blanket rights to all contestants’ experiences “which occur, will occur, or have occurred at any time… (my ‘Life Story’).” That means if you tell the producers a story that happened in your past, they can work it in any way they want. It sounds like something straight out of an Orwellian novel.”


Who Is Who? How Do We Know What is False & What is True?

Robert Plant's mother is listed as a Romanichal woman. This is a term I had not come across until recently. It almost seems like this information was of more recent origin. Interesting how we are not to think of Rome. These roaming romans are not the same as the ancient Romans, so we are told. But were the ancient Romans real or myth? Don't be so sure you know the right answer.

What is race? As far as we can demonstrate there is one human race and we are all part of it. Race is an easy card to play when one weeks to divide us. Or so the media thinks. In reality most do not fall for this canard.It is only on the screens do we see the highly edited augmented fiction sold as fact. Race used to divide and coquet and keep us in our places. We are wage slaves in a feudal system. The royals and their minions have treated us like cattle, moving us around the globe on their whim. Our ancestors were either enslaved or otherwise bamboozled into moving from their regional homes. We have an illusion of freedom. We are not as free as we've been sold. This system of insane layers of government prevents that.

Immigration today and yesterday. The Royals seem to love moving people around.

Gypises are known as travelers.

Are the Romani people (see below) another artifice with mythological history? Did these Caucasian people really come from India?  Are gypsies from Egypt? What is our real history?

It would be really nice to know what our real history looks like. Which of these stories are true and which are fiction? The mainstream narrative is very problematic and the obviously controlled University system promotes nonsensical reasoning and rewards the parroting monkey.

History and mainstream science serve an obvious  propaganda purpose rather than an educational one.


A House of Cards Waiting To Fall - Nonsense as Science

The Long Divide & Conquer Con: Manufacturing Race & Racism

"The term "Caucasian race" was coined by the German philosopher Christoph Meiners in his The Outline of History of Mankind (1785).  Meiners' term was given wider circulation in the 1790s by Johann Friedrich Blumenbach, a German professor of medicine and member of the British Royal Society, who is considered one of the founders of the discipline of anthropology."

Just Making Stuff Up - Meet Meiners

"The Mythic Magical Powdered Wig-Man"

Chistoph Meiners was born in Warstade (now a part of Hemmoor) near Otterndorf. He started at a gymnasium in Bremen in 1763, and was a student at Göttingen from 1767 to 1770. In 1772 he became extraordinary professor, and in 1775 full professor, of Weltweisheit at the University of Göttingen. From 1788 to 1791 he co-edited the anti-Kantian journal Philosophische Bibliothek.[1] He wrote on comparative history and cultural history. He is now known mostly for his critical attitude towards Immanuel Kant, Mary Wollstonecraft and the concept of Enlightenment. He died in Göttingen. He later became the favorite intellectual ancestor of the Nazis.[2]
— https://en.wikipedia.org/wiki/Christoph_Meiners


What Article Could Not Include Hitler?


"Meiners was a polygenist: he believed that each race had a separate origin. He was a very early practitioner of scientific racism. Meiners studied the physical, mental and moral characteristics of each race, and built a race hierarchy based on the evidence that was considered common in scientific and anthropological circles at the time. Meiners split mankind into two divisions which he labeled the "beautiful White race" and the "ugly Black race".[citation needed] In Meiners book The Outline of History of Mankind he claimed that a main characteristic of race is either beauty or ugliness.[citation needed] He viewed only the white race as beautiful. He considered ugly races as inferior, immoral and animal like. He claimed that the black ugly peoples are distinct from the white beautiful peoples by their sad lack of virtue and their terrible vices.[3]

According to Meiners:

The more intelligent and noble people are by nature, the more adaptable, sensitive, delicate, and soft is their body; on the other hand, the less they possess the capacity and disposition towards virtue, the more they lack adaptability; and not only that, but the less sensitive are their bodies, the more can they tolerate extreme pain or the rapid alteration of heat and cold; when they are exposed to illnesses, the more rapid their recovery from wounds that would be fatal for more sensitive peoples, and the more they can partake of the worst and most indigestible foods ... without noticeable ill effects.[citation needed]

Meiners claimed the Negro felt less pain than any other race and lacked in emotions. Meiners wrote that the Negro had thick nerves and thus was not sensitive like the other races, he went as far to say that the Negro has “no human, barely any animal feeling” he described a story where a Negro was condemned to death by being burned alive, half way through the burning the Negro asked to smoke a pipe and smoked it like nothing was happening while he continued to be burned alive. Meiners studied the anatomy of the Negro and came to the conclusion that the Negro have bigger teeth and jaws than any other race, as the Negro are all carnivores. Meiners claimed the skull of the Negro was larger but the brain of the Negro was smaller than any other race. Meiners claimed the Negro was the most unhealthy race on earth because of the Negro's poor diet, mode of living and lack of morals.[4]

Meiners also claimed Native Americans were an inferior stock of people. He claimed that Indians cannot adapt to different climates, different types of food or modes of life and that when they are exposed to these new conditions they lapse into a “deadly melancholy”. Meiners studied the diet of the Indians and said that they can feed off any kind of “foul offal” and that they consume huge amounts of alcohol. According to Meiners the Indians are extremely thick as the Spanish conquerors found out when their blades shattered on them. Meiners also claimed the skin of a Native American is thicker than an ox.[4]

Meiners wrote that the noblest race was the Celts, and they were able to conquer various parts of the world, were more sensitive to heat and cold and their delicacy is shown by the way they are selective about what they eat. Meiners claimed Slavs are an inferior race, "less sensitive and content with eating rough food”, he described stories of Slavs eating poisonous fungi without coming to any harm. He claimed that their medical techniques were also backwards such as the Slavs baking sick people in ovens then making them roll in the snow.[4]

Below the slavs are the peoples of the Middle East and Asia, all limited in intelligence and of an evil disposition, which goes together with lack of adaptability and insensitivity.[4]

In Meiners large work entitled Researches on the variations in human nature (1815), he studied the sexology of each race and claimed that the African Negroids have unduly strong and perverted sex drives whilst only the White Europeans have it just right."



The Caucasian race (also Caucasoid[1] or Europid[2]) is a grouping of human beings historically regarded as a biological taxon, including some or all of the populations of Europe, North Africa, the Horn of Africa, Western Asia, Central Asia and South Asia.[3] The term has been used in biological anthropology for many people from these regions, without regard necessarily to skin tone.[4] First introduced in early racial science and anthropometry, the term denoted one of the three purported major races of humankind (Caucasoid, Mongoloid, Negroid).[5] Many social scientists have argued that such analyses are rooted in sociopolitical and historical processes rather than in empirical observation.[6] However, Caucasoid as a biological classification remains in use in forensic anthropology.
— https://en.wikipedia.org/wiki/Caucasian_race

There is But Only One Human Race & We All Belong To It


"Blumenbach moved skin tone to second-tier importance after noticing that poorer European people (such as peasants) whom he observed generally worked outside, often became darker skinned (“browner”) through sun exposure. He also noticed that darker skin of an “olive-tinge” was a natural feature of some European populations closer to the Mediterranean Sea. Alongside the anthropologist Georges Cuvier, Blumenbach classified the Caucasian race by cranial measurements and bone morphology in addition to skin pigmentation, and thus considered more than just the palest Europeans (“white, cheeks rosy”) as archetypes for the Caucasian race."


"The term "Caucasian race" was coined by the German philosopher Christoph Meiners in his The Outline of History of Mankind (1785).  Meiners' term was given wider circulation in the 1790s by Johann Friedrich Blumenbach, a German professor of medicine and member of the British Royal Society, who is considered one of the founders of the discipline of anthropology.[8]

Meiners' treatise was widely read in the German intellectual circles of its day, despite muted criticism of its scholarship. Meiners proposed a taxonomy of human beings based on two races (Rassen): Caucasians and Mongolians. He considered Caucasians to be more physically attractive than Mongolians, notably because they had paler skin; he claimed Caucasians were also more sensitive and more morally virtuous than Mongolians. Later he would make similar distinctions within the Caucasian group, concluding that the Germans were the most attractive and virtuous people on earth. The name "Caucasian" derived from the Southern Caucasus/Transcaucasia region (or what are now the countries of Armenia, Azerbaijan and Georgia) because he considered the people of this region to be the archetype (cf. taxonomical "neotype") for the grouping.

Meiners' classification was not grounded on any scientific criteria. It was Blumenbach who gave it scientific credibility and a wider audience, by grounding it in the new quantitative method of craniometry. Blumenbach did not credit Meiners with his taxonomy, however, claiming to have developed it himself — although his justification clearly points to Meiners' aesthetic viewpoint of Caucasus origins:

Caucasian variety—I have taken the name of this variety from Mount Caucasus, both because its neighborhood, and especially its southern slope, produces the most beautiful race of men, I mean the Georgian; and because all physiological reasons converge to this, that in that region, if anywhere, it seems we ought with the greatest probability to place the autochthones (original members) of mankind."



"In his earlier racial typology, Meiners put forth that Caucasians had the "whitest, most blooming and most delicate skin".[10] In a series of articles, Meiners boasts about the superiority of Germans among Europeans, and describes non-German Europeans' color as "dirty whites", in an unfavorable comparison with Germans.[11] Such views were typical of early scientific attempts at racial classification, where skin pigmentation was regarded as the main difference between races.[citation needed] This view was shared by the French naturalist Julien-Joseph Virey, who believed that the Caucasians were only the palest-skinned Europeans.[12]

In various editions of On the Natural Variety of Mankind, Blumenbach expanded on Meiners' popular idea and defined five human races based on color, using popular racial terms of his day, justified with scientific terminology, cranial measurements, and facial features. He established Caucasian as the "white race," as well as Mongoloid as the "yellow race," Malayan the "brown race," Ethiopian the "black race," American the "red race."[13] In the 3rd edition of his On the Natural Variety of Mankind, Blumenbach moved skin tone to second-tier importance after noticing that poorer European people (such as peasants) whom he observed generally worked outside, often became darker skinned ("browner") through sun exposure.[14] He also noticed that darker skin of an "olive-tinge" was a natural feature of some European populations closer to the Mediterranean Sea.[15] Alongside the anthropologist Georges Cuvier, Blumenbach classified the Caucasian race by cranial measurements and bone morphology in addition to skin pigmentation, and thus considered more than just the palest Europeans ("white, cheeks rosy") as archetypes for the Caucasian race.[16]

Among the proponents of the concept there was never any consensus on the delineation between the Caucasoid race, including the populations of Europe, and the Mongoloid race, including the populations of East Asia. Thus, Carleton S. Coon (1939) and Franco Bragagna (2013) included the populations native to all of Central and Northern Asia under the Caucasoid label. However, many scientists maintained the racial categorizations of color established by Meiners' and Blumenbach's works, along with many other early steps of anthropology, well into the late 19th and mid-to-late 20th centuries, increasingly used to justify political policies, such as segregation and immigration restrictions, and other opinions based in prejudice. For example, Thomas Henry Huxley (1870) classified all populations of Asian nations as Mongoloid. Lothrop Stoddard (1920) in turn classified as "brown" most of the populations of the Middle East, North Africa, the Horn of Africa, Central Asia and South Asia. He counted as "white" only European peoples and their descendants, as well as a few populations in areas adjacent to or opposite southern Europe, in parts of Anatolia and parts of the Rif and Atlas mountains.

On the whole, Caucasoid traits were traditionally held to be independent from skin tone.[4] Accordingly, analysis of 8,500 year old hunter-gatherers from sites in Western and Southern Europe has found that many carried ancestral skin pigmentation variants. As such, these early specimens would have been darker-skinned than present-day Europeans, but otherwise biologically similar"


A History of Revolutionary Evolutions


"Blumenbach held to the "degenerative hypothesis" of racial origins. Blumenbach claimed that Adam and Eve were Caucasian inhabitants of Asia, (see Asia hypothesis),[10] and that other races came about by degeneration from environmental factors such as the sun and poor diet. Thus, he claimed, Negroid pigmentation arose because of the result of the heat of the tropical sun, while the cold wind caused the tawny colour of the Eskimos, while the Chinese were fair-skinned compared to the other Asian stocks because they kept mostly in towns protected from environmental factors. He believed that the degeneration could be reversed in a proper environmental control and that all contemporary forms of man could revert to the original Caucasian race.[11]

Furthermore, he concluded that Africans were not inferior to the rest of mankind 'concerning healthy faculties of understanding, excellent natural talents and mental capacities',[12] and is quoted as saying the following:

"Finally, I am of opinion that after all these numerous instances I have brought together of negroes of capacity, it would not be difficult to mention entire well-known provinces of Europe, from out of which you would not easily expect to obtain off-hand such good authors, poets, philosophers, and correspondents of the Paris Academy; and on the other hand, there is no so-called savage nation known under the sun which has so much distinguished itself by such examples of perfectibility and original capacity for scientific culture, and thereby attached itself so closely to the most civilized nations of the earth, as the Negro."[13]

He did not consider his "degenerative hypothesis" as racist and sharply criticized Christoph Meiners, an early practitioner of scientific racialism, as well as Samuel Thomas von Sömmerring who concluded from autopsies that Africans were an inferior race.[14] Blumenbach wrote three other essays stating non-white peoples are capable of excelling in arts and sciences in reaction against racialists of his time.[15]

These ideas were far less influential. His ideas were adopted by other researchers who used them to encourage scientific racism.[16] Blumenbach's work was used by many biologists and comparative anatomists in the nineteenth century who were interested in the origin of races, including Wells, Lawrence, Prichard, Huxley and William Flower.

Other natural studies[edit]
In his dissertation, Blumenbach mentioned the name Simia troglodytes in connection with a short description for the common chimpanzee. This dissertation was printed and appeared in September 1775, but only for internal use in the University of Göttingen and not for providing a public record. The public print of his dissertation appeared in 1776.[17] Blumenbach knew that Linnaeus had already established a name Homo troglodytes for a badly known primate, and in 1779 he discussed this Linnean name and concluded correctly that Linnaeus had been dealing with two species, a human and an orangutan, none of them was a chimpanzee, and that by consequence the name Homo troglodytes could not be used. Blumenbach was one of the first scientists to understand the identities of the different species of primates, which were (excluding humans) orangutans and chimpanzees (gorillas were not known to Europeans at this time). In Opinion 1368 the ICZN Commission decided in 1985 that Blumenbach's view should be followed, and that his Simia troglodytes as published by Blumenbach in 1779 shall be the type species of the genus Pan and, since it was the oldest available name for the Common Chimpanzee, be used for this species.[18] However, the Commission did not know that Blumenbach had already mentioned this name in his dissertation. Following the rules of the ICZN Code the scientific name of one of the most well-known African animals, currently known as Pan troglodytes, must carry Blumenbach's name combined with the date 1776.[19]

Blumenbach shortly afterward wrote a manual of natural history entitled Handbuch der Naturgeschichte; 12 editions and some translations. It was published first in Göttingen by J. C. Dieterich in 1779/1780. He was also one of the first scientists to study the anatomy of the platypus, assigning the scientific name Ornithorhynchus paradoxus to the animal, being unaware George Shaw had already given it the name Platypus anatinus. However, Platypus had already been shown to be used for the scientific name for a genus of Ambrosia beetles so Blumenbach's scientific name for the genus was used.[20]

Blumenbach was also influential in and made many contributions to the scientific debates of the last half of the 18th Century regarding evolution and creation, the very issue of life and a life force that concerns science and medicine. His central contribution was in the conception of a vis formativus or Bildungstrieb.

Enlightenment science and philosophy essentially held a static view of nature and man, but vital nature continued to interrupt this view, and the issue of life, the creation of life and its varieties, increasingly occupied attention and "starting in the 1740s the concept of vital power reentered the scene of generation…there must be some 'productive power' in nature that enabled unorganized material to generate new living forms."[21]

Georges-Louis Leclerc, comte de Buffon wrote an influential work in 1749, Natural History, that revived interest in vital nature. Buffon held that there were certain penetrating powers which organised the organic particles that made up the living organism. Erasmus Darwin translated Buffon's idea of organic particles into "molecules with formative propensities" and in Germany Buffon's idea of an internal order, moule interieur arising out of the action of the penetrating powers was translated into German as Kraft (power).[21]

The German term for vital power or living power, Lebenskraft, as distinct from chemical or physical forces, first appeared with Medicus's On the Lebenskraft (1774).[21] Scientists were now forced to consider hidden and mysterious powers of and in living matter that resisted physical laws - warm-blooded animals maintaining a consistent temperature despite changing outside temperatures, for example.

In 1759, Caspar Friedrich Wolff, a German embryologist provided evidence for the ancient idea of epigenesis, that is preformed life, that is a chick out of unformed substance and his dispute with von Haller brought the issue of life to the forefront of natural science and philosophy. Wolff identified an "essential power" (essentliche Kraft, or vis essentialis) that allowed structure to be a result of power, "the very power through which, in the vegetable body, all those things which we describe as life are effected.""


Origins of a Traveling Theatrical Royal Road Show?

Meet the Royal Rome Gypsies - The Romanichals

We know the elite originated the arts. We know these elite like to play dress up in robes and costumes. We know they create languages and craft culture. We know why they do this - control. We know how they use divide and conquer and fake threats.

We know the elite manipulate people to migrate. It would seem that agents of the elite or the nobility themselves, have a history of hiding among the so-called peasantry. These lighter skinned people do not seem to be really from the same exact 'stock' as the other so-called Gypsies or Romani. Is this a line of hidden royals? Are Romanichals the hidden royal theater troop?

e know the elite are the ones who get us to migrate through media deception and  other such trickery.

We know World War One & Two (and the rest) are mostly hoaxes and myth. What we know about them, we know filtered through the 666 Multimedia Beast. What we know of as history is a farce.

ere some of the actors and news reel and other media fakers, part of the Romanichal family? Is this the House of Cards that must fall?

We would think that Cards are also comediens, & not just pieces of cardboard used for games.

But the word 'card' can mean both at once - The elections are obvious jokes! Do you see the Trump 2016 campaign?

What is our true history? We can make out some of the shape of it from the shadows. It has to do with social control by means of an external threat of either immigration or invasion. Consider the amount of land relative to our needs and size and we see that there is little reason for any of us to go to war. Acting out of anger is one thing, organizing ourselves into units of military action with the planned intent to spend all our our effort in war rather than building, and farming, and inventing, and enjoying and crafting the arts, makes no sense. We are really just ‘Hobbits’.

Myth and fable becomes history and history becomes fable. The Traveling Elven or Faerie Court and people would seem to be just artistic metaphor for immigrants of one kind or another. As we now know, historically, immigration is contrived and forced and yes even at times, faked. The long mafia con requires the wage slaves believe in some kind of existential threat so we think we need the protection racket. This is a crime of course. This con job also makes liberal use of divide and conquer whenever it can. The public, the work force, must be divided and conquered. We must not get it all together and change our fate. We must not make the unaware aware of this very real prison we live in. Our chains are economic and invisible and growing heavier by the day

"Many, but not all, Romanichals are noted for a fairer phenotype than that of other Romani groups in Europe. Lighter-skinned Romani are not uncommon,[12] and a light phenotype, including individuals with blond hair and blue eyes, can also be seen in established Eastern European Roma communities.[12]

Constantine, Prince of Moldavia in his 1776 decree against the intermarriage between Moldavians and Romani wrote: "In some parts Gypsies have married Moldavian women, and also Moldavian men have taken in marriage Gypsy girls, which is entirely against the Christian faith."[12] The French writer Felix Colson, writing in 1839 about his visits to slave holdings in Romania, remarked of some of the Romani slaves: "Their skins are hardly brown but blond and beautiful."[12][13] Lighter-skinned Romani girls in Slovakia, noted for their beauty, were given the nickname "Papin" or "Papinori" (white goose) in the Romani language to indicate their light skin tone.[14]

The same phenomenon of a light-skinned phenotype observed on the continent can be seen in other Romani communities, including the Romanichal in Britain, due to some limited intermarriage between themselves, settled people and/or other Traveller groups.

Stereotypically, darker skin is seen as a racial characteristic among the Romani. This attitude has proliferated the myth of the "True Romani", an inadvertent discriminatory term described by some Romani scholars as one that "...allowed writers and policy-makers to dismiss people as an unwelcome social blot on the land, people of 'little or no Romani blood' who gave the 'True Romany' a bad name."[15]

Blond hair, fair skin and blue eyes are not uncommon features among both the Roma and British Romani groups. Examples include lighter-skinned Roma who were conscripted into fighting units during WWII; a Slovakian Roma called Otto Baláš wrote an account that stated: "They also took my cousin Paľo. He didn’t look like a gypsy—He was white."[16] Other light-skinned Roma were able to pass as non-Roma and avoid the Romani genocide or Porajmos, as in the case of Vojtěch Fabián, who told a doctor he was a Roma but was admonished: "Never say you’re a Gypsy, you don’t look like one" and consequently was able to hide his Romani ethnicity from the authorities.[16] Some Roma have been noted as passing for Slovak or Hungarian despite being of Romani descent,[17] while the Bulgarian Roma, musician Ivo Papazov, has stated of the light-skinned phenotype: "I am one of the few light-skinned people in my family but I know I am Romani."[18]

As with the varying phenotypes in continental Romani groups, the British Romanichal are an authentic subgroup of the Romani people. They display genetic markers distinct from those of other people of the British Isles. These markers show them to be most closely related to continental Romani groups like the Sinti from Germany, Austria and the Romani people from Eastern Europe.[19] The Finnish Kale, a further sub-group of the Romani people, allege that they are descendants of Romani people from the UK."

When is a Roman Not Supposed To Be From Rome?



An Immigrant Song - Rome Never Fell - It Roams

"Stereotypically, darker skin is seen as a racial characteristic among the Romani. This attitude has proliferated the myth of the "True Romani", an inadvertent discriminatory term described by some Romani scholars as one that "...allowed writers and policy-makers to dismiss people as an unwelcome social blot on the land, people of 'little or no Romani blood' who gave the 'True Romany' a bad name."[15]

Blond hair, fair skin and blue eyes are not uncommon features among both the Roma and British Romani groups. Examples include lighter-skinned Roma who were conscripted into fighting units during WWII; a Slovakian Roma called Otto Baláš wrote an account that stated: "They also took my cousin Paľo. He didn’t look like a gypsy—He was white."[16] Other light-skinned Roma were able to pass as non-Roma and avoid the Romani genocide or Porajmos, as in the case of Vojtěch Fabián, who told a doctor he was a Roma but was admonished: "Never say you’re a Gypsy, you don’t look like one" and consequently was able to hide his Romani ethnicity from the authorities.[16] Some Roma have been noted as passing for Slovak or Hungarian despite being of Romani descent,[17] while the Bulgarian Roma, musician Ivo Papazov, has stated of the light-skinned phenotype: "I am one of the few light-skinned people in my family but I know I am Romani."[18]

As with the varying phenotypes in continental Romani groups, the British Romanichal are an authentic subgroup of the Romani people. They display genetic markers distinct from those of other people of the British Isles. These markers show them to be most closely related to continental Romani groups like the Sinti from Germany, Austria and the Romani people from Eastern Europe.[19] The Finnish Kale, a further sub-group of the Romani people, allege that they are descendants of Romani people from the UK."


"The Romanichals (UK: /ˈrɒmᵻnɪtʃal/; US: /ˈrɑməniˌtʃæl/)[6] (also Romnichals, Rumnichals or Rumneys) are a Romani sub-group in the United Kingdom and other parts of the English-speaking world.

Romanichals are thought to have arrived in England in the 16th century. They are closely related to the Welsh Kale and to other Romani groups in the United Kingdom and continental Europe.

The word "Romanichal" is derived from Romani chal, where chal is Angloromani for "fellow"

The Romani people have origins in India, specifically Rajasthan and began migrating westwards from the 11th century. The first groups of Romani people arrived in Great Britain by the end of the 15th century, escaping conflicts in Southeastern Europe (such as the Ottoman conquest of the Balkans).

In 1506 there are recorded Romani persons in Scotland,[21] arrived from Spain and to England in 1512.[21] Soon the leadership passed laws aimed at stopping the Romani immigration and at the assimilation of those already present.

During the reign of Henry VIII, the Egyptians Act (1530) banned Romanies from entering the country and required those living in the country to leave within 16 days. Failure to do so could result in confiscation of property, imprisonment and deportation. During the reign of Mary I the act was amended with the Egyptians Act (1554), which removed the threat of punishment to Romanies if they abandoned their "naughty, idle and ungodly life and company" and adopted a settled lifestyle, but on the other hand increased the penalty for noncompliance to death.

In 1562 a new law offered Romanies born in England and Wales the possibility of becoming English subjects, if they assimilated into the local population. Despite this legislation, the Romani population managed to survive, but it was forced into a marginal lifestyle and subjected to continuous discrimination from the state authorities and many of the local non-Romanies. In 1596, 106 men and women were condemned to death at York just for being Romani, and nine were executed. The others were able to prove that they were born in England.

Samuel Rid authored two early works about them in the early 17th century.[22]

From the 1780s, gradually, the anti-Romani laws were repealed, although not all. The identity of the Romanichals was formed between the years 1660 and 1800, as a Romani group living in Britain."




The Romani (also spelled Romany; /ˈroʊməni/, /ˈrɒ-/), or Roma, are a traditionally nomadic ethnic group, living mostly in Europe and the Americas and originating from the northern regions of the Indian subcontinent,[52][53][54] presumably from where the states Rajasthan, Haryana, and Punjab exist today.[53][54] The Romani are widely known among English-speaking people by the exonym “Gypsies” (or “Gipsies”), which some people consider pejorative due to its connotations of illegality and irregularity.
— https://en.wikipedia.org/wiki/Romani_people

"Since the 19th century, some Romani have also migrated to the Americas. There are an estimated one million Roma in the United States;[6] and 800,000 in Brazil, most of whose ancestors emigrated in the nineteenth century from eastern Europe. Brazil also includes some Romani descended from people deported by the government of Portugal during the Inquisition in the colonial era.[58] In migrations since the late nineteenth century, Romani have also moved to other countries in South America and to Canada.[59][page needed]

In February 2016, during the International Roma Conference, the Indian Minister of External Affairs stated that the people of the Roma community were children of India. The conference ended with a recommendation to the Government of India to recognize the Roma community spread across 30 countries as a part of the Indian diaspora.[60]

The Romani language is divided into several dialects, which add up to an estimated number of speakers larger than two million.[61] The total number of Romani people is at least twice as large (several times as large according to high estimates). Many Romani are native speakers of the language current in their country of residence, or of mixed languages combining the two; those varieties are sometimes called Para-Romani"


for more:



Robert Plant & The Band of Joy perform "House of Cards" at the War Memorial Auditorium in Nashville, TN. DVD and Blu-ray now available at the Artists Den store and other retailers.

Art Does Not Need To Be So Serious - It Is Meant To Be Fun


Is there a clue in the song ‘Stairway To Heaven’?
“Words Have Two Meanings”

The Art of The Pun - Plays on Words as Theater of The Absurdly Obvious

A Comedian is a 'Card' - Who Is The Joke Really On?



Contradictory Ideas Are Funny -  Jesters Recite Fake News & Suspected Effects on Public Opinion

Please Watch This Very Short Video - it Contains Clues For Understanding Memes

Mario Hytten, Chief Executive Officer, Planetaire AB, Captimax Sports Media, Sweden presented at the Webinar on Mind, Thinking & Creativity on March 9, 2016 .

The Internet is the New Medium That Is Designed To Massage Your Mind

Interesting how the community building on line is in overdrive.

Facebook and Youtube and Flat Earth Fallacies come to mind.

I think the real point of it all is to coral the public into online communities so in the end the like minded end up in an echo chamber only.

Seems to me this might be the trick. So instead of posting on other websites and trying to market the truth to the sleeping sheep, we are supposed to be like the sheep and go and play with each other like good little girls and boys.

The television debut of Bobby in his "Bob" Darin persona...

Intellectual Dishonesty is Easy To Spot


Better still, the common internet shill is not too smart.

The battlefield is you mind. The weapon is the multimedia beast itself. Including the internet & especially social media in all of its many forms, including blogs like this very one, and forums too. Be wary and take care but don't take it all too seriously, there is little to actually be afraid of. This is a war of ideas. Anyone can play this game now, in a way we could never play before. The minions are stuck sticking to a script and aren't as good at improv as they think. They themselves are being divided and conquered and confused. It's fun to engage with them and then watch the result, especially when it's so easy to get them to act exactly how you expect they will.

They cannot hide what is in the public record and in encyclopedias and on wikipedia. They cannot use ad hominem attacks without revealing their game. That's the problem, Jan Irvin pointed right to the Trivium and more importantly than any particular system, what he pointed out, correctly, was how to think for oneself. Who, what, where, why, when and how are fundamental questions. All the so-called Damage Control in the world won't put the egg back together. It's too late. Slowing it down won't work either. Attacking messengers isn't going to work anymore. All traditional appeals to authority no longer apply. We get the intellectual game ands see the sleight of hand for what it is. Information is important, not the source. The message matters not the messenger. We do not need to follow leaders, we do not need idols or gurus. We do not need limited hang out internet forum shepherds, with their sock puppet sycophants and self aggrandizing style.  We do not need all the hoi polloi to wake up, we just need a vocal minority.

We know the game. We know what plants are. How 'agent provocateurs' go among the public to dupe people into behavior. We know this same game is played online. We know that all the Royal minions can do is play the same tired old cliche game. The same modus operand over and over. They have used it so constantly and so thoroughly that it is so easy to see once your eyes are open. The system is neither all powerful nor all knowing. The people who have run it and who run it now, are not as smart ass they think. In fact, they are so used to a dumbed down public that they lack the mental strength they would otherwise have, had they actually had to sue their brains. The minions and royals themselves are also victims of this system and they do not see it. This is the funny part. They dumbed themselves down. By dumbing everyone else down, they lowered the bar and ensured their progeny would be dumb. Just look at this world, this fake world and how childish the NEWS and the politicians are. How stupid it all is. How the narratives are contrived for children. Who in their right mind would want any of these very stupid people deciding any kind of law about anything at all? Why would anyone in their right mind allow some of the dumbest people around to run the show?  I bet there are plenty of elected officials who are little more than ignorant dupes who have no idea how things really work and who they really work for. None of these people should be in charge of anything, let alone telling the rest of us what we can or cannot do with our bodies.

We know we've been living in a literal Disney World, asleep but walking like zombies. Some of us have woken up and soon more will join. We know not to communicate everything online. You'd be surprised at how many of us are out there in your shopping malls and car dealerships, filling out your paper work when you get your loans. We swipe your credit cards and scan your groceries. We are more than just a group of artists. The "we" we speak of is the awakening mass. This isn't about war nor protest, nor acts of nonsensical violence. This is about reason and "Truth, Justice & The Real American Way" Winning. imagine the real things to come... 

TOP GUN FUN INDEED - Cultural Manipulation Warning!

A History of Sex - Exposed - Swinging Military Style

The Military Industrial DE-BASE-MENT Culture - The Military Used for Cultural Manipulation - They Think of Us as a Mass Psychology Experiment. They do get us to jail ourselves, everyday!

It seems that the original modern American swingers were crew-cut World War II air force pilots and their wives. Like elite warriors everywhere, these “top guns” often developed strong bonds with one another, perhaps because they suffered the highest casualty rate of any branch of the military. According to journalist Terry Gould, “key parties,” like those later dramatized in the 1997 film The Ice Storm, originated on these military bases in the 1940s, where elite pilots and their wives intermingled sexually with one another before the men flew off toward Japanese antiaircraft fire.

Gould, author of The Lifestyle, a cultural history of the swinging movement in the United States, interviewed two researchers who’d written about this Air Force ritual. Joan and Dwight Dixon explained to Gould that these warriors and their wives “shared each other as a kind of tribal bonding ritual, with a tacit understanding that the two thirds of husbands who survived would look after the widows.” The practice continued after the war ended and by the late 1940s, “military installations from Maine to Texas and California to Washington had thriving swing clubs,” writes Gould. By the end of the Korean War, in 1953, the clubs “had spread from the air bases to the surrounding suburbs among straight, white-collar professionals.”

When I mentioned this at a recent presentation in San Diego, a former fighter pilot in the audience raised his hand and said, “Same thing; different war.” He explained that among his colleagues flying air missions in Vietnam, mate-swapping was the norm. Another woman in the audience, who had dated military pilots confirmed that in her experience, non-monogamy was understood to be standard in that community.

Whether this is due to an awareness of death that brings on a sense of carpe diem, an expression of the sort of interdependence and love typical of military units, or both, it’s clear that not all adultery in the military results in scandal and shame.
— https://www.psychologytoday.com/blog/sex-dawn/201211/not-all-military-adultery-results-in-scandal


The Military Manipulates Cultural Norms - Social Experiments & You

I wonder if this particular activity started as an experiment on the families themselves. If some higher ups encouraged this behavior on-base. This sounds an awful lot like social engineering. Military bases with military personal would make for great laboratories, complete with security and security clearances. The military and their families are the most propagandized. They then spread concocted behavior among the rest of the public -  a literal mind virus. I would include military bases as a source of social engineering, along with think tanks, foundations , the university system, religion and politics. Today the military promotes the transgender meme with the transgender traitor, Bradley Edward Manning. This media creature is little more than obvious myth. Little of his story makes sense. This is how one creates fake figures that motivate  real behavior, and this also fools the public into thinking the behavior was not contrived. The point isn't the behavior itself, which you are free to explore with other like minded adults, the point is that these people have taken it upon themselves to decide what cultural norms get promoted and which do not.

The transgender meme is used to divide and conquer the public. The idea of tolerance gets lost and there is no real discussion in the media about anything. The transgender narrative is dishonest and meant to divide more “liberal” minded from the “conservative”. The shadow puppet play gets reinforced and we must vote for someone who will stop the other side’s agenda. It's the old cultural war canard that is constantly reinforced by the various forms of the media itself. This narrative reinforces the idea that we need government to tell us how to behave. Bruce Jenner is not a real person like you and I. The media does not usually show that story.

These ideas then effect laws, which convince our fellows to allow us to be jailed over nonsense. These ideas also keep us enslaved to this insane tax system. War and governments are literal criminal rackets.

Does doing a theatrical tour during war make sense? No.

The Hollywood USO Road Show

Do Theatrical Tours During The War Make Sense? Of Course Not.


"After being formed in 1941, in response to World War II, "centers were established quickly... in churches, barns, railroad cars, museums, castles, beach clubs, and log cabins."[9] Most centers offered recreational activities, such as holding dances and showing movies. And there were the well-known free coffee and doughnuts. Some USO bases provided a haven for spending a quiet moment alone or writing a letter home, while others offered spiritual guidance and made childcare available for military wives.

But the organization became mostly known for its live performances called Camp Shows, through which the entertainment industry helped boost the morale of its servicemen and women. Camp Shows began in October 1941, and by that fall and winter 186 military theaters existed in the United States. Overseas shows began in November 1941 with a tour of the Caribbean. Within five months 36 overseas units had been sent within the Americas, the United Kingdom, and Australia, and during 1942 1,000 performed as part of 70 units. Average performers were paid $100 a week; top stars were paid $10 a day because their wealth let them contribute more of their talents.[10]

These overseas shows were produced by the American Theatre Wing, which also provided food and entertainment for the armed services in their Stage Door Canteens. Funds from the sale of film rights for a story about the New York Canteen went toward providing USO tours of shows for overseas troops.[11]

In 1991, 20th Century Fox produced the film, For the Boys, which told the story of two USO performers, and starred Bette Midler and James Caan. It covered a 50-year timespan, from the USO's inception in 1941 through Operation Desert Storm, in 1991. Another movie was planned in 1950 but never made. Just 10 days after Al Jolson returned from entertaining troops in Korea, he agreed with RKO producers to star in a new movie, Stars and Stripes for Ever, about a U.S.O. troupe in the South Pacific during World War II. Unfortunately, he died a week later as a result of physical exhaustion from his tour.

Camp Shows began in Normandy in July 1944, one month after Operation Overlord. Until fall 1944 overseas units contained five performers or fewer; The Barretts of Wimpole Street, using local theaters in France and Italy, was the first to use an entire theater company, including scenery.[10] At its high point in 1944, the USO had more than 3,000 clubs, and curtains were rising on USO shows 700 times a day. From 1941 to 1947, the USO presented more than 400,000 performances, featuring entertainers such as Abbott and CostelloLarry AdlerBrian AherneLouise AllbrittonMorey AmsterdamMarian AndersonThe Andrews SistersArmidaJean ArthurFred AstaireGene AutryLauren BacallFay BainterLucille BallTallulah BankheadLynn BariCount BasiePeg Leg BatesConstance BennettJack BennyEdgar BergenIngrid BergmanMilton BerleEubie BlakeBen BlueRay BolgerHumphrey BogartMary BrianPhyllis BrooksJoe E. BrownWillie BryantGeorge Burns and Gracie AllenCharles ButterworthJames CagneyCab CallowayJudy CanovaEddie CantorJune ClydeJerry ColonnaGary CooperKatharine CornellBing CrosbyBebe DanielsLinda DarnellBette DavisJoan DavisDennis DayOlivia De HavillandJoe DeRitaMarlene DietrichDoraine and EllisMorton DowneyEllen DrewIrene DunneDeanna DurbinJimmy DuranteAnn DvorakNelson EddyDuke EllingtonSkinnay EnnisMaurice EvansJinx FalkenburgGlenda FarrellJoey FayeLeslie FentonGracie FieldsShep FieldsW.C. FieldsKay FrancisJane FromanReginald GardinerEd GardnerJudy GarlandBilly GilbertBetty GrableCary GrantJohn GarfieldWilliam GarganGreer GarsonPaulette GoddardBenny GoodmanJack HaleyMoss HartSusan HaywardRita HayworthJascha HeifetzHildegardeCeleste HolmBob HopeLena HorneMarsha HuntAlberta HunterBetty HuttonAllen JenkinsGeorge JesselAl JolsonBoris KarloffDanny KayeGene KellyGuy KibbeeAndre KostelanetzGene KrupaKay KyserVeronica LakeHedy LamarrDorothy LamourCarole LandisFrances LangfordLaurel and HardyGertrude LawrenceAnna LeeGypsy Rose LeeVivien LeighJoan LeslieJoe E. LewisBeatrice LillieCarole LombardEdmund LowePaul LukasAlfred Lunt and Lynne FontanneIda LupinoJeanette MacDonaldTex McCraryJoel McCreaHattie McDanielDorothy McGuireFrank McHughFrederic MarchMitzi MayfairMike MazurkiThe Marx BrothersAdolphe MenjouUna MerkelRay MillandGlenn MillerGarry MooreTim MooreChester MorrisZero MostelGeorge MurphyMildred NatwickAdelaide Hall,[12] The Four Evans,[13] Merle OberonPat O'BrienMinerva PiousLily PonsGeorge RaftLuise RainerMartha RayeOssy RenardyPaul RobesonEdward G. RobinsonThe RockettesGinger RogersMickey RooneyRosalind RussellAnn RutherfordAnn SavageRandolph ScottArtie ShawAnn SheridanDinah ShorePhil SilversFrank SinatraNoble SissleAnn SothernJo StaffordBarbara StanwyckBill SternJames StewartEd SullivanDanny ThomasThree Bon BunniesGene TierneyMartha TiltonArthur TracySpencer TracyArthur TreacherSophie TuckerLana TurnerVera VagueJohn Wayne,[14] Mae WestChill WillsAnna May Wong and Keenan Wynn.

The USO's fundraising efforts were not without controversy. An MGM film, Mr. Gardenia Jones, created to assist the USO in its fundraising campaign, was nearly withdrawn from theaters due to objections by the War Department. The objections were centered on scenes showing soldiers jumping with joy at the opportunity to shower in canteens and rest in overstuffed and comfortable USO chairs. The Army, noted the New York Times, "feels this is not good for morale as it implies that there are no showers or other comforts for soldiers in military camps." The film starred Ronald Reagan, who was then a captain in the Army"


F is For Fake War - Meet The Traveling Art Show

A newer form was used during the so-called War to End all Wars. This is how they fake wars outside for the benefit of the unsuspecting public. These men are a troop of traveling artists.

A Real Theatre of War & A True Traveling Road Show - Faking Wars!

The Ghost Army

This is the official trailer for the documentary film THE GHOST ARMY. It is now available on Netflix and Amazon Prime. To purchase a DVD, click here: http://www.shoppbs.org/product/index.jsp?productId=20299476&CAWELAID=1894282862&pla=pla_15539630&gclid=CN_Fls25sbcCFYyi4Aod8EMAfA&KPID=15539630


The Ghost Army of World War II, by Rick Beyer and Elizabeth Sayles, details the fascinating story of this top secret unit, filled with artists, that used inflatable tanks, sound effects, and illusion to fool the Germans on the battlefields of Europe. A Wall Street Journal bestseller, it is published by Princeton Architectural Press.

”It is a riveting tale ...I enjoyed it enormously.”
-Tom Brokaw, NBC Special Correspondent, author of The Greatest Generation.
— http://www.ghostarmy.org

Weaving Lies Into Perceptions of War


The Ghost Army English Movie New Action Movies 2015 full English Full HD ✘✘ Sniper Ghost Warrior After glorious victories, old soldier Thomas Beckett returns to life with commonly leisurely .

Layers of Lies - The Truth is That The Show Was For The Public And Not The So-Called Enemy

"While passing through local towns the ghost army would put on a show for any German spies that might still be lingering in French cafés or bars."


The British Train An Army of Actors & Artists To Go Out & Create Live Action War Theatre - The British Originally Call Up Canadian Forces & Then They Get The USA Involved in The Show - Got To Get The Masses To Believe There Is a War

Bobby Darin - Simple Song Of Freedom (Live and with a Tux) A mega star in his own right, taken way to soon from this world. He was crossing over from the nightclub circuit into the arena of folk music, where his pacifist views were clearly developing.

Is This Where Sgt. Pepper Taught 'The Marching Band' To Play?

Military Minion School

"The Defense Information School, or DINFOS, is a United States Department of Defense (DoD) school located at Fort George G. Meade, Maryland. DINFOS fulfills the Department of Defense's need for an internal corps of professional journalists, broadcasters, and public affairs professionals

Members from all branches of the U.S. military, DoD civilians and international military personnel attend DINFOS for training in public affairs, print journalism, photojournalism, photography, television and radio broadcasting, lithography, equipment maintenance and various forms of multimedia. The American Council on Education recommends college credit for most DINFOS courses"

"Photojournalism courses focus on composition, exposure, and general camera operation skills. Flash photography is introduced in the basic photography course. Students learn advanced photo-editing, composition and other techniques not taught in basic photojournalism classes."



The Ghost Army was a United States Army tactical deception unit during World War II officially known as the 23rd Headquarters Special Troops.[1] The 1,100-man unit was given a unique mission within the U.S Army: to impersonate other U.S. Army units to deceive the enemy. From a few weeks after D-Day, when they landed in France, until the end of the war, they put on a “traveling road show” utilizing inflatable tanks, sound trucks, fake radio transmissions and pretence. They staged more than 20 battlefield deceptions, often operating very close to the front lines. Their story was kept secret for more than 40 years after the war, and elements of it remain classified.[2] The unit was the subject of a PBS documentary The Ghost Army in 2013.

Inspiration for the unit came from the British units who had honed the deception technique for the battle of El Alamein in late 1942, as Operation Bertram. The U.S. unit had its beginnings at Camp Forrest, Tennessee, and was fully formed at Pine Camp, NY (now Fort Drum), before sailing for the United Kingdom in early May 1944. In Britain they were based near Stratford upon Avon, and troops participated in Operation Fortitude, the British-designed and led D-Day deception of a landing force designated for the Pas-de-Calais.

Some troops went to Normandy two weeks after D-Day, where they simulated a fake Mulberry harbour at night with lights which attempted to draw German artillery from the real ones. After which the entire Unit assisted in tying up the German defenders of Brest by simulating a larger force than was actually encircling them.

As the Allied armies moved east, so did the 23rd, and it eventually was based within Luxembourg, from where it engaged in deceptions of crossings of the Ruhr river, positions along the Maginot Line, Hürtgen Forest, and finally a major crossing of the Rhine to draw German troops away from the actual sites.

Ghost soldiers were encouraged to use their brains and talent to mislead, deceive and befuddle the German Army. Many were recruited from art schools, advertising agencies and other venues that encourage creative thinking. In civilian life, ghost soldiers had been artists,[4] architects, actors, set designers and engineers.[5]

Although the 23rd Headquarters Special Troops consisted of only 1,100 soldiers, the contingent used equipment pioneered by British forces such as dummy tanks and artillery, fake aircraft and giant speakers broadcasting the sounds of men and artillery to make the Germans think it was upwards of a two-division 30,000 man force. The unit’s elaborate ruses helped deflect German units from the locations of larger allied combat units.

The unit consisted of the 406th Combat Engineers (which handled security), the 603rd Camouflage Engineers, the 3132 Signal Service Company Special and the Signal Company Special.

Visual deception[edit]

An inflatable dummy tank, modeled after the M4 Sherman
The visual deception arm of the Ghost Army was the 603rd Camouflage Engineers. It was equipped with inflatable tanks,[6] cannons, jeeps, trucks, and airplanes that the men would inflate with air compressors, and then camouflage imperfectly so that enemy air reconnaissance could see them. They could create dummy airfields, troop bivouacs (complete with fake laundry hanging out on clotheslines), motor pools, artillery batteries, and tank formations in a few hours. Many of the men in this unit were artists, recruited from New York and Philadelphia art schools. Their unit became an incubator for young artists who sketched and painted their way through Europe. Several of these soldier-artists went on to have a major impact on art in the post-war US. Bill Blass,[7] Ellsworth Kelly, wildlife artist Arthur Singer, and Art Kane were among the many artists who served in the 603rd.

Sonic deception[edit]
The 3132 Signal Service Company Special handled sonic deception. The unit coalesced under the direction of Colonel Hilton Railey, a colorful figure who, before the war, had “discovered” Amelia Earhart and sent her on her road to fame.

Aided by engineers from Bell Labs, a team from the 3132 went to Fort Knox to record sounds of armored and infantry units onto a series of sound effects records that they brought to Europe. For each deception, sounds could be “mixed” to match the scenario they wanted the enemy to believe. This program was recorded on state-of-the-art wire recorders (the predecessor to the tape recorder), and then played back with powerful amplifiers and speakers mounted on halftracks. The sounds they played could be heard 15 miles (24 km) away.[citation needed]

Radio deception[edit]
”Spoof radio”, as it was called, was handled by the Signal Company. Special Operators created phony traffic nets, impersonating the radio operators from real units. They were educated in the art of mimicking a departing operator’s method of sending Morse Code so that the enemy would never detect that the real unit and its radio operator were long gone.

To complement existing techniques, the unit often employed theatrical effects to supplement the other deceptions. Collectively called “atmosphere”,[8] these included simulating actual units deployed elsewhere by the application of their divisional insignia, painting appropriate unit insignia on vehicles and having the individual companies deployed as if they were regimental headquarters units. Trucks/Lorries would be driven in looping convoys with just two troops in the seats near the rear, to simulate a truck full of infantry under the canvas cover. “MP’s” (Military Police) would be deployed at cross roads wearing appropriate divisional insignia and some officers would simulate divisional generals and staff officers visiting towns where enemy agents were likely to see them. A few actual tanks and artillery pieces were occasionally assigned to the unit to make the “dummies” in the distance appear more realistic.




Coke goes from a local American brand to a Global Icon - A Tool For Implementing a Global Consumer Culture

It's the real thing. SUBSCRIBE for new videos ► http://bit.ly/subgfc New content coming soon, so stay tuned! Help caption this video ► http://bit.ly/1butiQJ

War For Coke!

"During World War II, Coca-Cola sales ceased and did not resume until after the war.  At the invitation of the U.S. Army Exchange Service, and in keeping Robert Woodruff’s pledge that U.S. troops should be able to get Coca-Cola regardless of where they were stationed, The Coca-Cola Company re-entered Japan in October 1945. Between 1946 and 1952, six bottling plants were established from Sapporo in the north to Kokura in the south.  With few exceptions, production and distribution of Coca-Cola was limited to the U.S. armed forces.  One of the more notable exceptions occurred on October 12, 1949, at Tokyo’s Jingu Baseball Stadium.  On that date, all restrictions were lifted and Coca-Cola was sold at an exhibition match featuring the San Francisco Seals."


"Pepsi comes to Vietnam with a disadvantage. Many Vietnamese, especially in the distant countryside, have never heard of it. Pepsi had just opened its first bottling plant in South Vietnam when the country was overrun by the north in 1975. 

By that time, Coca-Cola had been in Vietnam for more than a decade and was selling nearly 20 million cases, or 480 million bottles, a year. The collapse of South Vietnam forced it to abandon its five bottling plants. 

But Coke stayed behind in Vietnam even after the last American soldiers had pulled out. For years, Coke has been finding its way into Vietnam, usually smuggled by the shipload from Singapore, Malaysia and Thailand. Today Coke remains the soft drink of choice for millions of Vietnamese, north and south, including senior Communist Party officials who can be seen guzzling Coke at official receptions. 'A Legacy Here' 

"Coca-Cola has a legacy here," Mark Ohlson, the region manager of Coca-Cola Indochina, said. "When they think of cola, they think of us. And I don't see any reason for that to change.""


“In 1960, Coca-cola was the first time introduced in Vietnam. After that, Coca-cola Indochina Pte Company was established officially in Vietnam on August 1995. Since then, Coca-cola has some locations in Vietnam, which were united as one Beverage Company called Coca-cola Vietnam with the head office located in Thu Duc District, Ho Chi Minh Cit”


Paving The Way For Global Air Travel - Engineering Army Projects

World War One Airfields Become Civilian Airports

The title of “world’s oldest airport” is disputed, but College Park Airport in Maryland, US, established in 1909 by Wilbur Wright, is generally agreed to be the world’s oldest continually operating airfield,[12] although it serves only general aviation traffic. Bisbee-Douglas International Airport in Arizona was declared “the first international airport of the Americas” by US president Franklin D. Roosevelt in 1943. Pearson Field Airport in Vancouver, Washington had a dirigible land in 1905 and planes in 1911 and is still in use. Bremen Airport opened in 1913 and remains in use, although it served as an American military field between 1945 and 1949. Amsterdam Airport Schiphol opened on September 16, 1916 as a military airfield, but only accepted civil aircraft from December 17, 1920, allowing Sydney Airport in Sydney, Australia—which started operations in January 1920—to claim to be one of the world’s oldest continually operating commercial airports.[13] Minneapolis-Saint Paul International Airport in Minneapolis-Saint Paul, Minnesota, opened in 1920 and has been in continuous commercial service since. It serves about 35,000,000 passengers each year and continues to expand, recently opening a new 11,000 foot (3,355 meter) runway. Of the airports constructed during this early period in aviation, it is one of the largest and busiest that is still currently operating. Rome Ciampino Airport, opened 1916, is also a contender, as well as the Don Mueang International Airport near Bangkok, Thailand, which opened in 1914.[14] Increased aircraft traffic during World War I led to the construction of landing fields. Aircraft had to approach these from certain directions and this led to the development of aids for directing the approach and landing slope.
— https://en.wikipedia.org/wiki/Airport#History_and_development
The North Atlantic air ferry route was a series of Air Routes over the North Atlantic Ocean on which aircraft were ferried from the United States and Canada to Great Britain during World War II to support combat operations in the European Theater of Operations (ETO).

The route was developed as one of four major routes along which United States aircraft were ferried to the major combat areas. It originated at several Army Air Bases in New England, which permitted short range single-engined aircraft to be flown to Britain using a series of intermediate airfields in Newfoundland, Labrador, Greenland and Iceland. Long-range multi-engined aircraft could be flown from Newfoundland directly using Great Circle routes to airfields in Ireland and southwest England; or via the Azores to the UK or airfields in French Morocco to support Allied air forces in the Mediterranean Theater of Operations (MTO). Later in the war, air routes over the North Atlantic were developed from South Florida via Bermuda to the Azores.

Although Iceland was viewed as a part of Europe, Greenland was considered a part of North America and subject to the Monroe doctrine. President Roosevelt vetoed Canadian and British plans for the occupation of the island. In 1940, Greenland was subject to a U.S. protectorate enforced by the U.S. Coast Guard, and a survey for airfields was made. On 9 April 1941, the United States signed a treaty with the defected Danish Ambassador in Washington, allowing for unlimited U.S. military use of the island. The agreement, after explicitly recognizing Danish sovereignty over Greenland, granted to the United States the right to locate and construct aircraft landing fields and other facilities for the defense of Greenland and for the defense of the North American continent. President Roosevelt then authorized the War Department to build airfields and other facilities in Greenland. The United States had also taken over the defense of Iceland under an agreement with Britain in July 1941, relieving the British Empire troops then in Iceland. United States Army engineers began improving the airstrips previously begun by the British.[9][10]

Using these new airfields in Newfoundland, Greenland and Iceland, land based air routes were developed to transport United States aircraft, soldiers and war supplies between the United States and the United Kingdom.
Pan American World Airways, known from its founding until 1950 as Pan American Airways[1] and commonly known as Pan Am, was the principal and largest international air carrier in the United States from 1927 until its collapse on December 4, 1991. Founded in 1927 as a scheduled air mail and passenger service operating between Key West, Florida, and Havana, Cuba, the airline became a major company credited with many innovations that shaped the international airline industry, including the widespread use of jet aircraft, jumbo jets, and computerized reservation systems.[2] It was also a founding member of the International Air Transport Association (IATA), the global airline industry association.[3] Identified by its blue globe logo (“The Blue Meatball”),[4] the use of the word “Clipper” in aircraft names and call signs, and the white pilot uniform caps, the airline was a cultural icon of the 20th century. In an era dominated by flag carriers that were wholly or majority government-owned, it was also the unofficial overseas flag carrier of the United States. During most of the jet era, Pan Am’s flagship terminal was the Worldport located at John F. Kennedy International Airport in New York City.

During World War II most of the Clippers were pressed into military service. Pan Am pioneered a new air route across Western and Central Africa to Iran, and in early 1942 the airline became the first to operate a route circumnavigating the globe. Another first occurred in January 1943, when Franklin D. Roosevelt became the first U.S. president to fly abroad, in the Dixie Clipper.[40] During this period Star Trek creator Gene Roddenberry was a Clipper pilot; he was aboard the Clipper Eclipse when it crashed in Syria on June 19, 1947.

Air transport’s growing importance in the post-war era meant that Pan Am would no longer enjoy the official patronage it had been afforded in pre-war days to prevent the emergence of any meaningful competition, both at home and abroad.[43]

Although Pan Am continued to use its considerable political influence to lobby for protection of its position as America’s primary international airline, it encountered increasing competition — first from American Export Airlines (American Overseas Airlines (AOA) from November 1945[44]) across the Atlantic to Europe, and subsequently from others including TWA to Europe, Braniff to South America, United to Hawaii and Northwest Orient to East Asia, as well as five potential rivals to Mexico. This changed situation resulted from the new post-war approach the Civil Aeronautics Board (CAB) took towards the promotion of competition between major U.S. carriers on key domestic and international scheduled routes compared with pre-war U.S. aviation policy
— https://en.wikipedia.org/wiki/Pan_American_World_Airways



"The Search for International Terrorist Entities (SITE) Institute was an organization that tracked the online activity of terrorist organizations.[1] The SITE Institute was founded in 2002 by Rita Katz and Josh Devon, who had left the Investigative Project, a private Islamist-terrorist tracking group.[2] In early 2008 it ceased its operations, and some of its staff formed the SITE Intelligence Group, a for-profit entity, to continue some of its activities."


"SITE Intelligence Group is a for-profit Bethesda, Maryland-based company that tracks online activity of white supremacistand jihadist organizations.[1][2][3] From 2002 to 2008, SITE Intelligence Group was known as the Search for International Terrorist Entities (SITE) Institute. SITE is led by the Israeli analyst Rita Katz.[4][5]

In order to view many of the contents of their website, a person, government or company must subscribe to SITE Intelligence Group."


Yellow Journailsm Today - On Screens Everywhere

Joseph Campbell defines yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.

Frank Luther Mott defines yellow journalism in terms of five characteristics:[4]

• Scare headlines in huge print, often of minor news

• Lavish use of pictures, or imaginary drawings

• Use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts

• Emphasis on full-color Sunday supplements, usually with comic strips

• Dramatic sympathy with the “underdog” against the system.
— https://en.wikipedia.org/wiki/Yellow_journalism


a bit of fear propaganda here: https://en.wikipedia.org/wiki/Terrorism_and_social_media


Manufacturing Terror: How It Is Done

Meet Rita Katz, of the modern version of the Committee on Public Information. Rita might be just another life actor, reading her part from a script. She might be no more than a  media figure head. Her biography reveals a family tradition of (possible) political theater.

The CIA is long supposed to have been performing false flag type events over seas for decades. As the Ghost Army story (above) shows, the military has a long tradition of spreading disinformation among the public. Before TV and radio one spread rumors by word of mouth, and art like oil paintings. see also : https://en.wikipedia.org/wiki/Operation_Gladio

Rita Katz

"Katz, a fluent Arabic speaker, was born in Basra in Southern Iraq in 1963 to a wealthy Iraqi Jewish family.[1][4] After the Six Day War and shortly after Saddam Hussein's Ba'ath Party seized power in Iraq in 1968, her father was arrested on charges of spying for Israel.[4] The family's property was confiscated by the state, and the rest of the family put under house arrest in a stone hut.[1][4] The following year, after having been tortured, Katz's father was convicted and executed in a public hanging in the central square of Baghdad, witnessed by more than half a million Iraqis; the government offered free transportation to people from the provinces, and belly dancers performed for the crowd.[1][4][5] Katz's mother managed to escape on foot with her three small children to Iran, and from there they made their way to Israel."   https://en.wikipedia.org/wiki/Rita_Katz

"Katz's SITE Institute, co-founded with Josh Devon in July 2002, was funded by various federal agencies and private groups. It analyzes "corporate records, tax forms, credit reports, video tapes, internet news group postings and owned websites, among other resources, for indicators of illicit activity".[10] It provided information on radical Muslim groups operating in the United States, and led to closures of organizations, deportations, and ongoing investigations.[11] She spends hours every day monitoring password-protected online chat rooms in which Islamic terrorists discuss politics, exchange tips, and announce their plans and accomplishments.[4] She and her researchers research online sources for intelligence, which her staff translates and sends out by e-mail to about 100 subscribers.[4] Among her subscribers are people in government, in corporate security, and in the media.[4] She has worked with prosecutors on more than a dozen terrorism investigations, and many American officers in Iraq rely on her e-mails to, for example, brief troops on the designs for explosives that are passed around terrorist Web sites.[4]

With the SITE Institute, which she co-founded to monitor Islamic extremist websites and to expose terrorist front groups, she worked with federal investigators in terrorism cases.[4][12] She was cited in Richard Clarke's book, "Against All Enemies", as having helped to provide information to the government on the Al Qaeda network.[13][14] Clarke wrote that she and Steven Emerson, for whom she formerly worked, regularly provided the White House with a stream of information about possible Al Qaeda activity inside the U.S. that was apparently largely unknown to the FBI before the 9/11 attacks.[15] They gave Clarke and his staff the names of Islamic radical Web sites, the identities of possible terrorist front groups, and the phone numbers and addresses of possible terror suspects—data Clarke was unable to get from elsewhere in the government.[16] She also served as a consultant in a $1 trillion wrongful-death suit seeking to hold Saudi government and business interests accountable for the 9/11 attacks."


In July 2003 two of the groups she discussed in her book and on television (the Heritage Education Trust and the Safa Trust) sued her and revealed her name and identity. The number of lawsuits she was named in rose to three, all in connection with her work helping the government investigate Islamic charities in northern Virginia. In two of the suits, targets of the investigation said they were defamed in the 60 Minutes television broadcast. Katz said she has been the victim of a smear campaign, and attempts to intimidate her, adding:

"As they were never able to challenge the accuracy of my research, and as they were upset by the ramifications of it in terms of arrests, indictments, and raids, a few Muslim activist organizations have on occasion tried to portray me as a Muslim-basher. I have no quarrel with Islam or Muslims, and I only target terrorists and their supporters."[20]

In one case, in 2005 federal Judge Leonie Brinkema dismissed Katz from the lawsuit by a leader of the International Institute of Islamic Thought, Iqbal Unus, and Katz's dismissal was upheld on appeal unanimously by a three-judge panel of the 4th U.S. Circuit Court of Appeals in 2009. The court also ordered Unus to pay Katz $41,000 in legal fees.[21][22]

"Critics of Katz claim she is giving terrorists a larger platform than they would otherwise have, and is too eager to find plots where they don't exist."

In 2015, Katz described an apparent Australian online supporter of ISIS who used the online handle "Australi Witness" as holding a "prestige" position in online jihadi circles and as being "part of the hard core of a group of individuals who constantly look for targets for other people to attack". It later transpired that "Australi Witness" was a Jewish Americancalled Joshua Ryne Goldberg who was arrested by the FBI."

By Definition SITE is a Terrorist Organization- they seek to frighten the public and (ignorant) government officials. SITE literally promotes the terrorist agenda.

"Terrorism" comes from the French word terrorismeand originally referred specifically to state terrorism as practiced by the French government during the 1793–1794 Reign of Terror. The French word terrorisme in turn derives from the Latin verb terrere (e, terreo) meaning "to frighten". The terror cimbricus was a panic and state of emergency in Rome in response to the approach of warriors of the Cimbri tribe in 105 BCE that the Jacobins cited as a precedent when imposing the Reign of Terror during the French Revolution.[7][8]After the Jacobins lost power, the word "terrorist" became a term of abuse."

"Terrorism is, in its broadest sense, the use or threatened use of violence (terror) in order to achieve a political, religious, or ideological aim. It is classified as fourth-generation warfare and as a violent crime. In modern times, terrorism is considered a major threat to society and therefore illegal under anti-terrorism laws in most jurisdictions. It is also considered a war crime under the laws of war when used to target non-combatants, such as civiliansneutral military personnel, or enemy prisoners of war."