God sings an eternal song, with an endless choral-verse, most do not hear.
Modern cosmology is a comic-book cartoon mess. Irrational Metaphysics are sold as "science". Mathematical models with no logical basis in reality are put forth as peer reviewed proof. Day dream fantasy is offered as solid evidence and imaginative fiction is sold as "scientific " fact. Modern science is a religion based on yellow journal cartoon nonsense.
"Joseph Campbell describes yellow press newspapers as having daily multi-column front-page headlines covering a variety of topics, such as sports and scandal, using bold layouts (with large illustrations and perhaps color), heavy reliance on unnamed sources, and unabashed self-promotion. The term was extensively used to describe certain major New York City newspapers around 1900 as they battled for circulation.
- scare headlines in huge print, often of minor news
- lavish use of pictures, or imaginary drawings
- use of faked interviews, misleading headlines, pseudoscience, and a parade of false learning from so-called experts
- emphasis on full-color Sunday supplements, usually with comic strips
- dramatic sympathy with the "underdog" against the system."
PSEUDO-SCIENCE & "INFINITE" PSEDUO-SCIENTISTS
"The concept of infinite worlds is mentioned in the Apannaka Jataka:
"Disciples," the Buddha said "nowhere between the lowest of hells below and the highest heaven above, nowhere in all the infinite worlds that stretch right and left, is there the equal, much less the superior, of a Buddha. Incalculable is the excellence which springs from obeying the Precepts and from other virtuous conduct." - Apannaka Jataka"
Welcome To A Multiversal Chorus Of Nonsense: Bad Metaphysics is Not Science
The idea of a parallel or other "world" or Universe is nothing new. It is the stuff of Dungeons and Dragons, comic books, fantasy and science fiction novels and has been for a long time. Alice in Wonderland and the Wizard of Oz are earlier obvious examples. Older Celtic and Greek myths also have tales of heroes adventuring to lands of the dead and other worlds or "dimensions" where faerie, the dead or gods dwell.
"Multiple universes have been hypothesized in cosmology, physics, astronomy, religion, philosophy, transpersonal psychology, and literature, particularly in science fiction and fantasy. In these contexts, parallel universes are also called "alternate universes", "quantum universes", "interpenetrating dimensions", "parallel dimensions", "parallel worlds", "alternate realities", "alternate timelines", and "dimensional planes". "
"The multiverse (or meta-universe) is the hypothetical set of possible universes, including the universe in which we live. Together, these universes comprise everything that exists: the entirety of space, time, matter, energy, and the physical laws and constants that describe them.
The various universes within the multiverse are called "parallel universes", "other universes", or "alternative universes"."
"In Dublin in 1952, Erwin Schrödinger gave a lecture in which he jocularly warned his audience that what he was about to say might "seem lunatic". He said that, when his Nobel equations seemed to describe several different histories, these were "not alternatives, but all really happen simultaneously". This is the earliest known reference to the multiverse outside of fiction.
The American philosopher and psychologist William James used the term multiverse in 1895, but in a different context. "
"In 2007, Nobel laureate Steven Weinberg suggested that if the multiverse existed, "the hope of finding a rational explanation for the precise values of quark masses and other constants of the standard model that we observe in our Big Bang is doomed, for their values would be an accident of the particular part of the multiverse in which we live.""
"Edwin Abott Abbott, mathematician and theologian, wrote Flatland (1884), also known as Flatland: A Romance of Many Dimensions. It recounts the story of a two-dimensional world inhabited by living geometric figures: triangles, squares, circles, etc., and explores concepts of other dimensions (or universes) including Pointland, Lineland, and Spaceland.."
"Murray Leinster's story "Sidewise in Time" (1934), showing different parts of the Earth somehow occupied by different parallel universes, was influential in science fiction."
"Fredric Brown's What Mad Universe recounts the adventures of a science-fiction editor of the late 1940s who is thrown into a parallel universe that reflects the fantasies of his most annoying letter-to-the-editor writer (an adolescent male, naturally)."
"Isaac Asimov's novel The Gods Themselves depicts scientists in our universe who find a way to "import" small amounts of matter from a universe having different physical laws, with unforeseen consequences. "The End of Eternity," also by Asimov, likewise deals with the existence of and interactions between multiple timelines, though these multiple interacting universes are depicted as the result of meddling in a single timeline by outside entities (the "eternals"), and therefore do not exist simultaneously, as do those in "The Gods Themselves." "
"H. G. Wells wrote what is apparently the first explicit paratime novel, Men Like Gods (1923), complete with a multiverse theory and a paratime machine."
"In C. S. Lewis' classic Chronicles of Narnia series (1950–1956) children come and go between our world and Narnia, a land populated by talking animals. In The Magician's Nephew the Wood between the Worlds gives access to several worlds. In The Last Battle it transpires that all the worlds are joined together by a form of heaven."
"The fictional Moorcock Multiverse, consisting of several universes, many layered dimensions, spheres, and alternative worlds, is the place where the eternal struggle between Law and Chaos, the two main forces of Moorcock's worlds, takes place. In all these dimensions and worlds, these forces constantly war for supremacy. Since the victory of Law or Chaos would cause the Multiverse either to become permanently static or totally formless, the Cosmic Balance enforces certain limits which the powers of Law and Chaos violate at their peril. Law, Chaos, and the Balance are active, but seemingly non-sentient, forces which empower various champions and representatives.
The Eternal Champion, a Hero who exists in all dimensions, times and worlds, is the one who is chosen by fate to fight for the Cosmic Balance; however, he often does not know of his role, or, even worse, he struggles against it, never to succeed. Since his role is to intervene when either Law or Chaos have gained an excess of power, he is always doomed to be surrounded by strife and destruction, although he may go through long periods of relative quiet.
All the incarnations of the Eternal Champion are facets of each other, and the Champion may also be aided by a companion, who, like himself, exists in various incarnations. Likewise the Champion is often associated with a romantic interest that is possibly an aspect of an eternal figure. Other characters in the various books have occasionally crossed over from one universe to another, although it is unclear what their status in the multiverse may be. Normally, the incarnations of the Champion do not interact and are treated as serial incarnations for facets of a single consciousness, but various cataclysmic events (such as the end of a Cycle of Cycles of the multiverse's progression, or an invasion by hostile entities from an entirely separate multiverse) may bring them together in various ways. This is very dangerous (it causes strains on the fabric of the multiverse as well as mental issues for the Champion), but amplifies the Champion's power enormously.
In every aspect, the Champion is a warrior almost without peer: when he wields some version of his usual weapon, the Black Sword (known by various names such as Stormbringer or Kanajana, although not all versions of the Sword are the same and some are active entities in their own right) and few can stand against him. He is also usually an adept, if often unwilling, leader of fighters and has strategic and tactical abilities."
"The concept of multiple universes is mentioned many times in Hindu Puranic literature, such as in the Bhagavata Purana:
Every universe is covered by seven layers — earth, water, fire, air, sky, the total energy and false ego — each ten times greater than the previous one. There are innumerable universes besides this one, and although they are unlimitedly large, they move about like atoms in You. Therefore You are called unlimited (Bhagavata Purana 6.16.37)
Lord Śiva said: "My dear son, I, Lord Brahmā and the other devas, who move within this universe under the misconception of our greatness, cannot exhibit any power to compete with the Supreme Personality of Godhead, for innumerable universes and their inhabitants come into existence and are annihilated by the simple direction of the Lord" (Bhagavata Purana 9.4.56)
After separating the different universes, the gigantic universal form of the Lord, which came out of the causal ocean, the place of appearance for the first puruṣa-avatāra, entered into each of the separate universes, desiring to lie on the created transcendental water (Bhagavata Purana 2.10.10)"
"The number of universes seems to be uncountable according to the Puranic literature:
Even though over a period of time I might count all the atoms of the universe, I could not count all of My opulences which I manifest within innumerable universes (Bhagavata Purana 11.16.39)"
"Analogies to describe multiple universes also exist in the Puranic literature:
What am I, a small creature measuring seven spans of my own hand? I am enclosed in a potlike universe composed of material nature, the total material energy, false ego, ether, air, water and earth. And what is Your glory? Unlimited universes pass through the pores of Your body just as particles of dust pass through the openings of a screened window (Bhagavata Purana 10.14.11)
Because You are unlimited, neither the lords of heaven nor even You Yourself can ever reach the end of Your glories. The countless universes, each enveloped in its shell, are compelled by the wheel of time to wander within You, like particles of dust blowing about in the sky. The śrutis, following their method of eliminating everything separate from the Supreme, become successful by revealing You as their final conclusion (Bhagavata Purana 10.87.41)
The layers or elements covering the universes are each ten times thicker than the one before, and all the universes clustered together appear like atoms in a huge combination (Bhagavata Purana 3.11.41)
The concept of parallel universes appears in the Brahma Vaivarta Purana:
And who will search through the wide infinities of space to count the universes side by side, each containing its Brahma, its Vishnu, its Shiva? Who can count the Indras in them all--those Indras side by side, who reign at once in all the innumerable worlds; those others who passed away before them; or even the Indras who succeed each other in any given line, ascending to godly kingship, one by one, and, one by one, passing away? (Brahma Vaivarta Purana)"
"Main article: Islamic cosmology: There are seven verses in the Quran describing seven heavens. One verse says that each heaven or sky has its own order, possibly meaning laws of nature. After mentioning the seven heavens, another verse says, "and similar earths". Examples include verse (67:3) "He(God) who created the seven tournaments (heavens) one imposed over the other..." "
"The planes of the Dungeons & Dragons roleplaying game constitute the multiverse in which the game takes place. In the earliest versions of Dungeons & Dragons, the concept of the Inner, Ethereal, Prime Material, Astral, and Outer Planes was introduced; at the time there were only four Inner Planes and no set number of Outer Planes. This later evolved into the Great Wheel cosmology. The fourth edition of the game used a different, very simplified cosmology with just six main planes called the World Axis Cosmology. The fifth edition has brought back a new version of the Great Wheel cosmology."
"Michael Moorcock: The Rituals of Infinity (1966)"
"This novel is one of Moorcock's earliest, and shows him as a writer with talent but yet to reach his mature, distinctive style. He still wears his influences on his sleeve, so to speak. In some ways, to see the influences combine is one of the most interesting aspects of this novel, which in most other ways is no more than competent science fiction.
Any one of a large number of science fiction writers could have woven the plot. A small group of scientists have discovered that the earth is really one of a couple of dozen parallel worlds, mostly frozen at a particular stage of technological and social development. They then find out that there are small groups of terrorists setting out to destroy these worlds (which they label D-squads, D for destruction), murdering millions of people with advanced technology which destabilises reality until an unstoppable chain reaction takes over and pulls it apart totally. Doctor Faustaff, son of the man who discovered the alternates, leads the scientists in a campaign to prevent this and to discover the origins of the D-squads.
In doing so, they become aware of the existence of beings bringing new alternates into existence, and Faustaff ends up on one which has not yet been "activated"; the human beings who live there have to perform certain archetypal acts (such as enacting a ritual of human sacrifice) for this to happen. (This sort of idea is extremely typical of the sixties, when this story was written.)"