PRESENTS: The True Origins and Evolution of "Outer Space Flight"
(Please excuse the inevitable typo, auto correct is a mischievous little monkey, AA Morris)
These are the supposed experiments that were conducted to demonstrate Newton's hypothesis less orbital musings correct. These were the experiments that showed Kepler's insane and baseless imaginings were "real". The evidence put forth some 70 years ago was nothing but visual and auditory gossip that the film theater and radio listening conditioned mind accepted without much by way of questioning. Newspapers and television and radio News feeds are taken for granted in our 21st Century of Digital "Enlightenment". Facebook and Youtube/Google are the emerging new media platforms of the same Governmentally funded, compartmentalized Military Industrial Entertainment Beast. Hollywood and the News media were and are creations of Government, Most people are not hip to this "trade secret".
See the article index if you have any questions. Suffice it to say that the film theater chains and now smart screen digital media, are the real weaponry of governmental power and the real battlefield is truly the human mind. The imagination and the resulting behavior of the mass of humanity is shepherded by role models and idols of all types, who exist only as projected rays of light on screens and in the minds of the mass public who easily accepts the crowd psychological shepherding they are exposed to. The primary means used to be word of mouth gossip, spread telephone game like. This medium still (obviously) exists today and is one that the Government, with its embedded and security clearance reporters playing live action role playing parts in a simulated reality, sells to (unwitting) journalists and to the public as real.
The world is run on a need to know compartmentalized basis. Human beings make mistakes. We shall begin examining some of those mistakes in this article.
From a Trip To The Moon to World War Two V2 fakery, large rockets have always been film theater fiction. We can easily trace this evolution of the real weapon of government, Hollywood film production techniques. Special effects and motion control camera work, were the early tools of propaganda weaponry. Today CGI magic has replaced darkroom photographic wizardry, but make no mistake, people have been being fooled by industrial light magic for well over one hundred years now.
"The Monkey Astronaut Who Helped Pave the Way for Manned Spaceflight"
"When Peruvian-born, U.S.-raised astronaut Miss Baker died in 1984 at the age of 27, she had been to space once and married twice. Her grave, located at the United States Space and Rocket Center in Huntsville, Alabama, sits alongside those of her first husband, George, and her second husband, Norman. Atop Miss Baker’s headstone sits a pile of bananas, each one placed by an admirer. They make a fitting tribute to a fallen pioneer: Like any other squirrel monkey, Miss Baker loved bananas.
In 1959 NASA went shopping for astronauts at a pet store in Miami. At that point, the U.S. had been sending monkeys to space for a decade: In 1949, rhesus monkey Albert II became the first primate in space, reaching a height of 82 miles aboard a V2 rocket. After this momentous flight, rockets were launched containing Alberts III through VI, also known as Yorick. Alas, there was one big problem: None of these animal astronauts survived the trips."
A Gander At 1959 Monkey Business Propaganda: The Official Experiments That Supposedly Proved Newton and Kepler Correct
Post Sputnik Hoax*
This series of articles will take a look at how the Soviet Union and the United States established the concept of outer space as a place in the first place. We shall see that the United States News media acted as proper propagandist social shepherd and sold the public highly edited footage that proves nothing at all, In fact as you shall see when you watch the footage below, the "Jupiter Rockets" are models. No monkeys would seem to have been harmed in the making of this early example of television based Newsreel propaganda that would evolve into the 24/7 social News fed media environment of today.
The Newtonian concept the orbit is a lie. Newton admits he has no hypothesis to bases his musings on and his math obviously models nothing real. University indoctrinated minds cannot see past the crowd control spell that educational rewards and professional Pavlovian pay scales cast one their perceptions. This is how the real world is occulted by the fine art of bullshit. Bullshit takes many forms, the most basic is word of mouth gossip and the most involved is the audio and video presentation that too may adult minds simply accept as authoritative gospel. The News journalist is the modern mental shepherd and social rabbi and priest for a very real state religion that most of us unconsciously adhere to.
(*more about this to come...)
A Proper Gander at Disney Propaganda
Are we monkeys or mice?
What you see is a moving photo composite. Mid 20th century darkroom wizardry. This is where the work of the early late 19th century film pioneers leads. Newsreel fictions like this, "evolve" into university taught textbook catechism that goes unquestioned. This is how we end up with an obviously physically impossible event like 9/11 in the history books. This is not science. This is propaganda. We have been indoctrinated by lifetimes of media exposure to truly believe otherwise. Film and video media, (especially highly edited material), with or without audio, are not evidence, but are claims. We are supposed to sit back and passively watch the programming and absorb it all for parrot like recital.
Below is what is supposed to be evidence of a parabolic flight like imagined "Zero G". All the evidence we actually have to examine indicates this is a hoax.
Animals in Rocket Flight (full film with sound) 1952 USAF Wright Air Development Center source: Jeff Quitney
The power the moving image with sound, has over human imagination is incredible and the ubiquitous screen is indeed the modern Platonic Cave.
Edited News footage is not evidence. These audio and visual productions are claims, yet we have all been long conditioned to believe otherwise.
"Space Monkeys Meet Press..." 1959-06-01
"A newsreel is a form of short documentary film prevalent between 1910s to 1960s, regularly released in a public presentation place and containing filmed news stories and items of topical interest. It was a source of news, current affairs, and entertainment for millions of moviegoers until television supplanted its role in the 1950s. Newsreels are now considered significant historical documents, since they are often the only audiovisual record of historical and cultural events of those times. Newsreels were typically exhibited as short subjects preceding the main feature film into the 1960s. There were dedicated newsreel theaters in many major cities in the 1930s and 1940s, and some large city cinemas also included a smaller theaterette where newsreels were screened continuously throughout the day."
source: Newsreel - Wikipedia
Able and Baker Jupiter Missile Flight: "Space Monkeys Meet Press..." 1959-06-01 Universal Newsreel source: Jeff Quitney
A Brief History of Lies: The Guys Who Invented The Newsreel also Invented Modern Cinema
Newsreels evolve into the 24/7 ubiquitous endless News cycle of today. Obvious staged drills and manufactured history is nothing new. This is how historical sausage and culture creating iconography is made. Darkroom magic was always used, like all art, to entrance the human resource into an effective and focused workforce. Governments rely on existential threats to thrive and survive and the Cold War was the television era sequel to World War Two. One can easily use YouTube to watch hours of obvious fake model rockets and highly edited special effects work sold to the public as real. The international space programs are obviously a long standing hoax that reveals how the world is really run and managed as one international banking enterprise. All the evidence we can actually examine regarding all the claims of international space achievements shows us that even satellites are a hoax. Newton himself admits he based his mathematically fallacious musings on no hypothesis. The heliocentric model was always a complicated joke. We would not have the current patchwork mess of irrational nonsense sold as modern astrophysics were this not the truth. The Ptolemaic model best describes the Natural World we actually experience, despite all governmental and university advertising claims to the contrary. Geocentric satellites with their imagined incredible 22.300 mile distances are a hoax, as is the International Space Station. Artificial orbits are not real and neither is the solar system model. All of it is nothing but the result of well over a century of real research and development in film, audio and video technology, special effects, and of course computer graphic wizardry which is "everywhere". The 9/11 fake imagery and the Zapruder film photographic cartoon are also examples of the power of the real weapon of mass destruction and the real environmental terrorist, the governmentally backed "trusted" News journalist. Without this authoritative voice and face, people might be less inclined to buy into obvious snake oil, canards. Hollywood special effects have always been the "Top Secret", "on a need to know basis", weapon of world wide governmental human resource management. The power and hold the moving image has over human imagination is incredible and very problematic. Most people trust the News and this is a huge mistake; they truly buy into marketing hype and leave common sense aside. As long as the information is branded with a logo or persona they trust, the public believes everything they are told, swallowing it all, hook, line and sinker, like they have been conditioned since birth to do.
Modern News originates with the Newsreel.
"Pathé or Pathé Frères (French pronunciation: [pate fʁɛʁ], styled as PATHÉ!) is the name of various Frenchbusinesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas prior to a feature film."
"Worldwide, the company emphasised research, investing in such experiments as hand-coloured film and the synchronisation of film and gramophone recordings. In 1908, Pathé invented the newsreel that was shown in theatres prior to the feature film. The news clips featured the Pathé logo of a crowing rooster at the beginning of each reel. In 1912, it introduced 28 mm non-flammable film and equipment under the brand name Pathescope. Pathé News produced cinema newsreels from 1910, up until the 1970s when production ceased as a result of mass television ownership. In the United States, beginning in 1914, the company's film production studios in Fort Lee and Jersey City, NJ, where their building still stands. The Heights, Jersey City produced the extremely successful serialised episodes called The Perils of Pauline. By 1918 Pathé had grown to the point where it was necessary to separate operations into two distinct divisions. With Emile Pathé as chief executive, Pathé Records dealt exclusively with phonographs and recordings while brother Charles managed Pathé-Cinéma which was responsible for film production, distribution, and exhibition. 1922 saw the introduction of the Pathé Baby home film system using a new 9.5 mm film stock which became popular over the next few decades. In 1921, Pathé sold off its United States motion picture production arm, which was renamed "Pathé Exchange" and later merged into RKO Pictures, disappearing as an independent brand in 1931. Pathé sold its British film studios to Eastman Kodak in 1927 while maintaining the theatre and distribution arm."
Georges Méliès: A Trip To The Moon
"Between 1900 and 1907, Zecca oversaw the production of hundreds of Pathé films from many important Pathé directors including Nonguet Lucien, Gaston Velle, Albert Capellani, Louis J. Gasnier, André Heuzé and Henri Pouctal. Zecca also acted, directed, produced, and, on occasion, wrote films. After Pathé bought the rights to Star films, Zecca started editing films by George Méliès. Film production went from 70 titles in 1901 to 500 in 1903; after 1906, the mass film production gradually eased as longer films were produced."
"French illusionist and film director..."
"Marie-Georges-Jean Méliès, known as Georges Méliès (/meɪˈljɛs/; French: [meljɛs]; 8 December 1861 – 21 January 1938), was a French illusionist and film director who led many technical and narrative developments in the earliest days of cinema. Méliès was an especially prolific innovator in the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted color. He was also one of the first filmmakers to use storyboards. His films include A Trip to the Moon (1902) and The Impossible Voyage (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy."
"When Pathé Exchange was spun off from its French parent company in 1921, with a controlling stake held by Merrill Lynch, Charles Pathé stayed on as a director of the American firm."
Project Paperclip: The V-2 Hoax & Origins of Parabolic Flight Fakery
As we shall examine in the next article, parabolic flights are integral to the international space hoax. Parabolic weightless flights are very important to selling the idea of floating spacemen in orbit around the Earth. This is an impossible feat. There are no orbits and all the evidence we can actually examine, including and especially the underlying "science" all demonstrates that outer space and artificial orbits and even the solar system model are nothing but artifacts of a star gazing imaginative world wide cult-ure.
"Before humans went into space, several other animals were launched into space..."
"Before humans went into space, several other animals were launched into space, including numerous other primates, so that scientists could investigate the biological effects of space travel. The United States launched flights containing primate passengers primarily between 1948-1961 with one flight in 1969 and one in 1985. France launched two monkey-carrying flights in 1967. The Soviet Union and Russia launched monkeys between 1983 and 1996. Most primates were anesthetized before lift-off. Overall thirty-two monkeys flew in the space program; none flew more than once. Numerous back-up monkeys also went through the programs but never flew. Monkeys and apes from several species were used, including rhesus monkeys, cynomolgus monkeys, squirrel monkeys, pig-tailed macaques, and chimpanzees."
Jupiter (rocket family)
"The Jupiter family of Super heavy-lift launch vehicles was part of the proposed DIRECT Shuttle-Derived Launch Vehicle architecture. It was intended to be the alternative to the Ares I and Ares V rockets which were under development for the United States National Aeronautics and Space Administration's (NASA) Project Constellation.
Some of the major benefits of re-using as much hardware and facilities from the Space Shuttle program as possible to minimize costs, take advantage of the experience with existing hardware and preserve the workforce after the Space Shuttle's retirement."
End part one.
A whole lot more to come. I am going to try to keep each installment short.