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"AMERICA, we learn as schoolchildren, was named in honor of Amerigo Vespucci, for his discovery of the mainland of the New World. We tend not to question this lesson about the naming of America. By the time we are adults it lingers vaguely in most of us, along with images of wave-tossed caravels and forests peopled with naked cannibals. Not surprisingly, the notion that America was named for Vespucci has long been universally accepted, so much so that a lineal descendant, America Vespucci, came to New Orleans in 1839 and asked for a land grant "in recognition of her name and parentage." Since the late 19th century, however, conflicting ideas about the truth of the derivation have been set forth with profound cultural and political implications. To question the origin of America's name is to question the nature of not only our history lessons but our very identity as Americans."
"Equally as amazing as the Amerrique theory, the little-known theory that "America" derives from the name of a Bristol-based Welshman, Richard Ameryk, emerged early in the 20th century. It constitutes an incredible Anglicization of the New World — and would, for obvious reasons, infuriate Carew. The theory was developed by Alfred E. Hudd, a member of the Clifton Antiquarian Club, which in 1910 published his work in its proceedings; the paper, "Richard Ameryk and the Name America," had been read to the group two years before. Hudd opens with a reference to Bristol's 1897 celebration of the 400th anniversary of the discovery of North America by John Cabot (Giovanni Caboto), the Italian navigator and explorer who had sailed for England, laying the groundwork for the later British claim to Canada. For his achievement Cabot received a handsome pension conferred upon him by the King, from the hands of the Collectors of Customs of the Port of Bristol. One of these officials, the senior of the two, who was probably the person who handed over the money to the explorer, was named Richard Ameryk (also written Ap Meryke [Welsh] on one deed, and elsewhere written Amerycke) who seems to have been a leading citizen of Bristol at the time. Hudd claims that the name given to the newly found land by the discoverer was "Amerika," in honor of the official from whom he received his pension."
"On his return to England the flamboyant Cabot, who dressed in silk, was celebrated as "the Great Admiral." He had a reputation for his extravagance. He purportedly gave one of the islands he explored to a friend, another to his barber, and also promised some Italian friars that they could be bishops. Hudd reasons that if Cabot were so free with his gifts to his poorer friends, it is easy to understand his wish to show gratitude to the King's official, and that he may well have done so by conferring his name on "the new Isle" which, it was thought, lay off the coast of China — Cabot never realized that he had found a continent."
This is the first in a series of articles that will explore the manufacture of the World-Wide Cult we know as Global Commercial Culture. This Holy Roaming Empire runs the whole world. International politics is no different from internal National politics and is more literally scripted theater than most think.
Hollywood and the Military are pretty much one and the same and have always been. Most people do not know how interested the British and United States Governments have always been in the arts, especially Pop Music, Radio, Film, Television and now the internet. Please try to keep an open mind as you read on if the ideas presented here are new to you. As it turns out, most of what many of us think is true is not.
Welcome To The Culturally Reinforced Forever Coming Soon:
"(God) wants men to be concerned with what they do; our business is to keep them thinking about what will happen to them" C.S. Lewis
Authoring With a Projected Air of Authority
Scripting The World Wars Part 1: The Royal Vatican Radiowave Con
Someone has to write the scripts that the life actors and other performers follow and read from. The World Wars were more managed and more fake than most think. The number of artists who have served in the Military is astounding. Authors and actors and all sorts of artists were and are employed to create an illusion of reality. This article focuses on the writing of the fictions sold as fact to the public by way of the News, Government report and then subsequent University System reinforced curriculum. We must always remember that even Fake events all too often lead to real laws with real consequences. This is the whole point of contriving events so they are managed and work out how one desires.
Numerous famous authors got their start "fighting" (we think writing) in the Great Wars of the last century, these men would go on to define much of modern pop culture in many many ways. It seems pretty clear that this work was commissioned by old world money with the purpose of managing the mass public world wide.
Someone Has To Write This Stuff
It's All Show Biz Folks! Espionage is the stuff of Hollywood Fantasy
This article will look into how history is made of scripted fiction mixed with fact. World War Two was essentiality a literally scripted sequel to World War One. We will look into the origins of the CIA and other such Military Intelligence Operations and the Occult. We will show how this is all part of the scripted British Empire Show. James Bond is based on nothing but smoke and mirrors and nonsense. An yes, Hitler and the rest of his cartoon gang were scripted spokesmen too. This is why they did all the film making. This is why we have all the footage of Adolph and his dogs and so on... This is why History Channel churns out the same Nazi driven yellow journal documentary mythology over and over, like a good session with the rosary beads. Hitler would not only have a Facebook page, He'd be using Twitter too. We'd have footage of Hitler making a duck face for his selfie wall. It's not that nobody got killed during these scripted events, and it's not that there wasn't and isn't political movements and other very real things going on. It's that the images and the mythology sold as history is what is mostly fake. And there's good reason why the media lives to promote Hitler analogies. Everyone loves that little Charlie Chaplin man.
We tend to think the real combat would be on a much smaller scale and would have to do with things like the local villagers not wanting the Coca Cola bottling plant on their land. We'd wager that the public would overwhelmingly want to end the so-called wars if they knew the truth. We think if the public knew the truth, we'd defund the entire operation and restructure the system into something that actually served humanity and didn't require us all to be tax burdened wage slaves. We do not need all these layers of taxes, fees fines and threat of jail time. We do not need all this endless layering of increasing external governance.
How and Why 20th Century Radio & Televison were used to program our minds.
From word of mouth to church like stage, from illustrated manuscripts, to the printed Bible, from the publishing industry to the social media evolution of today, the mass media has always been used to define the boundaries of reason and the human imagination.
The Classical Oil Panting Was An Older Medium For Communication
Photography and the marvels of the 20th century would change perceptions as to what Art is. Modern Art would move in and would somewhat displace the illustrative symbolic language poetically crafted imagery, with gibberish. It's not that Modern Art is bad or anything like that, it's that a lot of Modern Art is abstracted to the point where it cannot possibly communicate any idea in a clear manner. A canvas painted in a single color is just that. A rendering of Campbell Soup labels is not the work of creative genius, if anything , it is commentary on the plastic nature of commercial society and shows how gullible the leisure class types can actually be.
This article explores the scripting of the narratives of what we take to be real history. The mass media noise machine still makes use of the older media, like word of mouth and print, along with the newer electronic systems to screen reality from us. The News and other media is not designed to tell us the truth, it can happen, but the real purpose of it all is propaganda. We simply cannot trust the images and the narratives the governments, the media and the university systems offer us, without a whole lot of critical thought. "History" and current events, are more scripted and designed and are meant to keep us on a merry go round of fear forever. Old war stories get reimagined into modern news. It's all very contrived and seemingly on eternal repeat. Hollywood loves to redo old scripts after all. This article focuses on the scripting of the wars and history as we know it. It's not that we do not think wars occur, its just that we think the scale is smaller and that any violence would be over things like the local farmer not wanting the Coca Cola bottling plant on his land. The whole world has long been one managed Enterprise. The world wide public needs to be managed, or so these people think.
We tend to think that whatever is or isn't going on in places like Syria, the whole thing is planned and controlled and contrived with the purpose of managing the public in those parts of the world, as well as using the news from these regions to color the minds of the western world. It's all one big false choice shadow puppet play. Any real revolutions are screened and filtered and managed by the system. The Military specializes in deception. We have to remember we need to believe we need all the protective layers of government we do not need. We have to think we need to keep paying taxes, fees and fines and even spend some jail time, if need be, for it all.
Planning and conducting and calling for wars is a mental illness. We are not naturally war like like we've been sold. We are capable of acts of violence of course, but the wars as sold to us for centuries are more mythology than reality. Calling for bombing fellow human beings is a sickness of mind, calling for other sorts of mass produced violence is insane. We really need to defund this entire farce. We live in a managed fish bowl and we are stuck as wage slaves who exist in a state of eternal duress under candy coated tyrannical rule.
Problem, reaction, solution is pushed by governments and their multimedia minions. We are not supposed to think rationally we are to respond emotionally. Advertising, film scripts, novels and even news stories, rely on this idea. Emotionally charged headlines and narratives are pushed hard to keep the public in a constant emotional state. The media promotes a real emotional roller coaster.
Please excuse the stray type. We will correct them as we find them. Thank You. AA Morris Staff
The Vatican & Royal Family Build Babylon's Babbling Tower in NYC: The Occulted History of Radio & TV Revelation Sensation!
Cathedrals used to be the tallest buildings and then it became the corporate business buildings that towered over human imagination. The Twentieth Century was a century of real fundamental change that built the world we live in today. The broadcast antenna would come to tower over all human minds as symbol for the medium that would deliver the new religion of Mass Media contrived News to the masses. Walter Cronkite was to become a National Savior of Sorts. The cult of idolatry and numerous external authorities would be sold to the mass public. Artifacts of culture are created with the purpose of reinforcing the authority of that specific cultural matrix. This is how we are managed as mass human resource. Radio and more importantly full color television would end up defining the boundaries of the imaginations of so many of us for a very long time, in ways less obvious than the effect that films shown in darkened theaters have. The News journalist whose real purpose is to screen reality, not reveal it, is the modern Priest or Rabbi. The modern journalist, especially the one on the TV screen, is the lead talking head and trusted and friendly News source we take for granted as reliable. Too many of us take all the talking head noise at face value and this is a mistake.
Here's What Our Ancestor's Hard Earned Wages Were Spent On:
What's War Good For?
Getting Wage Slaves To Foot The Bill For Your Building Empire and Radio Antenna & Whatever Else You Can Dream Up!
We have to work to keep feeding this ever fattening Vampire Media Beast. Our efforts must be taxed and our minds stupefied so we act like the robotic slaves the leisure class elite have supposedly long dreamt of. The old film Metropolis poetically describes the real world. Idolatry is a bad idea because it promotes appeals to external authority over our own self reliance. We take for granted all the many celebrity idols of one kind or another, sold like soda to us on continual and seemingly endless basis.
How apt, the mythically named siren was originally a musical instrument. The siren is ancient Greek mythological figure who lures sailors to their doom. Sirens were used in pipe organs, and pipe organs were impressive feats of engineering that took advantage of the architectural designed acoustics of the cathedral to impress the mass. St. Patrick's is just across the way from the GE or RCA or Comcast Building. The Empire loves to keep changing names. How appropriately named is New York The Empire State.
Welcome to The Building of The Empire State
The Power of The Broadcasted Air Wave Fear Based Propaganda Programming
Religious institutions were the former means by which the mass public was herded and managed. This institution and various forms of government are what define the boundaries of reason for most of us all. The largest and most impressive buildings used to be the government and religious ones. Today the corporate office buildings tower over all else. The early Feudal and Military structure is the basis for the modern business corporate world, with its boards of directors and corporate officers and mission statements and so on.
Mythology, and other scripted fictions have long been used to get real people to do real things and nothing has changed, this power has only been greatly amplified with the power of the moving image with audio and now the internet with the wireless smartphone.
Media is used to manage the mass public, around the globe. Full color moving images with sound cast a powerful spell over the minds of humanity. These Hollywood images give us a distorted and incorrect view of reality, this is by design.
Dungeons & Dinosuars:
“Pixie Day is a tradition that takes place in Ottery St. Mary, England, annually on the Saturday nearest Mid-Summer's Day in June. Dating from 1954, and based on a pamphlet written by R. F. Delderfield for the 500th anniversary of the installation of the bells of the Church of St. Mary, the event commemorates a legend of Ottery St. Mary's 'pixies' being banished from the town (where they caused havoc) to a local cave known as 'Pixies' Parlour’.”
“decided to build a church in Otteri (later Ottery St. Mary), and commissioned a set of bells for the church to be cast in iron in the bells works in Wales. The bishop was so concerned about the bells getting destroyed that he organised an escort of monks to bring the bells to Otteri.
On hearing of this, the pixies were worried, as they knew that once the bells were installed in the church, it would be the death knell of their rule over the land. So they cast a spell over the monks and redirected them from the Otteri road, towards the road leading them to cliffs overlooking the sea at Sidmouth. Just as the monks were about to fall over the cliff, one of them stubbed his toe on a rock and said "God bless my soul", and immediately the spell was broken.
The bells were then brought to Otteri and installed in the church. However the pixie spell was not completely broken; each year on a day in June the 'pixies' come out and capture the town's bell ringers (and in some years the parish council) and imprison them in Pixies' Parlour to be rescued by the Vicar of Ottery St. Mary. This legend is re-enacted each year by the Cub and Brownie groups of Ottery St. Mary, with a specially constructed Pixie's Parlour in the Town Square.
The original Pixies' Parlour (a cave in sandstone) can be found along the banks of the River Otter, about a mile south of the Otter Road bridge in Ottery St. Mary.”
“The River Otter rises in the Blackdown Hills just inside the county of Somerset, England near Otterford, then flows south for some 32 km through East Devon to the English Channel at the western end of Lyme Bay, part of the Jurassic Coast, a UNESCO World Heritage Site. The Permian and Triassic sandstone aquifer in the Otter Valley is one of Devon's largest groundwater sources, supplying drinking water to 200,000 people.”
The Jesuits are the stuff of legend. This body is a Secret Society of sorts that was and is very influential in shaping human minds. The Jesuits helped to shape the University system as we know it. The Jesuits were also heavily involved in promoting what would become Modern Cosmology and still are, and so is the Vatican. Of course the Jesuits are involved in bringing Catholicism to America. These sneaky spies snuck in right under everyone's noses, so to speak. We have to remember that the original colonists had been independent types who had sought the freedom of the New World as means to escape the Feudal Societies of the old. That included the other head of the mythic 666 beast, the Church.
A Circular Reasoned Merry Go Round
The architectural symbol of the power of religion over humanity that many of our ancestors knew was the almighty stone structure we call the Church. Church comes from the word circle, or course. And the flock of sheep need to be kept within the proverbial stone circle. Medieval castle walls used to keep the peasant safe from fabled threats, Feudalism is nothing but a mafia protections racket and in may ways the Church and organized religion is likewise, (a fear based - spiritual scam). Today the huge commercial office building has, in many ways, replaced both Church and castle wall.
Electric & Now Electronic Based Communications is the Medium of and by and of, Government
The electronic media amplify the human nervous system. Voices and personas get projected across the aether from transmitter to far distant receiver. The word of mouth medium is amplified to legendary levels with radio and modern technology. Shadow puppet shows and Cold War make believe would become the stuff of history. The many layers of internal military propaganda become external secrets to be revealed. There is both internal and external propaganda. Today we call the internal propaganda the material of the Human Resources Departments of corporations world wide.
SS: James Bond Kinda Spy Guys United! Secret Societies Become Modern Secret Services
SSHH! Be quiet in the library and keep your mouth shut about "Fight Club". Top Secret clearances and non-disclosure agreements would seem to clearly originate with the secret oaths taken by pledges to the secret societies. Fraternity style pledging still mimics this ritual to this day. Someone has to dream this stuff up and write it down and that is the job of the author. The really good author creates their own air of authority, of course.
Top Secret Documents of any country are likely to include a lot of dis- and mis- information designed as internal propaganda meant for the military and related governmental personal. There are many layers of lies that protect the truth of the long standing one world Empire. Governmental employees and officials are bound to be among the most lied to and propagandized. Information would be logically compartmentalized and on a need to know basis. This makes for a total information dump by one person unlikely, meaning that more than likely, people like Edward Snowden and other such sources like Wikileaks, are all part of the scripted show. Julian Assange and company come across as little more than disinformation not so secret agents. Based upon Julian Assange's current address it looks like he is a spy or secret agent that works for the National Intelligence Service of Ecuador. Not that it matters, the world as long been one United Nation State under Enterprise of G.O.D™.
A Very Designed Culture Revealed: Three Pillars of Masonry as Architecture
The Church has long used the power of visual and the audio arts to "lull the flock to sheep". The masses might not be able to easily go to the symphony or opera, but they could be kept entertained and stupefied by the the theatrical performances of the clergy and the choir. The RCA building would be built across from the former music hall, how poetic. In many ways, the new radio wave based technology would replace the older pipe organ for good.
Wars To End All Wars Parts One & Two - Followed By The TV Series
The foundation for our modern communications landscape originated in with World War Two. World War Two served as a screen for a whole lot of very real culture manufacture. Content for that medium needs to be scripted. Writers are needed and are obviously employed to script various kinds of propaganda, someone needs to script the newsreel and newspaper fictions sold to the public as fact. Someone has to script the officially recognized military/police drills, and someone has to write the script for the fake news events (sold as real) as well. Writers with security clearances and nondisclosure contracts are hired to craft the narratives the all too gullible and guidable public eat like candy.
Many of us are very aware that the advertisers spend a whole lot of money to have very contrived commercials crafted to shape public imagination with the intent of increasing sales of a particular product line. We tend to understand we cannot trust the claims the commercials make. We also know not to take the scripted fictions we watch as real. We know the soap opera is theater and we know that the prime time sitcoms are also scripted theater, just like plays are.
Not So Real TV
What many of us might not know is that the talk shows and the news and the rest of what is sold to us as factual based television programming also tends to be scripted in one way or another. There really is no true reality show as far as we can tell. Documentaries are also not always as real as we think they are. The Discovery and History Channels are great examples of very shoddy researched programming sold as fact, all with the air of appropriate authority, of course. Television shows, labeled real or not, have budgetary and time constraints. These people have to produce so many episodes of television within a certain time period. These people wouldn't leave their story lines up to fate, would they? Would that make sense? How many of the so-called reality television stars are also actors and actresses? We know from MTV's Real World contract that the producers of these so-called reality products can distort the true story to the point where it becomes whatever cartoonish narrative the producer desires, including pretty much casting someone else to play 'you'. The producers of this highly culturally influential MTV product have the legal right to do pretty much whatever they want to you and your story, if you sign on the Satanic Dotted Line.
Pulitzer Prize Winning Yellow Journalism is Still Propganda
"Joseph Pulitzer (i/ˈpʊlɪtsər/; Hungarian: [ˈpulit͡sɛr]; born József Pulitzer; April 10, 1847 – October 29, 1911) was a Hungarian-American newspaper publisher of the St. Louis Post Dispatchand the New York World. Pulitzer introduced the techniques of yellow journalism to the newspapers he acquired in the 1880s. He became a leading national figure in the Democratic Party and was elected congressman from New York. He crusaded against big business and corruption, and helped keep the Statue of Liberty in New York."
"In the 1890s the fierce competition between his World and William Randolph Hearst's New York Journal caused both to use yellow journalism for wider appeal; it opened the way to mass-circulation newspapers that depended on advertising revenue and appealed to readers with multiple forms of news, entertainment and advertising."
"Today, he is best known for the Pulitzer Prizes, which were established in 1917 by money he bequeathed to Columbia University to recognize artistic and journalistic achievements in the United States. The prizes are given annually to award achievements in American journalism and photography, as well as literature and history, poetry, music and drama. Pulitzer founded the Columbia School of Journalism by his philanthropic bequest; it opened in 1912."
Journalism is a yellow journal joke. It was never designed to tell the truth. It is about propaganda, usually fear based of one kind or another. Yellow Journalism really is the blueprint for culture and has always been. Modern comic book characters are no different from the European oil painted Gods of mythology.
Yellow belly means cowardice of course. Yellow obviously refers to fear. This is what the News and Governments sell. This is what the Church and other religious institutions and cults have long used to gain converts. Sex and fear of the bogeyman would seem to be the two main pillars of culture and society and have been for a long time. Fear of sex and the desire for it have been long used as the means to control people's behavior.
My How Time Really “Flies”: The Pope is Still The Anti-Christ
Today The Journalist Is The New Clergy And News The New Religion For Many
For Some the Clergy Are Media Promoted “Rock Gods”. For Others a Movie Star is the Guide or God To Follow.
As anyone familiar with the story of Jesus knows, he turned down Satan’s offer to rule the world. This is not so with his supposed Voice on Earth, the Pope. The Pope and the rest of the costumed clowns we see across the religious and social “poetical” (political) system are all “arti-factually” inclined towards costuming, theater and deception. It’s all about getting us to do most if not all of the work, while layers and layers of elite sit back and benefit from a historically rigged commercial enterprise and system of social control. The Pope plays childish costly dress up as the Sun Man or The Solar Emperor himself. The Cardinals and all the rest are all involved in what amounts to actual dinner theater complete with costumes, staging, seating for the audience, monologues, bread, wine and song. Of course a hat is put out after the show, so you can contribute some cash, just like Jesus used to do.
Meet The Real Beast
The Twin Towering Beasts of Revelations Spit Out The Same Frogs That The Clergy Does. Whatever we think the frogs symbolize, they all speak or spit out the same kind of creature. What does this tell us about whose side the clergy is on? The 666 Multimedia Beast or Yours? Keep in mind this imagery applies today to you , right now. This was true back when it was painted and it is all the more true today.
The Use of The University System to Mold The Elite Class Out of The Wage Slaves
Looking at the imagery what is the artist trying to tell us without words? We do not need to speak the same verbal language, we do not need Babel Fish in our ears as long as we are familiar with the trappings of western culture, that is. The largest beast on our left has the most heads. These heads are crowned with the Sun, European Sun Worshipping style, which is the mark of the beast, so to speak. Western civilization is largely based on Sun worship, or at least it used to be, before the whole ever exempting Big Bang Multiverse Virus struck everyone’s mind, driving the mainstream insane. The eighth crowned head is the underground or occulted (hidden) source of the clergy. The Twin Clergy monks sing the same frog song as the rest of the monstrosity. The Seven Headed Lion (A Solar animal) stands on top of the Eight Headed Dragon. This creature appears to us to be younger, like the child of the larger beast it rides. Could this newer beast be the foundational merchant-mafia class clan that would become the elite leisure class? This would seem to represent the layers of elite "Oxford, Harvard and Yale educated" politicians and business heads we take for granted.
image source: https://www.pinterest.com/explore/revelation-commentary/
As people wake up to the beast, it reimagines itself, moves its capitol and changes its logo and language. All names are changed to protect the guilty. At this point the corporate and media saturated world we tend to take for granted is the beast. We are all its agents and all are tied to it, unless we can free our minds from this very real captivity.
The Officially Sanctioned Clergy Are The False "Profits"
The Lion Like Hydra Beast Would Seem To Represent The Freemasonic Indoctrinated Leisure Elite Class Run World Many Overlook & Take For Granted
The Freemasons and similar secret societies (and today’s governmental alphabet agencies, modern business corporate firms and all the rest), like the various institutional Churches, are an institutionalized layer that separates the wage slave class from the Hidden Holy Roman Ruling Mafia Clan.
The Military Industrial Multi-Media Noise Machine Exists To Keep Us Divided, Distracted & easily Managed. This Video explains the context of this all. This video gets into why we have the so-called immigration problem in the first place.
Someone has to have the means, motive and opportunity, in order to execute any kind of strategy or plan. In this case the mass immigration of people around the world is something even the rich cat local business guy can't make magically happen. For that you need a Magical Mysterious 33 Degree-ish 'friend' with Global power.
Silver tongued Saturn Says.
Silver tongued Saturn Sings a
Feudal Global Immigrant Song:
Give Us Your Poor or We’ll Ship Them Here Anyway!
We believe people are free to live wherever they want and we do not accept the artificial borders of the fabled Nations, States, Counties and whatever other artfully crafted name one desires to use as shepherding label.
She Shines Only Very Dark Lies
We also believe men and women alike are equal in terms of freedom. This video gets into why we are divided along gender and racial and national divides.
This video also puts this into the greater context of the industrial age feudal system of powerful business control over the labor force, with things like corporate controlled factory towns.
Church = Circle
Saturn is The God of Governmental Authority
Etymology and epithets
According to Varro, Saturn's name was derived from satu, meaning "sowing". Even though this etymology looks implausible on linguistic grounds (for the long quantity of the a in Sāturnus and also because of the epigraphically attested form Saeturnus) nevertheless it does reflect an original feature of the god. A more probable etymology connects the name with Etruscan god Satre and placenames such as Satria, an ancient town of Latium, and Saturae palus, a marsh also in Latium. This root may be related to Latin phytonymsatureia. Another epithet, variably Sterculius, Stercutus, and Sterces, referred to his agricultural functions; this derives from stercus, "dung" or "manure", referring to re-emerge from death to life. Agriculture was important to Roman identity, and Saturn was a part of archaic Roman religion and ethnic identity. His name appears in the ancient hymn of the Salian priests, and his temple was the oldest known to have been recorded by the pontiffs.
The temple of Saturn was located at the base of the Capitoline Hill, according to a tradition recorded by Varro formerly known as Saturnius Mons, and a row of columns from the last rebuilding of the temple still stands. The temple was consecrated in 497 BC but the area Saturni was built by king Tullus Hostilius as confirmed by archaeological studies conducted by E. Gjerstad. It housed the state treasury (aerarium) throughout Roman history.
The position of Saturn's festival in the Roman calendar led to his association with concepts of time, especially the temporal transition of the New Year. In the Greek tradition, Cronus was sometimes conflated with Chronus, "Time," and his devouring of his children taken as an allegory for the passing of generations. The sickle or scythe of Father Time is a remnant of the agricultural implement of Cronus-Saturn, and his aged appearance represents the waning of the old year with the birth of the new, in antiquity sometimes embodied by Aion. In late antiquity, Saturn is syncretized with a number of deities, and begins to be depicted as winged, as is Kairos, "Timing, Right Time".
The Titan of Capitol & Capital: El Capitan Himself
"Saturn (Latin: Saturnus Latin pronunciation: [saˈtʊr.nʊs]) is a god in ancient Roman religion, and a character in myth. Saturn is a complex figure because of his multiple associations and long history. He was the first god of the Capitol, known since the most ancient times as Saturnius Mons, and was seen as a god of generation, dissolution, plenty, wealth, agriculture, periodic renewal and liberation. In later developments he came to be also a god of time. His reign was depicted as a Golden Age of plenty and peace. The Temple of Saturn in the Roman Forum housed the state treasury. In December, he was celebrated at what is perhaps the most famous of the Roman festivals, the Saturnalia, a time of feasting, role reversals, free speech, gift-giving and revelry. Saturn the planet and Saturday are both named after the god."
"The Temple of Saturn (Latin: Templum Saturni or Aedes Saturnus; Italian: Tempio di Saturno) is a temple to the god Saturn in ancient Rome. The original dedication of a temple to Saturn was traditionally dated to 497 BC,but ancient writers disagreed greatly about the history of this site. The ruins of the temple stand at the foot of the Capitoline Hill in the western end of the Forum Romanum."
"In Roman mythology, Saturn ruled during the Golden Age, and he continued to be associated with wealth. His temple housed the treasury (aerarium), where the Roman Republic's reserves of gold and silver were stored."
"The state archives and the insignia and official scale for the weighing of metals were also housed there."
"Later, the aerarium was moved to another building, and the archives transferred to the nearby Tabularium. The temple's podium, in concrete covered with travertine, was used for posting bills."
"The Golden Age of Saturn's reign in Roman mythology differed from the Greek tradition."
"He arrived in Italy "dethroned and fugitive," but brought agriculture and civilization for which things was rewarded by Janus with a share of the kingdom, becoming he himself king."
"As the Augustan poet Virgil described it, "He gathered together the unruly race" of fauns and nymphs "scattered over mountain heights, and gave them laws ... . Under his reign were the golden ages men tell of: in such perfect peace he ruled the nations." "
Was That an "11" or a Roman Numeral II?
New York's WPIX (Channel 11) made use of the Twin Towers Symbology for Years with their Promotional Material. Superman is modern myth of course, and the comic book cartoon character is derived from heroes of legend like Samson and Hercules. Superman's "Krytponian" last name is "EL" of course, which means God and is a Saturnian sort of figure.
Superman's Father - Jor El - Wearing a Saturn Symbol as Family Crest
Roman Saturn Pillars = Freemasonry Pillars = Twin Towers
Christopher Reeve at The Temple of Saturn in Rome. Still from the film Monsignor.
Bombing of Rome in World War II: 9/11 Masonic 33 and 666 Numerology
World War II
"In the 110,000 sorties that comprised the Allied Rome air campaign, 600 aircraft were lost and 3,600 air crew members died; 60,000 tons of bombs were dropped in the 78 days before Rome was captured."
The New Walls of The Feudal Plantation are Buildings, Especially Intricately Designed Ones
The History of The Occult Section in the Book Store
Occult simply means hidden and apocalypse means revelation not the end of the world. What ends is the illusion of history. That seems to be the meaning of the Book of Revelations, at least in terms of and the symbolic imagery. The renaissance era depictions of the End of the World, and the tarot deck, are other examples of a visual (metaphorical or allegorical) language that tends to be overlooked. The pictures can tell us something that perhaps could not be spoken out loud.
'Tis A Shame St. George Didn't (Really) Win 'Tisn't It?
"Saint George (Greek: Γεώργιος Geṓrgios; Latin: Georgius; AD 275–281 to 23 April 303), according to legend, was a Roman soldier of Greek origin and officer in the Guard of Roman emperorDiocletian, who ordered his death for failing to recant his Christian faith. As a Christian martyr, he later became one of the most venerated saints in Christianity.
In hagiography, as one of the Fourteen Holy Helpers and one of the most prominent military saints, he is immortalised in the myth of Saint George and the Dragon. His memorial, Saint George's Day, is traditionally celebrated on the Julian date of April 23 (currently May 6 according to the Gregorian calendar). Numerous countries, cities, professions and organisations claim Saint George as their patron."
"The dragon boundary marks are cast iron statues of dragons on metal or stone plinths that mark the boundaries of the City of London. The dragons are painted silver, with details of their wings and tongue picked out in red. The dragon stands on one rear leg, the other lifted against a shield, with the right foreleg raised and the left foreleg holding a shield which bears the City of London's coat of arms, painted in red and white. This stance is the equivalent of the rampant heraldic 'attitude' of the supporters of the City's arms."
image source: Dragon boundary mark - Wikipedia
Authors are not only experts in skills like grammar, they are word smiths who make liberal use of literary resources like dictionaries. These people also tend to have backgrounds in mythology and history. They also know their Bibles. Authors are actual and literal “book worms”. Their worm ”tongues” may be forked. Like the forked tongue of the NASA logo. Words can have two or more, meanings. The word worm, by the way, also refers to a Dragon, a symbol that represents the banking power of the City of London. NASA's forked or lying toque can be said to be the mouth of the city of London, the British Banking "Temple" itself.
Who is falling out of the Tower and What is Getting Struck By Lightning?
Who lives in towers and wears Crowns & Costumes and created a whole Fairy Tale Disney Kingdom to protect their System of Slavery?
Science Fiction Comic Book Mythology "The Modern Samson or Hercules, Superman's Origin":
Kryptonian "Science Council" Elite (Royalty) Fall during The Destruction of Krypton.
scenes from the destruction of Krypton, Superman (1978 film) - Wikipedia
Someone Has to Script The Fictions Sold As Fact
Aleister Crowley is supposed to have belonged to the Order of the Golden Dawn, a very occult sounding name for a group of what appears to be mostly writers and others from the leisure class. Among the names are: Sir Arthur Conan Doyle, Bram Stoker, W.B. Yeats and a whole long list of writers, actors and more. The list includes an actress who was also an Irish revolutionary, All of this screams of Freemasonry Style Scripted fiction and examples of Controlled Opposition actresses and actors, who act out the script. We all live in a Yellow Submarine Journal Fish Bowl that belongs to the Queen of England or so the paperwork trail suggests.
The Cold War appears to be another managed and scripted Platonic Shadow Play Con Job, like today's ridiculous Digital Cold War. We have to have some kind of existential threat and the fear of some kind of enemy state with or without Nukes, in order to keep us convinced we need all the protective layers of government and need to keep paying taxes for it all. The United States was and is still part of the British Empire in all the ways that really matter, the connections are by way of treaties and economic ties. Things do not work like most of us think they do.
Religious Rituals Need To Be Scripted Too
A ritual is a reenactment of a myth. Rituals are theater. Someone has to write this stuff. Someone has to literally script the sermon. Religious ceremony and theater are really one and the same thing. Whether religious, royal, political or civil, ceremony is ritual. These are fictions, artifacts of culture. Ritual and ceremony have to be crafted. The purpose of this type of artifact is like all others and is to reinforce the societal norms, defining the boundaries of acceptable behavior for the mass public.
We Need A Real Revolution, Not Reel Ones
The Russian (and the prior French and American) "revolutions" would seem to be just managed affairs. We think that there's a good chance that what we think of as history is really a screen over the actual events that had to be managed. Controlled opposition figures manage and slow or otherwise control the situation so the "livestock do not flee the barn".
The Royals are all supposed to be one big Mafia Crime Ring Family. The Holy Roman Empire would seem to have been rebranded and reconfigured, over and over again throughout history. This is the foundation for the modern corporate world of business restructuring and mergers and acquisitions and all sorts of other Wall Street sorts of fun.
We think that as people become aware of their very real captivity, the powers that be pull a stunt or three, to mess the game board up. The elite move their own people into all the important positions, taking as long as they need, or so it seems. They never give up and will try whatever method works. They will spend a century or two, or "forever" if need be. Someone has to be the proverbial "last man standing", and it surely will be one of the elite.
The political Nation-State leaders are like role-playing chess pieces and act to slow down any real change and to otherwise manage the populace. These figures also act as bogeyman for the supposed opposing Nations. Nations and states are not real, they are ideas and tools for managing Empire. We only really need more local control over our lives by way of small bureaucracies that actually serve humanity and we need less of the numerous layers of county, state, national and international law.
We think real revolutions are turned into "Enterprise building opportunities" in this manner. We tend to think that the numbers of casualties are exaggerated for effect. We also think that war is a good way to get large groups of people to mobilize into economic work forces that create real wealth and economic opportunity for real people. The problem is that the game is rigged at the highest level and the little 'guy' can never really and ultimately win.
War seems to us to be a good way to get a bunch of possibly awakening youth to go and kill each other. Two supposedly independent states can make liberal use of the other state as scapegoat and play the old murder mystery "strangers on a train" trick.
It's not that there were no cases of violence or conflict. It's that what we understand of it all has been highly filtered through the overwhelming media, university and governmental propaganda noise machine.
The Church, University, Military & Multimedia Mind Control: The Indoctrination Nation
The various official institutions have long been indoctrination programs rather than real educational ones. The Military is an excellent example of an institution that relies in its own authority to shape and mold the character of its recruits. It is just like the University and Church systems in this regard. Military personal are supposed to be on a need to know basis and could be more propagandized than the average citizen. There must be a lot of dis and mis information that gets passed around the various levels of the Military,
The military needs not only the public faith, it needs the faith of Congress to keep funding it. Congress needs reason to keep funding the military, they need reason to keep borrowing and taxing and spending. Otherwise the slave Enterprise will begin to die. The idea is to keep the beast growing.
The Military Are Practiced In The Art of Deception
The Military has long made use of the military drill as means to train its forces. We have a feeling a lot of history is the result of scripted military drills gone 'live'. We are shown images and interviews with wounded soldiers who may have even lost limbs. We then have tales of road side bombs and all sorts of rebellious activity. This is then used to justify more war and more spending on war. The truth is the Military does a lot of training exercises as well as various training with explosives, that we can easily see how most if not all of the injuries we see on screens, can be easily explained as simple accidents. We are not stating that real injuries from real combat does not happen, we simply point out other possible explanations for what we've seen on screens.
Simulated reality is nothing new. The nobles have long played chess and other types of table top war games. We take them for granted as they line toy store and gaming store shelves (virtual or real) and have for years. These games are played online and off and are available in easy accessible, traditional and digital media, of course.
We take it all for granted but computer games and role playing games and all the rest (basically) come from the long history of people playing military war games.
World War Two on Eternal Playback Loop
Hollywood can always find funding for a new World War Two flick, after all. Historians tend to parrot what they learned. They do not think critically about the content of their repetitive catechisms. What they repeat tend to be little more than the public relations propaganda from the noise machine, and this circular reasoned silliness is sold as fact. No critical thinking need to be done. All the so-called expert or authority need to do is parrot the imagined facts and we are supposed to buy into it all. With figures like Crowley, the mythic legend reaches cartoonish and outlandish proportion that reeks of bull...
20Th Century Religious Authority of The Empire State Based News Media In The Form of The Neo-Rabbi Mumbo Jumbo Cartoon Clown Priest
F For Fake: Orson Welles Actor, Director, Propagandist & Marketed Public Persona (see below)
We Hate or Love or Feel Indifferent to Platonic Shadow Puppet Characters
Please keep in mind that we know what we think we know about these personas from the same Media Noise Machine that screens and otherwise occults reality from us. The elite heads of the allegorical & Biblical Beast of Revelations has long controlled not only mass communication systems, they control mass transportation as well. Layers of needless Governmental Heads protect the Royal Heads of the Noble Lie. Some of the heads still survive today and in many ways, are just as much victims of this long standing system as the rest of us. The leisure class and the elite are slaves with gold chains and not everyone need to agree or be in on every single little lie.
Managing Global Human Resources is A Tough Job!
Any real revolutions are managed and blunted and any real awakening is otherwise managed and stopped and the sheep go back to countless nights of sleep. The Book Of Revelations will be relevant for every society of the future until we end this system of external and endless layers of external authority. No Superman Jesus is going to fly out of the Heavens to save anyone, you have to save yourselves in order to escape this prisoner cult of personality we call modern life.
Artists like Aleister Crowley are self promoting authors who were promoting their carefully crafted personalities in the media as much as they were promoting the books or ideas they were mongering
The Art of Crafting The Public Persona: Public Relational Stage Personal
Film directors, singers, playwrights authors and all sorts of artists create public personas for themselves that enable the public to easily distinguish them from the competition. Orson Welles is an actor, and he is an admitted con man or “Fakir” who cannot be trusted as we should learn to not trust anything any Hollywood celebrity tells us without critical thought on our part. These are showman and tricksters who are into stage magic and illusion and other forms of deception. The interviews with these artists are very revealing if we do not take them at their literal word, but instead put this all into the context of cultural creation and public behavior manipulation. Here Orson Welles is reinforcing the Hollywood mythology of the 20th Century. The fact that this “F Faker” claims to have been involved with so many legendary characters of his time should be a clue. We think he is full of the bull he claims to no longer wish to see slaughtered. We like the persona we know as Orson Welles, he is charismatic and very funny and very watchable. He projects a very warm persona. The man was a talented artist who had a wonderful trained voice. He knew how to use his body language and his expressions to really get an audience’s attention. This is what these trained Hollywood craftspeopleknow how to do. They are all trained in the art of deception. Part of that deception is the Public Relations persona.
Daytime & Night Time 20TH Century TV Personas
Son of Samael - Wikipedia
Sons of Crowley United! Sammy Davis: SS Soldier
Sammy Davis Jr the famous entertainer was not only a Satanist of sorts, he served in the U.S. Military Special Services branch, like actors Leonard Nimoy and Clint Eastwood, among numerous others.
"During service in World War II, the Army assigned Davis to an integrated entertainment Special Services unit and he found that the spotlight lessened the prejudice. Even prejudiced white men admired and respected his performances. "My talent was the weapon, the power, the way for me to fight. It was the one way I might hope to affect a man's thinking," he said."
"Special Services was the entertainment branch of the American military. The unit was created on 22 July 1940 by the War Department as part of the Army Service Forces. Special Services would not only use their own specially trained and talented troops but would often engage local performers.
Special Services were one of the few U.S. Army units to be integrated during World War II. Special Services opened their first Recreational Officer school at Fort Meade Maryland on 1 April 1942."
The POWER of 20th Century FM RADIO
All The Promotion In The World Can't Make People Keep Going To See The Shows Over And Over And Over...
Love them or hate them, the Grateful Dead filled up big concert venues of the stadium size, and made a ton of money touring for years and years and years. They did get some radio play and some MTV video play of course, and there was always the Rock N Roll magazines on newsstands "everywhere" that promoted the various media labelled "Rock Idols".
The fact is this band has always seemed to have had people who either loved their music or hated it. They never seemed to play the same show twice and their performances are publicly available. The band had a section for people to tape their concerts, they did not care about bootlegging and in this manner built a loyal and yes a cult like following. The parking lot of a Dead show was like going to the Renaissance Fair. You get spend the whole concert in the parking lot and have a good time. This band is an example of a band who conducted themselves as a business. For years Grateful Dead artifacts were sold in places like shopping malls and t shirt shops. Merchandising is not only profitable, it "promotes one's brand", as they say.
The Grateful Dead Knew Who They Worked For
As “Skulls and Bonesmen” themselves, we can see that these guys are self labelled Freemason types. The “Dead” are musicians who are part of the traveling road show that Bob Hope & The USO Tour helped to establish, back during World War Two. They are singing about the United States as corporation. The song seems to be about how we are all wage slaves and (perhaps) how “Uncle Sam” IE World War Two Propaganda “stole your wife” or rather, sent women to work and out of the home, during this era. Keep in mind one person working back then could bring in enough of a salary to support a family. Today everyone, even the children, have to work for many of us in the Middle class. Our parents had it better than many of us do today.
This song reveals the truth about our manufactured Coca Cola - logo’ed United States of Corporate Culture™ which as we know is a corporate entity that represents old world power as all of the major world wide governments do. The governments are layers of scripted divisions that grew out of the original Feudal Beast.
TV - The Product of The One Eye Camera - Casts A Hex on The Mass Audience
Bob Hope's Hat Is interesting. no?
The Absurdity of The USO Tour Revealed
Click on the link and check out the list of Hollywood entertainers that were sent around the world during the World War. Consider the logistics of attempting such a feat during a time of war! These entertainers even toured Europe during the war. They did an incredible number of performances. This clearly led to the concert tours of today.
The world had to be made "safe" for travel and the transportation of goods. Of course entertainment tours are of upmost Governmental concern. Live Comedy Becomes a $300 Million Punchline | Billboard
Bob Hope was British
"Hope was born in Eltham, London, now part of the London Borough of Greenwich, the fifth of seven sons. His English father, William Henry Hope, was a stonemason from Weston-super-Mare, Somerset, and his Welsh mother, Avis (Townes), was a light opera singer from Barry, Vale of Glamorgan, who later worked as a cleaner. They married in April 1891 and lived at 12 Greenwood Street in Barry, before moving to Whitehall, Bristol, and then St George, Bristol. In 1908, the family emigrated to the United States aboard the SS Philadelphia and passed through Ellis Island on March 30, 1908, before moving to Cleveland, Ohio."
Celebrity Deaths: A Cultish Cartoon Comic Con Job?
We do not know who these people are. We only know their public personas that have been projected through the public relations media noise machine. These people sign things like non-disclosure contracts and scribble their names and likenesses away to corporate interests. These people make use of stage names and public personas and are not quite who they appear to be. Some may not even be who we think they are, for all we know. Most of us only know these people by way of the very distorted multimedia noise machine. The various biographies and mythologies we think of as history are not as real as most of us believe.
image source: Huffington Post
The Power of The Carefully Crafted Corporate Rock N Roll Persona Revealed
We agree that Robert Plant is a very talented and knowledgable artist. We enjoy his work very much and think he is getting better and better with age. But as we all know, he got his big break by hooking up with Jimmy Page and Atlantic Records and company to go on to perform some really impressive audio art in the age of the post World War Two USO Tour. Please watch this interview.
Please notice how there is a "whole lotta" mythology about these legendary "Bad Boys". Who knows what is true or what isn't? The artists themselves do. We have to remember Led Zeppelin was marketed during the 1970's and that public relations agenda would be reflected in what was presented to the public by way of the magazine and fm radio (and even mainstream NEWS) noise machine.
We think this kind of bad boy persona marketing originates with Mr. Crowley, in many ways. This Led to a Whole Lotta Heavy Metal marketed music.
The Multimedia Cult of The Electronically Amplified Persona
"A persona (plural personae or personas), in the word's everyday usage, is a social role or a character played by an actor. The word is derived from Latin, where it originally referred to a theatrical mask."
"In literature the term generally refers to a character established by an author, one in whose voice all or part of a narrative takes place. Poets such as Robert Browning, Ezra Pound, and T. S. Eliot are strongly associated with such narrative voices, as is the writer Luigi Pirandello. These writers understood the term slightly differently and derived its use and meaning from different traditions."
Below an interesting interview with Robert Plant, well worth watching.
Public Relations Social Media Sensations
Aleister Crowley comes across like just another marketed media persona like the one Orson Welle's projected so well. If Television was around when Mr. Crowley was, we suspect we'd witness a similar kind of performance. Consider all the all too numerous somewhat over the top personas we have seen paraded on screens since the 1950's. There are a seemingly infinite number of talk show personas that come to mind. Do we really need to list all the cartoon characters that the tabloid News and talk shows have sold to us as real people?
Take a Pilgrimage with The Travelers: A Scripted Gypsy Theatrical Snake Oil Road Show
Aleister Crowley and the rest would seem to be snake oil freemasonry sales men. It looks like they worked for the British Monarchy and were tasked with various and somewhat obvious propaganda chores. Religions have long been used to dominate the human imagination. Religions are also profitable and the playground for the traveling snake oil con man. Jack Parsons of NASA rocketry fame and L Ron Hubbard are other examples of these phonies. These men helped to create the New Age publishing and related industries. From one point of view this is purely a commercial endeavor. From another point of view, and one higher up the proverbial pyramid of global social control, we can see how a few minds could create the foundation for a system of commerce that promoted what could only be essentially termed as a program of 'mass public mind and behavior control'. The more elite and more royal minds set up the system and the unwitting engage in full belief that these systems are reasonable and rationale and designed to help them. The duped mind is not to realize it is being manipulated and used for profit. The cult leaders whose greed drives their behavior need not realize the real damage that their actions are causing.
Was Mr. Crowley a Secret Society Freemason?
image source: http://queenrockband.blogspot.com/2013/08/roger-taylor-releasing-solo-album-in.html
The "Fierce" 666 Beast is a Poet and Novelist. Talk About Over-Hyped Self Promotion, Geesh!
Aleister Crowley: Freeemason Poet & Novelist
"Born to a wealthy Plymouth Brethren family in Royal Leamington Spa, Warwickshire, Crowley rejected this fundamentalist Christian faith to pursue an interest in Western esotericism. He was educated at the University of Cambridge, where he focused his attentions on mountaineering and poetry, resulting in several publications. Some biographers allege that here he was recruited into a British intelligence agency, further suggesting that he remained a spy throughout his life. In 1898 he joined the esoteric Hermetic Order of the Golden Dawn, where he was trained in ceremonial magic by Samuel Liddell MacGregor Mathers and Allan Bennett."
The Order of The Golden Dawn was founded by Freemasons.
The Order of The Golden Dawn: A Freemasonry Front?
The Freemasonry work for the British Monarchy. It looks like Mr. Crowley was one of them. The Order of The Golden Dawn was founded by Freemasons. These appear to be the so-called secret agents, or at least it sure seems the predecessor to the Secret Services were Secret Societies.
We have clear evidence that the freemasons included actors, artists and writers among their membership. These creative craftspeople went on to concoct the Occult publishing industry that would grow into the influential multimedia market we know today. So-called occult orders, like the Order of The Golden Dawn, look more like Royal funded 20th Century religion and pulp fiction inspired cult creation than anything else. These people were artists and writers and would go on to become very influential book publishing figures. Remember, the following is a list of just some of the members of the Order of the Golden Dawn: Sir Arthur Conan Doyle, Bram Stoker, W.B. Yeats, Pamela Colman Smith, etc. These people would help create the book publishing industry as we know it today. These were some of the influential artists whose work is still being reimagined into one form or another, today.
Scientology Origins: Hermetic Order of the Golden Dawn - Wikipedia
"The Hermetic Order of the Golden Dawn (Latin: Ordo Hermeticus Aurorae Aureae; or, more commonly, The Golden Dawn (Aurora Aurea)) was an organization devoted to the study and practice of the occult, metaphysics, and paranormal activities during the late 19th and early 20th centuries. Known as a magical order, the Hermetic Order of the Golden Dawn was active in Great Britain and focused its practices on theurgy and spiritual development. Many present-day concepts of ritual and magic that are at the centre of contemporary traditions, such as Wicca and Thelema, were inspired by the Golden Dawn, which became one of the largest single influences on 20th-century Western occultism. "
"The three founders, William Robert Woodman, William Wynn Westcott, and Samuel Liddell MacGregor Mathers, were Freemasons and members of Societas Rosicruciana in Anglia (S.R.I.A.). Westcott appears to have been the initial driving force behind the establishment of the Golden Dawn."
Freemasons Manage The British Empire
Samuel Liddell "trained" Aleister Crowley in "magic". Liddell was a Freemason, of course.
Please note the ISIS reference - It Would Seem No Occult Secret That These People Love Their Egyptian Mythology To This Day
Religious and occult ceremony involve costumes and stage design and practiced ritualistic movement, just like theater. Directors and writers and actors and agents are the terms that we take for granted as having to do with the military and the Secret Service Agencies, but we can see these terms are theatrical in origin. Please keep that in mind.
"Samuel Liddell (or Liddel) MacGregor Mathers (8 or 11 January 1854 – 5 or 20 November 1918), born Samuel Liddell Mathers, was a British occultist. He is primarily known as one of the founders of the Hermetic Order of the Golden Dawn, a ceremonial magic order of which offshoots still exist today."
Mathers was introduced to Freemasonry by a neighbour, alchemist Frederick Holland, and was initiated into Hengist Lodge No.195 on 4 October 1877. He was raised as a Master Mason on 30 January 1878. In 1882 he was admitted to the Metropolitan College of the Societas Rosicruciana in Anglia as well as a number of fringe Masonic degrees. Working hard both for and in the SRIA he was awarded an honorary 8th Degree in 1886. Same year he lectured on the Kabbalah to the Theosophical Society. He became Celebrant of Metropolitan College in 1891 and was appointed as Junior Substitute Magus of the SRIA in 1892, in which capacity he served until 1900. He left the order in 1903, having failed to repay money which he had borrowed.
Upon the death of William Robert Woodman in 1891, Mathers assumed leadership of the Hermetic Order of the Golden Dawn. He moved with his wife to Paris on 21 May 1892. After his expulsion from the Golden Dawn in April 1900, Mathers formed a group in Paris in 1903 called Alpha et Omega (its headquarters, the Ahathoor Temple). Mathers choosing the title "Archon Basileus"."
SS Occult Societies Are Freemason Fronts
"The early history of O.T.O. is difficult to trace reliably. It originated in Germany or Austria between 1895 and 1906. Its apparent founder was Carl Kellner (probably with the German spelling Karl), a wealthy Austrian industrialist, in 1895 (although nothing verifiable is known of the Order until 1904)."
"Theodor Reuss (1855–1923) collaborated with Kellner in creating O.T.O., and succeeded him as head of O.T.O. after Kellner's death. Under Reuss, charters were given to occult brotherhoods in France, Denmark, Switzerland, the U.S.A. and Austria. There were nine degrees, of which the first six were Masonic."
Aleister Crowley Secret Society Freemason Creates a New Religion
The O.T.O. Founders, Carl & Theodore were Freemasons
Secret Societies become Secret Services as we know them today. Many of those people are journalists as well. Yellow journalism is the blueprint for culture and we can see that evidence here with this "Occulted" information. It Sure Seems pretty clear that all of this journalistic and publishing media was mostly made of lies and had pure propaganda purpose in terms of the founding of these huge Mulit-Media institutions we take for grated today.
Today, Freemasonry basically means "Multi-Media Hollywood".
Carl Keliner and Albert Reuss were Freemasons. These founders of the O.T.O. were not some random dudes who Mr. Crowley met in the library or at a poetry reading. There is a clear "Masonic" pattern here.
"Carl Kellner (1 September 1851 – June 7, 1905) was a chemist, inventor, and industrialist. He made significant improvements to the sulfite process and was co-inventor of the Castner-Kellner process. He was a student of Freemasonry, Rosicrucianism, and Eastern mysticism. He was the putative founder of Ordo Templi Orientis."
"Albert Karl Theodor Reuss [German: ʀɔʏ̯s or ʁɔʏ̯s] (June 28, 1855 – October 28, 1923) was an Anglo-German tantric occultist, freemason, alleged police agent, journalist, singer, and head of Ordo Templi Orientis."
Please notice how the Thelema "Logo" Looks a Lot Like The Freemasonic "Compass" G "Logo"
Holy RomanEmpire Batman! We Live In a Pirate Flagged Nazi S.S. Yellow Submarine That Works For The Royal Queen!
Double Headed Freemasonic Imagery is clearly derived from the Symbol or Logo of the Holy Roman Empire
The Empire Never Fell it "Roams" and "Rebrands" Itself
SS: Twin Towers on Summer Solstice
Masons have long built things with bricks and now steel. They used to construct things like Cathedrals that were architectural artifacts designed to "wall" in the human imagination and to impress the average person with amazing feats of visual engineering. Here we see that the World Trade Center site was clearly designed with Masonic ritual and myth in mind. The Twin Pillars of Saturn give birth to the emerging "Christ Consciousness" "The Son" the Sun at Solstice.
The Meaning of 911 as Masonic Symbol
The Summer Solstice takes place when the Sun is in The House of Cancer. Cancer's symbol is a 69. 6 as symbol is just a 9 upside down. Like the Hanged Man of Tarot fame.
A possible meaning for 911 as a symbol, before the Demolition of the Towers themselves, might not be "predictive programming" and instead might just have to do with Masonic Symbolism.
This would then refer us to the time when the Sun's power wanes, or the "Son" Dies.
In other words when we see the use of 911 in films like Back to The Future, it is not some prediction or warning it is just the use of the same old Masonic symbolism that these artists have been using for centuries. These authors sure seem to use classic myth and the Tarot Deck as inspiration for their scripts, both those labels as friction and this enabled as fact.
The references to the Twin Towers themselves then have to do with the fact that the Towers were the hugest and most impressive feats of “Masonic” engineering to date.
And perhaps too, they did always intend to collapse the thing, and we can speculate that like any good stage magic trick, the thing might have been designed to come apart a whole lot easier than we might be led to believe, “hook, line and sinker”.
"In the earliest days of telephone technology, prior to the development of the rotary dial telephone, all telephone calls were operator-assisted. To place a call, the caller was required to pick up the telephone receiver, sometimes turn a magneto crank, and wait for the telephone operator to answer. The caller would then ask to be connected to the number they wished to call, and the operator would make the required connection manually, by means of a switchboard.
"Emergency 911" displayed on the side of an Upper Dublin Township, Pennsylvania police vehicle, indicating that 9-1-1 is the number to dial in the event of an emergency."
911 = An Emergency!
"The first known experiment with a national emergency telephone number occurred in the United Kingdom in 1937, using the number 999. In the United States, the push for the development of a nationwide American emergency telephone number came in 1957 when the National Association of Fire Chiefs recommended that a single number be used for reporting fires. The first city in North America to use a central emergency number was the Canadian city of Winnipeg, Manitoba in 1959, which instituted the change at the urging of Stephen Juba, mayor of Winnipeg at the time. Winnipeg initially used 999 as the emergency number, but switched numbers when 9-1-1 was proposed by the United States. In 1967, the President's Commission on Law Enforcement and Administration of Justice recommended the creation of a single number that could be used nationwide for reporting emergencies. The Federal Communications Commission then met with AT&T in November 1967 in order to choose the number.
In 1968, the number was agreed upon. AT&T chose the number 9-1-1, which was simple, easy to remember, dialed easily, and worked well with the phone systems in place at the time.”"
The occult meaning of the Sun rising between Two Towers holds no Matter what the Medium, whether actual architecture or just ink on a card. The Sun rising is the "Dawning" Of a New Day. Or perhaps, shall we say, the "Order of The Golden Dawn".
Is The Truth "Dawning" on You Yet?
Can you see past dualistic thinking? Can you see past the Platonic, Black & White Shadow Play? Are you more than just a politically manipulated, social experiment Pawn?
Twin Towers Have Been Constructed For a Long Time...
Twin Pillars or Towers As Symbol For World Trade:
A World Trade Center of Course!
"The Pillars appear as supporters of the coat of arms of Spain, originating in the impresa of Spain's sixteenth century king Charles I, who was also the Holy Roman Emperor as Charles V. It bears the motto Plus Ultra, Latin for further beyond, implying that the pillars were a gateway."
"According to some Roman sources, while on his way to the garden of the Hesperides on the island of Erytheia, Hercules had to cross the mountain that was once Atlas. Instead of climbing the great mountain, Hercules used his superhuman strength to smash through it. By doing so, he connected the Atlantic Ocean to the Mediterranean Sea and formed the Strait of Gibraltar. One part of the split mountain is Gibraltar and the other is either Monte Hacho or Jebel Musa. These two mountains taken together have since then been known as the Pillars of Hercules, though other natural features have been associated with the name."
image source: A Rockefeller Center Tour - Travel Addicts
"Atlas is a bronze statue in front of Rockefeller Center in midtown Manhattan, New York City, across Fifth Avenue from St. Patrick's Cathedral. The sculpture depicts the Ancient Greek Titan Atlas holding the heavens. It was created by sculptor Lee Lawrie with the help of Rene Paul Chambellan, and it was installed in 1937."
Drink The Cargo Cult “Cool - Aid”
This scene From the film “Monsignor” shows us a similar image like we saw in Stanley Kubrick’s film “The Shining”. These images tell us The United States is a Corporate Cargo Cult. The “Overlooked Hotel” is the United States “Hotel California” Military News/Entertainment Noise Machine™ managed by hand picked Leisure class Master Minions.
The 666 Yellow Journal Multimedia Beast Revealed
Religions are Designed to Shepherd The Flock
It's all about resource management of the estate. Scientology and other multimedia promoted conceits like the UFO community, Big Foot Chasers and all the rest are examples of community building marketing of various kinds. The medium of religion used to be simple word of mouth. The powerful orator would change belief and behavior with words alone. Drawings and song helped the presentation and show business was basically born. The Sunday Mass is a very theatrical, and even involves aerobics, for example. The pipe organs and Cathedral design helped to impress the mass public. The chorus and the stained glass aided the priest in defining the boundaries of reason and the imagination.
The Gutenberg Printing Press "Revolution" enabled the easy mass production of books. This new medium then became the one used to promote religions. The orator had competition in the form of the mass produced printed word.
The occult book section of the average book store (online too) has long had ample offering. Religion has long been a commercial scheme. The modern occult publishing market had to be created. People like Aleister Crowley and L Ron Hubbard helped to establish the pulp fiction inspired New Age & Occult Publishing bonanza of the 20th Century, This is about both creating opportunities for commerce and various kinds of perception management, and of course the New Age & the Occult "movements" are a good way to play Divide and Conquer with the more traditionally minded religious folk.
The Power of The Air Wave Broadcast Revealed:
"(God) wants men to be concerned with what they do; our business is to keep them thinking about what will happen to them" C.S. Lewis
The Conservative vs Liberal Con Job
The media wants you to mind the other person's business. Social media promotes this kind of behavior as well. This is used to keep the great Cultural War going. Mass media labeled and marketed "lifestyles" are used as a wedge to keep the media labelled "traditionally minded" apart from the more media labelled "liberally minded". The News and related media tend to promote busy body divisive headlines and tabloid narratives. Desire for sex and fear of death and other people's sex are used to culturally divide and conquer us too easily.
You Are Going To Die & So Is Everyone You Love
This is why the newsreel was shown in the film theater and this is what all religions are designed to do. We are to worry about one kind of existential threat or another and in doing so we are supposed to seek the safety of one kind of officially sanctioned external authority or another.
This is what the News and the related talk shows and cultural comedies like Saturday Night Live and MTV and all the rest are meant to do. This is what much of the commissioned art has always been about doing. The News is just the modern religion. Religions have always been used to shepherd the cattle. The Vatican controlled Catholic Church has longed relied on collecting funds from the faithful on Sunday. Of course we all know how in the Gospels Jesus always passed a hat around after every magic trick. Nothing like a really good theatrical con job, complete with costuming and set design and even external architectural elements by way of statues and other such masonry work, the faithful flock can be sheared and the crooks can be used to herd the sheep to slaughter.
Confusing GOD with GOD
Whose version of Divinity do we go with? Your? Mine? C.S. Lewis'? The Bible? The list is endless. Which external authority fits you best? Pick one. The noise machine insists. We should avoid confusing the word God with what the word refers to, which is (basically) beyond human conception. We should also not confuse the use of the symbol God as in the religious authority Father figure, which exists in that form only to reinforce the Feudal system itself, with Divinity.
$$ Getting an Inkling About How Things Really Work: The Screwtape Letters $$
C.S. Lewis has an interesting biography that has some questionable aspects to it. He is supposed to have been "Literary Buddies" with another famous British fantasy author, J.R.R. Tolkein, of course. The two would go on to create the literally epic Fantasy Fiction Genre that would go on to spawn Rock n Roll pop songs, the role playing game phenomena and all the fantasy films, books and television series we all take for granted. This is about commercial activity by way of the publishing industry. This is about creating market places and about creating business opportunities as much as this is about shaping public perception and people management.
"After his training, he was commissioned into the Third Battalion of the Somerset Light Infantry of the British Army as a Second Lieutenant. On his nineteenth birthday he arrived at the front line in the Somme Valley in France, where he experienced trench warfare."
A 19 Year Old Literature & Mythology Buff as War Guy?
A 19 year old officer doesn't seem to be of much use does he really? How long was C.S. Lewis' basic training for? According to his biography: "Soon after Lewis entered Oxford in the 1917 summer term, he joined the Officers' Training Corps at the university as his "most promising route into the army". From there, he was drafted into a Cadet Battalion for training. After his training, he was commissioned into the Third Battalion of the Somerset Light Infantry of the British Army as a Second Lieutenant. On his nineteenth birthday he arrived at the front line in the Somme Valley in France, where he experienced trench warfare".
How much training could he get? 4 to 8 weeks? Is that really enough? Wouldn't it make more sense to draft and recruit older men for officer level positions and either ignore people like C.S. Lewis, or assign people with clear literary backgrounds to some kind of writing duty, which makes more sense to you? We think C.S. Lewis was recruited from his University Campus into the propaganda department of the military, just like Tolkien and others. This is our working theory and we think there is clear evidence this could very well be the case.
Please note C.S. Lewis was born on November 29 and "magically" died on November 22, 1963 the day that we all know was the one before Doctor Who would premiere on the BBC. We're joking about the magical part of course. He is supposed to have died on a very interesting day. He arrives in the Somme Valley on the 29th of November. Compare that date to the filming of the state commissioned propaganda film. C.S. Lewis was present during the filming of the newsreels, does his biography reflect that fact?
"On 15 April 1918, Lewis was wounded and two of his colleagues were killed by a British shell falling short of its target. He suffered from depression and homesickness during his convalescence and, upon his recovery in October, he was assigned to duty in Andover, England. He was demobilised in December 1918 and soon restarted his studies.
After Lewis returned to Oxford University, he received a First in Honour Moderations (Greek and Latin literature) in 1920, a First in Greats (Philosophy and Ancient History) in 1922, and a First in English in 1923. In 1924 he became a philosophy tutor at University College and, in 1925, was elected a Fellow and Tutor in English Literature at Magdalen College, where he served for 29 years until 1954."
Forget Crowley, and C.S. Lewis, Here is the Real Magician:
"The lesson here, surely, is not that the camera can, and often does, lie, but that it has lied ever since it was invented. “Reconstruction” of battle scenes was born with battlefield photography. Matthew Brady did it during the Civil War. And, even earlier, in 1858, during the aftermath of the Indian Mutiny, or rebellion, or war of independence, the pioneer photographer Felice Beato created dramatized reconstructions, and notoriously scattered the skeletal remains of Indians in the foreground of his photograph of the Sikander Bagh in order to enhance the image.
Most interesting of all, perhaps, is the question is how readily those who viewed such pictures accepted them. For the most part, historians have been very ready to assume that the audiences for “faked” photographs and reconstructed movies were notably naive and accepting. A classic instance, still debated, is the reception of the Lumiere Brothers’ pioneering film short Arrival of the Train at the Station, which showed a railway engine pulling into a French terminus, shot by a camera placed on the platform directly in front of it. In the popular retelling of this story, early cinema audiences were so panicked by the fast-approaching train that—unable to distinguish between image and reality—they imagined it would at any second burst through the screen and crash into the cinema. Recent research has, however, more or less comprehensively debunked this story (it has even been suggested that the reception accorded to the original 1896 short has been conflated with panic caused by viewing, in the 1930s, of early 3D movie images)—though, given the lack of sources, it remains highly doubtful precisely what the real reception of the Brothers’ movie was.
Certainly, what impresses the viewer of the first war films today is how ludicrously unreal, and how contrived, they are. According to Bottomore, even the audiences of 1897 gave Georges Méliès’s 1897 fakes a mixed reception:
A few people might have believed that some of the films were genuine, especially if, as sometimes happened, the showmen proclaimed that they were so. Other viewers had doubts on the matter…. Perhaps the best comment on the ambiguous nature of Méliès’ films came from a contemporary journalist who, while describing the films as “wonderfully realistic,” also stated that they were artistically made subjects.
Yet while the brutal truth is surely that Méliès’s shorts were just about as realistic than Amet’s 1:70 ship models, in a sense that hardly matters. These early film-makers were developing techniques that their better-equipped successors would go on to use to shoot real footage of real wars—and stoking demand for shocking combat footage that has fueled many a journalistic triumph. Modern news reporting owes a debt to the pioneers of a century ago—and for as long as it does, the shade of Pancho Villa will ride again."
"Georges Méliès, the pioneer filmmaker, shot faked footage of the war of 1897—including the earliest shots of what was claimed to be naval warfare, and some horrific scenes of atrocities in Crete. All were created in his studio or his back yard in Paris."
"In September 1896, Méliès began to build a film studio on his property in Montreuil, just outside Paris. The main stage building was made entirely of glass walls and ceilings so as to allow in sunlight for film exposure and its dimensions were identical to the Théâtre Robert-Houdin. The property also included a shed for dressing rooms and a hangar for set construction. Because colors would often photograph in unexpected ways on black-and-white film, all sets, costumes and actors' makeup were colored in different tones of gray. Méliès described the studio as "the union of the photography workshop (in its gigantic proportions) and the theatre stage." Actors performed in front of a painted set as inspired by the conventions of magic and musical theatre."
Someone Has To Script Propaganda: Film Newsreels Evolve Into The Broadcast TV News
C.S. Lewis, a student of mythology and folklore who had become a Christian, thought he should follow in Jesus' footsteps and join the Military service. Is war really what Jesus preached about? Hmm. 1+1=3! Mr.. Lewis was supposedly involved in the very same military campaign that the Newsreel producers were filming.
"On 2 November 1915, the British Topical Committee for War Films, representing British newsreel producers and supported by the War Office, despatched two cameramen to France. Geoffrey Malins of Gaumont British and Edward Tong of Jury's Imperial Pictures, were to shoot footage for short newsreels. By early June Tong had fallen ill and been sent home but he and Malins had made five series of newsreels, which although well-received, had failed to impress the British cinema trade. John McDowell, of the British & Colonial film company, volunteered to replace Tong and left for France on 23 June 1916. On 24 June, the British Army began the preparatory artillery bombardment of German positions for the Battle of the Somme."
Notice how the concern was over how the media critics were not impressed with the resulting films. Does that make sense in any other context than one of propaganda? A written account would seem to be sufficient as a medium for war stories, so why the interest in the moving picture, which was then silent? It would be because people believe what they see on screens, especially when it is labeled "official" and claimed to be factual. Film cameras were big bulky affairs back then and the technology was nowhere as advanced as it would become. This is the explanation offered by the mainstream media press when they reveal that some of the so-called real war news was actually fake war news.
"On the other hand, the reasons for staging war scenes were complex. Since cinematographers such as Durborough and Dawson had great difficulty in getting to the front and then getting their actual combat footage past the censors, does this partially excuse their behaviour? As Signal Corps cameraman Joe Hubbel said: "Our idea was to make up propaganda films to show what we were doing. On one occasion they had hospital trains near us that could run up to the front and bring back the wounded. We took a company of men, bandaged them up and laid them in the sun on stretchers and loaded the train. I was brought up on charges that I was faking it. Well, that wasn't a good word. I was representing an occasion that you wouldn't take the chance with a lot of wounded men. And it looked the same.""On the other hand, the reasons for staging war scenes were complex. Since cinematographers such as Durborough and Dawson had great difficulty in getting to the front and then getting their actual combat footage past the censors, does this partially excuse their behaviour? As Signal Corps cameraman Joe Hubbel said: "Our idea was to make up propaganda films to show what we were doing. On one occasion they had hospital trains near us that could run up to the front and bring back the wounded. We took a company of men, bandaged them up and laid them in the sun on stretchers and loaded the train. I was brought up on charges that I was faking it. Well, that wasn't a good word. I was representing an occasion that you wouldn't take the chance with a lot of wounded men. And it looked the same." "
Faking The Battle of Somme
"Trench warfare in World War I didn't make for very exciting action scenes. With their bulky cameras and heavy tripods, and with no zoom lenses available to get closer to the actual scene, camera operators frequently decided to stage events. The classic scene from The Battle of the Somme (1916) - showing British soldiers going over the top - was filmed at a trench mortar school well behind the firing lines. By comparing film scenes with still photographs and press reports, we discovered American cinematographers sometimes used the same techniques."
Someone has to write all the mountains of World War paperwork. Writers would seem to make for a good fit for the job, no? War games have long been used as means of sharpening military reasoning, is it really so outrageous to think that World War One was more of a scripted war game exercise than actual war? We are not stating there was no violence, we are stating we think the historical narrative more myth and legend than reality. We find the weaponry and the tactics of trench warfare somewhat questionable and illogical. We will develop this a lot further in an attempt to demonstarte what we mean.
Star Trek Computer Role Playing War Game
There's some gold among the Cold War era propaganda presented here. Star Trek is great allegory and if we filter it to pan out the sand and so we can gain the gold. Of course we do not agree that human beings are war like, but we do agree human beings are prone to acts of violence on a more individual and less yellow journalistic basis. We disagree because (modern) war requires the logical planning of the mass execution of a lot of people all at once, or at least that's what we've been told. We do think that any but the most mentally ill would bother with such an insane enterprise. Still, there is a lot that is right with the dialogue we see acted out in this scene. The system has a lot to fear from the person who will take things into their own hands. If more of us would act like this good Captain, and free our minds from our Master's "computer programming" and the screens, then we could actually make some real change.
Would You Like to Play a Game?
The nobility have long enjoyed chess and other kinds of war games played with toy soldiers. We suspect that much of what we think of as real battles in real wars are more simulation and game play than not. Military and police drills are taken for granted today, and the military drill is often used as a propaganda tool as well. H.G. Wells developed a set of war gaming rules and he also was the author that magically predicted things like Nukes and The World War Two bombings of London. The 1950's Television Age of Atomic Duck & Cover needed literary inspiration, after all.
The Military Industrial & University Complexes have long had the computing power and the mathematical know how to program sophisticated electronic war-games. Before the computer this would be done by hand with paper and pencil and chalk board for calculations and so on.
Would it surprise anyone to learn that most of the top secret and classified technology has to do with computer and related communications engineering more so than magically turning an atom into a bomb? A electric coil that is giving off heat enough to boil water and make steam to power a turbine, cannot be turned into an magical atomic blast and neither can uranium. What electric coils, vacuum tubes, transistors and all the subsequent silicon does do is allow for computers and mass world wide digital communication.
The Battle of Somme
"The film depicts the British Army in the preliminaries and early days of the Battle of the Somme(1 July – 18 November 1916). The film had its première in London on 10 August 1916 and was released generally on 21 August. The film depicts trench warfare, marching infantry, artillery firing on German positions, British troops waiting to attack on 1 July, treatment of wounded British and German soldiers, British and German dead and captured German equipment and positions. A scene during which British troops crouch in a ditch then "go over the top" was staged for the camera behind the lines."
The Battle of Somme Take Two: Tolkien Was There Too!
Another author, J.R.R. Tolkien arrives right after John McDowell, of the British & Colonial film company do. The left for France in June and Tolkien, the writer, is there in July. Was Tolkien part of a writing team that took over for C.S. Lewis? Please notice how these men tend to fall ill (or get wounded and depressed like C.S. Lewis) and have to be sent home. These young men are sent to the front line with barely any training and then when they gain some experience, they get sent home. No wonder the war took so long to fight.
"Tolkien arrived at the Somme in early July 1916. In between terms behind the lines at Bouzincourt, he participated in the assaults on the Schwaben Redoubt and the Leipzig Salient."
A World War One Box Office Hit
"Throughout the autumn of 1916, 20 million people flocked to see a silent film, The Battle of the Somme. This was nearly half the population of Britain at the time. The film remains one of the most watched in British cinema history, even bigger than Star Wars.
The Battle of the Somme was different. It took real life footage and turned it into a main feature with mass appeal. The film showed images of the first week of the ‘Big Push’, the joint offensive which began in July 1916 where British and French armies hoped to break through the German lines and achieve victory on the Western Front."
The Power of The Air(waves) - Call a Doctor Who can cure the Patient!
"The Screwtape Letters" is a novel by C.S. Lewis. Here's the description from wikipedia.
"The Screwtape Letters comprises 31 letters written by a senior demon named Screwtape to his nephew, Wormwood (named after a star in Revelation), a younger and less experienced demon, charged with guiding a man (called "the patient") toward "Our Father Below" (Devil/ Satan) from "the Enemy" (God)."
"After the second letter, the Patient converts to Christianity, and Wormwood is chastised for allowing this. A striking contrast is formed between Wormwood and Screwtape during the rest of the book, wherein Wormwood is depicted through Screwtape's letters as anxious to tempt his patient into extravagantly wicked and deplorable sins, often recklessly, while Screwtape takes a more subtle stance, as in Letter XII wherein he remarks: "... the safest road to hell is the gradual one - the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts".
In Letter VIII, Screwtape explains to his protégé the different purposes that God and the devils have for the human race: "We want cattle who can finally become food; He wants servants who can finally become sons". With this end in mind, Screwtape urges Wormwood in Letter VI to promote passivity and irresponsibility in the Patient: "(God) wants men to be concerned with what they do; our business is to keep them thinking about what will happen to them".
With his own views on theology, Lewis goes on to describe and discuss sex, love, pride, gluttony, and war in successive letters. Lewis, an Oxford and Cambridge scholar himself, suggests in his work that even intellectuals are not impervious to the influence of such demons, especially during complacent acceptance of the "Historical Point of View" (Letter XXVII)."
"We want cattle who can finally become become food." That says it all doesn't it? Great shades of "soylent green"! The Matrix film is a late 20th Century version of Metropolis and is just as poetic in the way it portrays the real world through metaphor.
"In Letter XXII, after several attempts to find a licentious woman for the Patient "to promote a useful marriage", and after Screwtape's receiving a painful punishment for having divulged to Wormwood God's genuine love for humanity (which Wormwood informed the Infernal authorities about), Screwtape notes that the Patient has fallen in love with a Christian girl and through her and her family a very Christian way of life. Toward the end of this letter, in his anger Screwtape becomes a large centipede, mimicking a similar transformation in Book X of Paradise Lost, wherein the demons are changed into snakes. Later in the correspondence, it is revealed that the young man may be placed in harm's way by his possibly Civil defense duties (it is stated in an earlier letter that he is eligible for military service, but it is never actually confirmed that he was indeed called up). While Wormwood is delighted at this and by the war in general, Screwtape admonishes Wormwood to keep the Patient safe, in hopes that they can compromise his faith over a long lifetime.
In the last letter, the Patient has been killed during a World War II air raid and has gone to Heaven, and for his ultimate failure Wormwood is doomed to suffer the consumption of his spiritual essence by the other demons, especially by Screwtape himself. Screwtape responds to Wormwood's final letter that he may expect as little assistance as Screwtape would expect from Wormwood were their situations reversed ("My love for you and your love for me are as alike as two peas ... The only difference is that I am the stronger."), mimicking the situation where Wormwood himself informed on his uncle to the Infernal Police for Infernal Heresy (making a religiously positive remark that would offend Satan)."
"Certain commentators have held that this "great star" represents one of several important figures in political or ecclesiastical history, while other Bible dictionaries and commentaries view the term as a reference to a celestial being. A Dictionary of The Holy Bible states, "the star called Wormwood seems to denote a mighty prince, or power of the air, the instrument, in its fall.""
Catchers in The Rye
People still go to Church and Temple. Many of us still follow the traditional religions, but as the new religion of mainstream promoted "science" took over, many began to stop going to Mass every holy day, The "Occult" has long been offered to the leisure class and others who have lost faith in the traditional religions. This is an old and legendary story. The rich and elite leisure class get conned too.
The occult is useful as means to cause the more traditionally minded to feel an existential sort of discomfort. This is useful to keep people in a somewhat uncertain emotional state. People tend to overreact when they feel like their belief systems are being questioned, this puts us into an emotional state and makes us more easily manipulated.
The Talking To The Dead Scam
An easy go to is death. The loss of a loved one can be a horrible life altering experience. Religions and crystal ball gazing charlatans have long and have obviously preyed upon this fact. Fear of one's own demise is also another trait that is used against us. It seems to us that things that had formerly been marketed to the leisure class end up eventually getting marketed to the rest of us. One example would be classical music. Another is astrology or even modern cosmology. The elite leisure class can be tricked too. Of course the leisure class is still a servant class or sorts, isn't it? Their chains are gold instead of paper. But even those on the tip top of this pyramid scam can be conned as they too are human and subject to all our imperfections and flaws like anyone else, despite the titles and hype.
Building Walls To Climb To Bridge The Cultural Divide
Today's immigration echoes that of yesterday. The script remains the same and Catholic Latin based immigrants are still flooding into the imagined place we know as the United States. The truth is people are free to live where ever they manage to find themselves and where there is logical space for them to do so. There does seem to be something to the arguments that Samuel Morse makes in his book "The Foreign Conspiracy..." We can get an understanding how things have always worked. The Holy Roman Empire never fell, it just changes its "branding" and logo, over and over. It morphs or regenerates itself into the British Empire post Napoleon's bit of controlled oppositional theater. The World Wars of the Twentieth Century are about this same Empire or Enterprise evolving into the Global 666 Multimedia Yellow Journal Babel Beast/United Nations model of corporate banking control of the world.
The Vatican has long worked with the Royal Family (who are really German) as the other head of the mythic and proverbial beast.
Our Tax Dollars At Work: Training The Impressionable Young To Run Around With Digital Cameras, Is This Really What The Government Would Do During Times of War?
We can see how important capturing the image is to the War Department, we mean “Defense Dept.”. This seems illogical like many other things about the way war seems to be conducted, or at least how war is sold to the public, and perhaps too how most in the military understand it. Again, there is external and internal propaganda and the military personal are bound to be barraged with layers and layers of very deceptive artifices. The Military Institutions represent centuries of knowledge about the art of deception. It seems clear that the public, many in the military and many in the various governments are the targets of the many layers of manufactured content that comprises the global multi-matrixed propaganda beast. We think it obvious that like the churches and university and other governmental systems, the military is concerned primarily with indoctrination over honest education.
World War Two Media Operations Become DINFO School
"The Army Information School was founded in 1946 at Carlisle Barracks in Carlisle, Pennsylvania. Other branches of the military merged with the Army Information School in 1948 to form the Armed Forces Information School at Fort Slocum, New York. The joint service venture disbanded due to poor enrollment until 1964, when Assistant Secretary of Defense for Public Affairs Arthur Sylvesterchartered DINFOS. DINFOS moved to Fort Benjamin Harrison, just outside Indianapolis, Indiana, in 1965 where it remained until its 1995 move to Fort George G. Meade, Maryland."
"The Defense Information School, or DINFOS, is a United States Department of Defense (DoD) school located at Fort George G. Meade, Maryland. DINFOS fulfills the Department of Defense's need for an internal corps of professional journalists, broadcasters, and public affairs professionals.Members from all branches of the U.S. military, DoD civilians and international military personnel attend DINFOS for training in public affairs, print journalism, photojournalism, photography, televisionand radio broadcasting, lithography, equipment maintenance and various forms of multimedia. The American Council on Education recommends college credit for most DINFOS courses."
Broadcasting: SEX DRUGS & ROCK N ROLL FOR PAN AM & COKE
Wars are a good way to get people to move around. Wars also allow the government to move a whole lot of American young men over to places like Europe, where they can interact with the locales and where they can help to establish the wonderful Cargo Cult Coca Cola Pan Am Air travel, hotel rock star tour culture, we take for granted today. American culture became the foundation for the post World War Two Global Culture, in many demonstrable ways that include the export of films, music and literature to the rest of the world.
Of course the military is the most propagandized and Nationalized and the most subject to the Yellow Journal inspired scripted nonsense sold as reality. Part of the Military indoctrination involves getting these people to believe in the existential threats that are more shadows than not. True believers make for great snake oil salesmen among the all too easily led public, who has been long conditioned to accept the authority of a costume of one kind or another.
"Catholicism arrived in the colonial era, but most of the Spanish and French influences had faded by 1800. The Catholic Church grew through immigration, especially from Europe (Germany and Ireland at first, and in 1890-1914 from Italy, Poland and Eastern Europe. In the nineteenth century the Church set up an elaborate infrastructure, based on diocese run by bishops appointed by the pope. Each diocese set up a network of parishes, schools, colleges, hospitals, orphanages and other charitable institutions. Many priests arrived from France and Ireland, but by 1900 Catholic seminaries were producing a sufficient supply of priests. Many young women became nuns, typically working as teachers and nurses. The Catholic population was primarily working-class until after World War II when it increasingly moved into white-collar status and left the inner city for the suburbs. After 1960, the number of priests and nuns fell rapidly and new vocations were few. The Catholic population was sustained by a large influx from Mexico and other Latin American nations. As the Catholic colleges and universities matured, questions were raised about their adherence to orthodox Catholic theology. After 1980, the Catholic bishops became involved in politics, especially on issues relating to abortion and sexuality.
In 2008 24% of Americans identified themselves as Roman Catholic."
The Cultural Divide: The Original Latin American Invasion Revaled
"(Samuel) Morse was a leader in the anti-Catholic and anti-immigration movement of the mid-19th century. In 1836, he ran unsuccessfully for mayor of New York under the anti-immigrant Nativist Party's banner, receiving only 1496 votes. When Morse visited Rome, he allegedly refused to take his hat off in the presence of the Pope.
Morse worked to unite Protestants against Catholic institutions (including schools), wanted to forbid Catholics from holding public office, and promoted changing immigration laws to limit immigration from Catholic countries. On this topic, he wrote, "We must first stop the leak in the ship through which muddy waters from without threaten to sink us."
He wrote numerous letters to the New York Observer (his brother Sidney was the editor at the time) urging people to fight the perceived Catholic menace. These were widely reprinted in other newspapers. Among other claims, he believed that the Austrian government and Catholic aid organizations were subsidizing Catholic immigration to the United States in order to gain control of the country.
In his Foreign Conspiracy Against the Liberties of the United States, Morse wrote:
Surely American Protestants, freemen, have discernment enough to discover beneath them the cloven foot of this subtle foreign heresy. They will see that Popery is now, what it has ever been, a system of the darkest political intrigue and despotism, cloaking itself to avoid attack under the sacred name of religion. They will be deeply impressed with the truth, that Popery is a political as well as a religious system; that in this respect it differs totally from all other sects, from all other forms of religion in the country.
In the 1850s, Morse became well known as a defender of slavery, considering it to be sanctioned by God. This was a position held by many Southerners and others. In his treatise "An Argument on the Ethical Position of Slavery," he wrote:
My creed on the subject of slavery is short. Slavery per se is not sin. It is a social condition ordained from the beginning of the world for the wisest purposes, benevolent and disciplinary, by Divine Wisdom. The mere holding of slaves, therefore, is a condition having per se nothing of moral character in it, any more than the being a parent, or employer, or ruler."
A Morse Code Scape-Goat
Morse warns against the Vatican, but is just fine with the institutionalized churches of his time. Even the more locale church is a type of an external authority. Nobody can have a spiritual experience for you and the truth is if you find going to church the place you need to go to have a relationship with the creator, then do so. But keep in mind the church is designed to define the boundaries of your imagination.
Of course Morse's views on slavery are at obvious odds with his stance against the slavery sold by the likes of the Vatican controlled Catholic Church. Notice too how there is an assumption that many southerners in 1850 agreed with Morse. While we think it logical to assume that there is something to that statement, the demonstrable truth about history is that the average person gets blamed for the decisions that the elite and governments make. We get blamed for things like the Military policies of the Nations we are supposed to believe we are a part of. Owning slaves would mean one would have to be able to afford to own slaves, no? Wouldn't that be somewhat limited to the wealthy class and not the low level working class? We can't help but think that these blanket type statements are a great way to keep the wage slave caste divided and conquered. All of us are slaves in this system, some wear the orange jump suits of the prison wage slave, some the business suits, some chains are paper, some are iron and some gold. Slavery and prejudice and racism are all obviously wrong, no matter what time period we live in. Forcing one's will onto others is the real sin and crime and this is what governments do.
Master Mafia Masons & Monsignor Masonic Hand Gestures: Hollywood, The Vatican, The Freemasons, The Royals Oh My!
Tower Falls in Black & White
Crafting The Goat Scape: Faking Cold War Rocketry
The Cold War and fear of “Radio-Activity” (pun intended fully) are the stuff of crafted mythology sold as history to the mass, who are required to sing with the choir as the University & Hollywood Military News Media Noise Machine lead the ritual. Please check out this Cold War era bit of very real and actual “Children’s Television Programming”. We tendto think that huge rockets are impossible feats of Hollywood magic rather than real things. We think real rockets have to be smaller than the Huge Towers that Fritz Lang dreamt up. We also are of the opinion that Atom Bombs ( and Nukes) are fake and that radioactivity is a real and natural phenomena but not one that leads to real huge city devastating explosions anymore so than an old picture tube television would. All the TV tube can do is project cartoon imagery on a screen. Large rockets with any kind of explosive payload are also the stuff of 20th Century Mythology. A future article will explore this idea. We will look into how rockets are supposed to be steered and guided and we will attempt to demonstrate the whole thing is nothing more than pulp fiction inspired nonsense, based on a good foundation of the same old Freemasonic imagery of Towers and other Astro-theological/Zodiac themes, like Gemini and Apollo, the mythic Twins and Sun God
Lost in (Plato’s) Cave
“In 1958, Franklin Clark Fry, president of the United Lutheran Church in America (ULCA), put aside $1 million to fund production of a future television program for children. Soon after, the ULCA contracted with Clokey Productions, Inc., headed by Gumby creators Art and Ruth Clokey, to create a new children’s show: Davey and Goliath. Scripts were written by children’s book author Nancy Moore in consultation with the church; Moore would go on to pen several episodes of the CBS Radio Mystery Theater in the 1970s and early 1980s.
The ULCA and Art Clokey teamed up to make the first Davey and Goliath episode in 1960, called "Lost in a Cave." In this premiere episode, the figures were entirely clay (with some latex/rubber clothing showing visible seams) and the scenery was also mostly clay. The early voices included Hal Smith (who did a number of voices including Davey's father), Dick Beals (who was Davey's voice) and Ginny Tyler (who did the voice of Sally's and Davey's mother). These three did many other voices as well.”
This is What Happens To The Human Mind When It Is Buys Into The Multi-Headed Hydra Media's Narratives & Memes Without Self Awareness and Thought
The All Important Film Press Junket
Please take note of the reaction shots taped at the end of this interview, this was a one camera shoot and these reaction shots of the hostess would be edited into the interview before it was aired. Please take note of the hand gesture Mr. Reeve makes right before the interview can proceed. Mr. Reeve makes a very cliched Hollywood & Politician (leisure University class) Heavy Metal, MTV, promoted Masonic hand gesture. This appears to be his way of saying he wanted to start the interview over, it seems he was well aware the camera had caught him "warming up" for the interview.
Staging World Theaters of War With Role Playing Chess Piece Players
"A story of Queen Elizabeth and Shakespeare must perhaps be noticed here, the anecdote a mere late eighteenth-century invention relating to Queen Elizabeth at a theatre one evening while Shakespeare was playing a king, and bowing to him as she crossed the stage, but he went on with his part without returning the salutation. The Queen again passed him, and to directly attract his attention dropped her glove; the poet at once picked it up, and, continuing the delivery of his speech, added these lines
"And though now bent on this high embassy,
Yet stoop we to take up our cousin's glove."
The Queen, we are told, was greatly pleased. The story is obviously absurd and incredible. Elizabeth did not visit the public theatres, and the custom was to sit removed from the stage at both private and also at Court performances, and her majesty, however much she may have estimated plays and players, and Shakespeare in particular, would not thus have forgotten her queenly state and dignity.
Returning to historical fact, we find from the State papers, etc., that Shakespeare, Burbage, and others played in two comedies before the Queen in December, 1594, at the Royal Palace at Greenwich; these players then took the leading position as servants to the Lord Chamberlain, though no record has been discovered of the names of the plays performed by them before the Queen at this period. But it is known that "The Pleasant Conceited Comedy of Love's Labour's Lost" was played before her highness in the Christmas holidays on December 26, 1597, and in this and the following year the Queen witnessed the First and Second Parts of King Henry IV, both new plays, and was very pleased with the performances. Falstaff gave great delight to the royal spectator and her Court, and at her wish to see exhibited the fat knight in love, the poet produced the comedy of The Merry Wives of Windsor; this play gave infinite satisfaction to all beholders. The part of Falstaff was written originally under the name of Oldcastle; some of that family being then remaining, the Queen was pleased to command him to alter it, upon which he made use of Falstaff, a name that now represents the most humorous character the stage or the world has seen.
It is known from the State papers and other authentic documents that the company to which the poet belonged were, in the Christmas holidays of 1598-1599, playing before the Queen at Whitehall and at Richmond Palace; they also played again before her majesty at the latter palace on two occasions in the year 1600, and at the former palace in the Christmas festivities of the same year, and on February 24, 1601, they played before her Majesty at Richmond Palace, and again before the Queen at Whitehall during the festivities of 1601-1602."
Art is Best When It's Allegorical: The Faerie Queen as Inspiration For Oz & Wonderland
"The Faerie Queene is an incomplete English epic poem by Edmund Spenser. Books I to III were first published in 1590, and then republished in 1596 together with books IV to VI. The Faerie Queene is notable for its form: it is one of the longest poems in the English language and the origin of a verse form that came to be known as Spenserian stanza. On a literal level, the poem follows several knights in an examination of several virtues, though it is primarily an allegoricalwork, and can be read on several levels of allegory, including as praise of Queen Elizabeth I. In Spenser's "Letter of the Authors" he states that the entire epic poem is "cloudily enwrapped in Allegorical devises," and that the aim of publishing The Faerie Queene was to "fashion a gentleman or noble person in vertuous and gentle discipline".
The Faerie Queene found such favor with Elizabeth I that Spenser was granted a pension for life amounting to £50 a year, though there is no evidence that Elizabeth read any of the poem. This royal patronage helped the poem to such a level of success that it became Spenser's defining work."
"Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight. He and his lady Una travel together as he fights the dragon Errour, then separate as the wizard Archimago tricks the Redcrosse Knight in a dream to think that Una is unchaste. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgoglio. Meanwhile, Una overcomes peril, meets Arthur, and finally finds and rescues the Redcrosse Knight from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness; there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle, rescues them from a dragon, and the two are betrothed after resisting Archimago one last time."
Which Outfit or Company Do You Work For Again?
"Three authors (from Belgium, Germany and France) have been working for years on a bizarre subject: the dropping of dummy wooden bombs on wooden airplanes."
"In order to deceive the Allies during the Second World War, the Germans built fake airfields on the continent, often with runways and sometimes with buildings, but always with fake wooden planes, called "Attrappen". Strange stories can be heard in which allied airplanes made fun of them by dropping wooden bombs on which they had sometimes painted remarks like "Wood for Wood"."
Want to know a secret?
The Vatican is run by the same old world Nobility that run the rest of the (feudal) show and always has been.
Red Papal Bull Gives You Wings!
The Nobility Created Organized and Institutionalized Religion or Paid To Have Religion Created
Who do you think pick sour the Cardinals and controls the upper levels of the system? Do you think they juts let anyone into the "inner circle"? Who do you think dreamt up the idea of the "flock" and "shepherd" and the idea of God as Cosmic King Emperor of the World? Who do you think dreamt up "Divine Right of Kings'?
We Recommend Watching Borgia
The tales of the House of Borgia read like a modern soap opera or something the press would report some celebrity family doing. We suspect these narratives are the inspiration for the yellow journal tabloid celebrity gossip today’s News is so proud to proclaim as loud as it can and as often as possible. Here we have tails of political intrigue and s-e-x, political and religious corruption, incest and murder and so much more… we tend to think that the original stories are more rumor and myth than reality. We have a feeling that these tales of the legendary Borgia family were promoted by the family themselves as the means to keep the peasantry and working class afraid of the crazy Pope and his family. We think those stories are promote today for the same reason. It’s the Wizard of Oz Defense of al power and wisdom. The fact that they recently made not one but two TV series based on the Borgias would seem to be a tell, but we can only speculate about these things, of course.
The Vatican & World War Two
The Vatican was heavily involved in World War Two. We shall show how this was all part of the many layered scripted show. The Vatican is one of the heads of the legendary Beast of Revelations of course. The Holy Roman Empire had two faces or heads. One was the Church and the other was the Feudal system. America (not the United States which is a corporate entity) was founded by people who wanted to be free of the shackles of religious institutions. There was a very good reason why many came to America (the so-called New World) and this had to do with freedom not only of religion, but complete freedom from the Feudal system. We can see how the history from 1776 forward is about creating a real Global "Roman" Empire.
"Monsignor is a 1982 American Catholic drama film directed by Frank Perry about a Roman Catholic priest's rise through the ranks of the Vatican, during and after World War II. Along the way, he involves the Vatican in the black marketeering operations of a Mafia don, and has an affair with a woman in the postulant stage of becoming a nun. He eventually repents and returns to his faith, attempting to make right the things he has done wrong."
We Have Been Subjected To The Mythic & Fake Four Horseman For Centuries
We need to believe we need the protection of external authority and we have been propagandized with fear based art of one kind or another for centuries. This is what civilization is, one big make believe bogeyman game. It is a criminal protections racket and in many demonstrable ways, the governments and the elite are the real Mafia.
World War Two was more fake than most know. It was a cover for things like building bottling plants in North Africa for Coca Cola, and making the safe world "dangerous" for Pan Am airports and global tourism. for example. We had to somehow end up with concert tours, and the USO Tours were a model for that. This has to do with managing the Empire. The global empire was reconfigured into the full on global commercially connected world we know today.
Religions and cults are subjects that pulp fiction authors have long used for inspiration. Culture is the real cult and religions are designed as means of limiting the human imagination and spirituality more so than revealing and guiding people to realize there own spiritual depths. External authority in the form of Kings and Bishops and shepherds of all types is fostered on the public one way or another.
The Dawn of The Age of The Transhuman Parrot Zombie Drone
Fear marketing went multimedia in the 1950's. and now in the 21st Century it has taken another leap or small step or infinitesimal division, "forward" to a 24 hour 7 days a week Globally interconnected Matrix of over marketed and commercially saturated, social media promoted, mindless drones.
People had engineered the electrical and the transportation age at the same time and this was what the wars of the Twentieth Century have to do with, The artificial world of civilization and culture is somewhat transformed during this period of time. A drastic cultural and technological change occurred during the entire Twentieth Century. Those of us born during the latter half of this century tend to take this for granted. We say "somewhat transformed", because from a foundational perspective, nothing changed at all.
It's all about creating and controlling the communications "grid" and then providing propaganda tainted content for this medium.
As this series of articles develop, we will delve further into examining how World War Two was mostly a propaganda promoting newsreel war and how the occulted secret is that the so-called intelligence agencies and so-called spies are actors, artists and writers and creators of fictions and cultural artifacts. These people helped set up what we take for granted today - the Military Industrial Entertainment Complex™ & the world wide web of communications and travel.
The Sun Never Sets - The British Empire Never Fell
Espionage and all the Hollywood promoted Occult nonsense and cults and neo-religons are also going to be examined, in the context of the publishing industry. It's all about marketing products, creating easily managed communities and creating commercial enterprises. The British Economic Enterprise used World War Two as the means to create the world we take for granted today.
Rockefeller Center - NYC - In Many Ways A British City To This Day
"After World War II began (and over the objections of Sir Stewart Menzies, wartime head of British intelligence) now-Prime MinisterWinston Churchill sent Stephenson to the United States on 21 June 1940, to covertly establish and run British Security Coordination(BSC) in New York City, over a year before U.S. entry into the war.
BSC, with headquarters at Room 3603 Rockefeller Center, became an umbrella organization that by war's end represented the British intelligence agencies MI5, MI6 (the Secret Intelligence Service, or SIS), SOE (Special Operations Executive) and PWE (Political Warfare Executive) throughout North America, South America and the Caribbean."
Freemason Imagery: Freemasons Work For The British Royals
The International Banking Run Communications Grid is Your Master & God!
The paper chains of money, banking, treaties, constitutions and contracts lead back to the German - British Royal Family. The Holy Roman Empire never fell nor did the British Empire. The Holy Roman Empire gets (basically) rebranded as British. The names have been changed to protect the guilty. Freemasons are craftsman and artists who worked for this Empire and what is left of this tradition still does today. These institutions founded the corporate and business and governmental worlds many of us take for granted. Empire means Enterprise.
The 666 Yellow Journal Multimedia Beast Church Choir
One head of this 666 Multimedia Beast is Feudalism and the other is the Church. The Roman Catholic Church as controlled by the fabled city-state The Vatican, has long been a patron of the arts. The presence of St. Patrick's Cathedral near 30 Rock is a clue as to how this multimedia show is conducted. The Church of England is just another version of the Vatican run racket. The Queen is the current head of that Church and we know that the Royals have long patronized the arts. All the World has long been their staged event.
A Trinity of Three: 30 Rock's 66 or 666 or 33:6 or Room 3603
"The LORD is exalted, for he dwells on high; he will fill Zion with justice and righteousness, and he will be the stability of your times, abundance of salvation, wisdom, and knowledge; the fear of the LORD is Zion’s treasure” (Isa. 33:5, 6).
Here is An Excellent Interview To Provide Some Background.
All very fascinating and thought provoking, as usual. Very nice work. This provides a great start to exploring this largely unknown history. Things do not work as most think they do and the real history of the world is a bit more theatrical than most might guess. There is a lot of mythology surrounding these occult and espionage figures and that mythology can be used to (perhaps) "reverse engineer" the cultural manipulation.
The Occult Revealed
It's Show Biz 24/7 in Multimedia Heaven!
How To Rock 'n Roll a Fella While Sitting in Your Momma's Cellar
"What could have become a major controversy in the mid-1930s concerned the last of the four European buildings that remained unnamed. Ivy Lee and others made attempts to rent the space to German commercial concerns and name it the Deutsches Haus. Rockefeller ruled this out after being advised of Hitler's Nazi march toward World War II, and thus the empty office site became the International Building North."
"This subsequently became the primary location of the U.S. operations of British Intelligence, British Security Coordination (BSC) during the War, with Room 3603 becoming the principal operations center for Allied intelligence, organized by William Stephenson, as well as the office of the future head of what was later to become the Central Intelligence Agency, Allen Dulles."
- 1 Rockefeller Plaza – The original Time–Life Building; an original tenant was General Dynamics, for whom the building was briefly named.
- 10 Rockefeller Plaza – Originally the Holland House, then the Eastern Air Lines Building. Currently home of Today Showstudios. and the Nintendo World Store.
- 30 Rockefeller Plaza ("30 Rock") – Originally the RCA Building, in 1988 it was renamed the GE Building, and in 2015 became the Comcast Building. Headquarters of NBC, the Rainbow Roomrestaurant is located on the 65th floor.
- 50 Rockefeller Plaza – Formerly the Associated Press Building and home to many news agencies. Isamu Noguchi's large, nine-ton stainless steel panel, News, holds the place of honor above the building's entrance. Noguchi's design depicts the various forms of communications used by journalists in the 1930s. The only building in the Center built to the outer limits of its lot line, 50 Rock took its shape from the main tenant's need for a single, undivided, loft-like newsroom as large as the lot could accommodate. At one point, four million feet of transmission wire were embedded in conduits on the building's fourth floor.
- 1230 Avenue of the Americas – Formerly U.S. Rubber/Uniroyal Building, now the Simon & Schuster Building
- 1250 Avenue of the Americas – Serves as an annex building to 30 Rock.
- 1260 Avenue of the Americas – Radio City Music Hall
- 1270 Avenue of the Americas – Originally the RKO Building, later the American Metal Climax (AMAX) Building
- 600 Fifth Avenue – Formerly the Sinclair Oil Building
- 610 Fifth Avenue – La Maison Francaise
- 620 Fifth Avenue – The British Empire Building
- 626 Fifth Avenue – Palazzo d'Italia
- 45 Rockefeller Plaza – The International Building, also bears the address 630 Fifth Ave.
- 636 Fifth Avenue – The International Building North
- 1236 Avenue of the Americas – The Center Theatre; the only structure in the original Rockefeller Center to be demolished (1954); used as an NBC television studio at the time of demolition, it was replaced by an extension of 1230 Avenue of the Americas.
Another Really Good Interview Here (For Some Background):
We do not necessarily agree with everything all these really great podcasters and investigators and researches say. We tend to think our history is more scripted than most do. What we do all seem to agree on are the general parameters of these grand long standing deception. Our view is the Holy Roman Empire still exists, it just keeps chaining its name, it was reimagined as the British Empire and the two World Wars were scripted fictions designed to build the global world we take for granted today.
The MATRIX is Real
The world has long been run by a long standing international global mafia protections/banking racket. It seems pretty clear to us that we are all wage slaves in a very real feudal system. Empire means Enterprise. We are used for our energy. The institutions are all based on commercial and feudalistic foundation. It is simple history, proven with the long trail of paperwork that has gone digital. The world is bound by treaties, constitutions, contracts and fees, fines and taxes and jail time. These are the real criminals who run the for profit prison systems and all the rest of this rigged game. The War on Drugs is a prime example of how rigged and set up the system is. One hand of the beast promotes the so-called media labelled youth (drug) subculture, while another hand jails us over personal behavior choices. Is this what freedom looks like? We foot the bill to pay the for profit private prison racket to imprison each other over things like smoking or growing a non toxic weed. We must end the illogical and unlawful Drug War. Do Black Lives really Matter?
All the endless and growing layers of unneeded external authority are not a good idea. We do not need people playing dress up as Kings, Queens, Generals and Presidents and all the rest of the cartoon cargo cult. We do not need all the chains of the many forms of religion. Religion is not spirituality and nobody can have a relationship with the creator for you.
The Global War Theater is Open For Business
Modern Broadcast Communications are The Tools For MK Ultra Mind Control - The Public is The Target
"The building was completed in 1933 as part of the Rockefeller Centercomplex. The noted Art Deco architect Raymond Hood led a team of Rockefeller architects. It was named the RCA Building for its main tenant, the Radio Corporation of America, formed in 1919 by General Electric. It was the first building constructed with the elevators grouped in the central core. During construction, a photographer took the famous photograph Lunch atop a Skyscraperon the 69th floor. The National Broadcasting Company, had the red and blue networks housed in the new building, which was also nicknamed "Radio City". NBC was the first national radio network in the country and was started by R.C.A. in 1926."
Please watch this:
Anglo American Television: Getting Everyone Lost In Place
"The office of the Rockefeller family occupied Room 5600 on the 56th floor. This space is now occupied by Rockefeller Family and Associates, whose offices span the 54th to 56th floors. John D. Rockefeller had a private vault in the basement of the building, accessible via a private elevator from his office.
In 1985, the building acquired official landmark status. The RCA Building was renamed as the GE Building in 1988, two years after General Electric re-acquired the RCA Corporation. Some still refer to the building using its old names, out of habit or fondness.
The building's address became the title of the NBC sitcom 30 Rock (2006–2013), which follows the cast and crew of a fictional television show filmed inside the building. Aside from two live episodes, which were produced at NBC's facilities inside the building, the series used the building mostly for exterior and occasional lobby shots, while interior scenes were filmed at Silvercup Studios in Long Island City, Queens."
"From the end of 1960 through October 1993, the building's mezzanine level housed the New York City weather forecast office of the National Weather Service; it was relocated to eastern Long Island, on the grounds of Brookhaven National Laboratory at Upton, New York. KWO35, the NOAA Weather Radio station serving the majority of the Tri-State area, originally transmitted from atop the building and remained there until 2014. Due to interference with a U.S. Coast Guard radio channel, the transmitter was eventually relocated atop the MetLife Building. A weather radar station was also located atop the building (it was previously used as Doppler 4000 during WNBC-TV's local newscasts)."
"In June 2014, Comcast was granted permission from the Landmarks Preservation Commission to make modifications to the building to reflect its ownership of NBCUniversal. The GE Building would be officially known as the Comcast Building. Comcast planned to replace the neon GE lettering from the top of the building with a 10-foot (3.0 m) tall, LED-lit Comcast wordmark and NBC logo, and add a 17-foot (5.2 m) NBC logo on the building western's facade. Additionally, a new marquee was added to the Avenue of the Americas entrance, advertising it as the home of The Tonight Show Starring Jimmy Fallon. On July 1, 2015, the name change and new signage were made official."
The Black Rock Nexus of Multimedia Programming
"30 Rockefeller Plaza is an American Art Deco skyscraper that forms the centerpiece of Rockefeller Center in Midtown Manhattan, New York City. Formerly called the RCA Building from 1933 to 1988, and later the GE Building from 1988 to 2015, It was renamed the Comcast Building on July 1, 2015, following the transfer of ownership to new corporate owner Comcast. Its name is often shortened to 30 Rock. The building is most famous for housing the NBC television network headquarters. At 850 feet (260 m) high, the 70-story building is the 14th tallest in New York City and the 39th tallest in the United States. It stands 400 feet (122 m) shorter than the Empire State Building."
"The building was completed in 1933 as part of the Rockefeller Center complex. The noted Art Deco architect Raymond Hood led a team of Rockefeller architects. It was named the RCA Building for its main tenant, the Radio Corporation of America, formed in 1919 by General Electric."
The "Break Out"Technology of The Twentieth Century: The Vacuum Tube
Secret Submarine Cables
Undersea cables have long wired the world together like the ethernet and fibre optics cables wire offices together into the "informational/international" hub we know as the internet. Of course Nations are not real, Nature knows no borders. But Nationalism is one of the very real means by which we are kept mental prisoners with our own selves as the prison guards. Without the illusion of Nations and states, we could have no war and no funding of such insane enterprises. Calling for and supporting War is a mental illness too many seem to suffer from.
As we can read for ourselves, the military has long had the radio communication equipment we have in our homes today. The same wireless technology that enables you to share your internet connection with your wireless or bluetooth device, is essentially the same one used for the cell phone networks. And this is basically the same one the Military used to communicate during Vietnam, IE a mixture of wired and wireless technology. Here the wireless can be by way of methods like, radio antenna array, or by way of satellite dish which is capable of bouncing a signal off of the ionosphere, no satellites needed.
Let's read a little between the lines here. "Freak atmospheric conditions" means that experimenters would have the potential to be able to recreate the atmospheric conditions with technology. This is what science is about doing. Real engineer-able science, that is, the kind that the U.S. Navy would seem to be interested in. The U.S. Navy has long been interested in communications technology of course. It's possible this "coincidence" is not so, this seems to us to suggest a conscious experiment and not an accident.
It's interesting to note that this took place prior to Hitler becoming a bad guy. Up until 1939 Hitler was a Time Magazine, Olympics hosting, Wall Street darling - kind of guy. World War Two would provide cover for the building of things like Coca Cola Plants in North Africa, of course. And we know how all important the idiot television box would become.
"The four-minute compilation from 1938 exists only because of a technological fluke and the enthusiasm of two television buffs, one in Britain and the other in America where, thanks to freak atmospheric conditions, it was picked up and recorded on a cine camera placed in front of a television screen as the images came in."
"The U.S. Naval Communication Station, Philippines (NAVCOMSTAPHIL), also, The primary purpose of the station was to provide communications to U.S Navy ships operating in the area of the Philippines. During the Vietnam War, all communications from Vietnam to the United States Mainland were routed first through here by an undersea cable from Nha Trang, then forwarded to Naval Link Station Mount Santa Rita, then to the Dau relay facility at Clark AFB, and finally to the HF transmitter site at the U.S. Naval Radio Station Tarlac also known as U.S. Naval Radio Transmitter Facility, Capas, Tarlac."
Screens are every wear able now!
There are televisions everywhere and very little minds to think. The television screen was long predicted by people like Nikola Tesla, to end up on a watch face. We live in the electric age of wonder people like Nikola Tesla spoke and wrote about. This technology has been a long time coming and the elves have long toiled in Secret Santa labs around the globe, working away at creating the digital world many are so addicted to. This digital world is designed to be another noise machine prison. We can use it otherwise if we are wise. The old 20th century passive viewing and consuming of cultural content by the means of mass media is no longer as true as it once was with the internet changing the playing field a bit. The internet adds interactivity to the television screen. We are no longer just screaming at a screen in our living rooms. We can actually put our thoughts into writing on the screen by way of comment boxes and other forms of social media like blogs, videos and podcasts, to name a few.
The Latin American Immigration Radio-Station
Historical Origins of “Predictive Programming”
The Man Who Saw Tomorrow is narrated by Orson Welles. The film depicts many of Nostradamus' predictions as evidence of Nostradamus' predicting ability, though as with other works, nothing is offered which conclusively proves his accuracy. The last quarter of the film discusses Nostradamus' supposed prediction for the then future of the 1980s, 1990s and beyond. There are no scientifically testable predictions directly included in this film, only suggestions and allusions.”
“On February 20, 1991, during the Gulf War, NBC aired a remake of this film, hosted and narrated by Charlton Heston. Much of the same footage, voice acting, and musical score was retained from the original movie. Much of Heston's narration constituted a verbatim reprise of Welles' original presentation. There were, however, some significant differences between the 1991 remake and the original film:”
RCA: "Programming Your Mind Long Time"
"After World War I began in August 1914, radio traffic across the Atlantic Ocean increased dramatically after the western Allies cut the German transatlantic telegraph cables. Germany, Austria-Hungary, and their allies in Europe (collectively known as the Central Powers) maintained contact with neutral countries in the Americas via long-distance radio communications, as well as telegraph cables owned by neutral countries such as the Netherlands and Denmark.
In 1917 the government of the United States took charge of the patents owned by the major companies involved in radio manufacture in the United States to devote radio technology to the war effort. All production of radio equipment was allocated to the U.S. Army, U.S. Navy, U.S. Marine Corps, and the U.S. Coast Guard. The War Department and the Navy Department sought to maintain a federal monopoly of all uses of radio technology. The wartime takeover of all radio systems ended late in 1918, when the U.S. Congress failed to pass a bill which would have extended this monopoly. The war ended in November of that year."
"The ending of the federal government's monopoly in radio communications did not prevent the War and Navy Departments from creating a national radio system for the United States. On 8 April 1919, naval Admiral W. H. G. Bullard and Captain Stanford C. Hooper met with executives of the General Electric Corporation (GE) and asked them to discontinue selling the company's Alexanderson alternators (used in the high-power AM radio transmitters of that era) to the British-owned Marconi Company, and to its subsidiary, the Marconi Wireless Telegraph Company of America."
"The incorporation of the assets of Marconi Wireless Telegraph Company of America (including David Sarnoff), the Pan-American Telegraph Company, and those already controlled by the United States Navy led to a new publicly held company formed by General Electric (which owned a controlling interest) on October 17, 1919. The following cooperation among RCA, General Electric, the United Fruit Company, the Westinghouse Electric Corporation, and American Telephone & Telegraph (AT&T) brought about innovations in high-power radio technology, and also the founding of the National Broadcasting Company (NBC) in the US. The Army and the Navy granted RCA the former American Marconi radio terminals that had been confiscated during the War. Admiral Bullard received a seat on the Board of Directors of RCA for his efforts in establishing RCA. The result was federally-created monopolies in radio for GE and the Westinghouse Corporation and in telephone systems for the American Telephone & Telegraph Company. "
"The argument by the Department of War and the Department of the Navy that the usable radio frequencies were limited, and hence needed to be appropriated for use before other countries, such as the United Kingdom, France, Germany, and Canada monopolized them, collapsed in the mid-1920s following the discovery of the practicality of the use of the shortwave radio band (3.0 MHz through 30.0 MHz) for very long-range radio communications.
The first chief executive officer of RCA was Owen D. Young; David Sarnoff became its general manager. RCA's incorporation papers required that a majority of its stock be held by American citizens. RCA agreed to market the radio equipment manufactured by GE and Westinghouse, and in follow-on agreements, RCA also acquired the radio patents that had been held by Westinghouse and the United Fruit Company. As the years went on, RCA either took over, or produced for itself, a large number of patents, including that of the superheterodyne receiver invented by Edwin Armstrong
Over the years, RCA continued to operate international telecommunications services, under its subsidiary RCA Communications, Inc., and later the RCA Global Communications Company."
TV Replaces Radio
"1920s and 30s … International expansion
Led by longtime Company leader Robert W. Woodruff, chief executive officer and chairman of the Board, the Company began a major push to establish bottling operations outside the U.S. Plants were opened in France, Guatemala, Honduras, Mexico, Belgium, Italy, Peru, Spain, Australia and South Africa. By the time World War II began, Coca-Cola was being bottled in 44 countries.
1940s … Post-war growth
During the war, 64 bottling plants were set up around the world to supply the troops. This followed an urgent request for bottling equipment and materials from General Eisenhower's base in North Africa. Many of these war-time plants were later converted to civilian use, permanently enlarging the bottling system and accelerating the growth of the Company's worldwide business."
All The World's A Global Theatre
Scripting The Sequel: Writing World War Two
There's a seemingly endless list of authors, actors, special effects experts and all sorts of other freemason like craftsmen, or artists, who engaged in the literal Theatre of World War Two. The names on this list are extremely well known. The fabulous USO Tours that would pave the way for the Pop Concert Tours of today, started with Bob Hope during this period of human mobilization for war, that really built the foundation for today's electronically and passenger jet connected, world.
Military Spooks Indeed!
late 15c., "one who acts," from Latin agentem (nominative agens) "effective, powerful," present participle of agere "to set in motion, drive forward; to do, perform; keep in movement" (see act (n.)). Meaning "any natural force or substance which produces a phenomenon" is from 1550s. Meaning "deputy, representative" is from 1590s. Sense of "spy, secret agent" is attested by 1916.
late 14c., "an overseer, guardian, steward," from Latin actor "an agent or doer; a driver (of sheep, etc.)," in law, "accuser, plaintiff," also "theatrical player, orator," from past participle stem of agere "to set in motion, drive, drive forward," hence "to do, perform," also "act on stage, play the part of; plead a cause at law" (see act (n.)). In English from mid-15c. as "a doer, maker," also "a plaintiff at law." Sense of "one who performs in plays" is 1580s, originally applied to both men and women. Related: Actorish; actorly; actory.
"The United States Army created a large number of notional deception formations that were used in a number of World War II deception operations. The most notable fictional US formation was the First U.S. Army Group (FUSAG); this field army was originally intended as the main invasion force for the Invasion of Normandy, however that was renamed to the 12th Army Group. FUSAG remained in existence on paper and was used during Operation Fortitude South to divert Axis attention to the Pas de Calais area."
"The imaginary formations ranged in size from battalion to field army and were faked using documents, photographs, double agents, news reportage and physical subterfuge. Some of the units were either based on existing decommissioned formations (usually World War I formations) or created afresh. Many were used multiple times, Clarke in particular believed that reusing units in the long term would help establish their existence in the mind of the enemy."
mid-14c., auctor, autour, autor "father, creator, one who brings about, one who makes or creates" someone or something, from Old French auctor, acteor "author, originator, creator, instigator" (12c., Modern French auteur) and directly from Latin auctor "enlarger, founder, master, leader,"