A Proper Gander At Propaganda


PLEASE NOTE: This is not a conspiracy theory blog.

This website exists to serve as public resource for reverse imagineering world-wide culture, one that takes a critical look at the numerous artifacts and other types of relics that represent our shared collective international heritage. This blog is dedicated to examining social engineering and the use of tax funded governmental propaganda, and the mainstream media, as international human resource management tools.

About The AA Morris Proper Gander At Propaganda Podcast: Coming to you from one of the suburban metropolitan melting pots of international culture, outside of one of the multimedia capitals of the world, New York City, the Proper Gander at Propaganda podcast is meant to be a filter free look at our shared international cultural heritage, our shared social media infused and obsessed present, and what our children and their children could be looking forward to. This link will bring you to the podcast page of this website, with embedded squarespace audio: link: http://www.aamorris.net/podcast/

Thank you for taking the time to read this,

AA "The Proper Gander" Morris

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Wars Are Fake

War Are More Fake Than Most Know

History is made of unquestioned mythology. We are conditioned to avoid questioning underlying assumptions and most are happy to parrot back so-called facts as evidence of their intelligence. Yet the truth is the world does not work as advertised.

Wars are tools used to get us the vast human resource to keep turning the wheel of industry for all time. Wars are more art than reality. The governments of the world are nothing but corporate entities that exist to manage us; we exist to serve the inhuman system of governmental control and commerce.

Layers of lies protect the truth that we are not free; we are wage slaves tied to an inhuman system. Governments work for the same international banking trained minds that run all the important institutions of the world. There are many layers of lies that protect the truth that wars are more of a Hollywood production than most think. The high level mafia figures that the mainstream media treat like celebrities would seem to also be part of the show. Cultural manipulation is the real weaponry of the military. There are many levels to the deceptions and many layers of mythological stories that hide the truth. The purpose of all of the dramatic soap opera news and history is to keep us believing we need all the layers of government we do not need.

We need to truly believe we need government to protect us. The mythology of the mafia promotes the idea that we need the FBI and other governmental intervention to protect us. We are not supposed to figure out that we have been had. The News media serves the government like the rest of the Hollywood media does. The mafia as promoted by the media is a creation of the Military Industrial Entertainment Complex™. The media promotes myths that people take as real and then proceed to emulate. The battlefield really is the human mind. Wars and weaponry of war are fiction not fact. The purpose is to keep us tied to the wheel of industry for all time. We really need to think we need all the layers of government we do not need. 

All most know of war is what they saw on a TV screen. Highly edited Hollywood product is proof of nothing.

The media and the military were always controlled by the same longstanding international banking long con, criminal racket that have run the world for at least a thousand years or so. The world is really at peace but most of us will always believe the world is about to end and that wars are always about to erupt into existence. Endless conflicts of one kind or another will always provide government the needed impetus to continue existing.

As long as we have governments we will have wars.

The media promoted mafia is part of the cartoon nonsense sold as truth.

War is Phony

Government is the real mafia. Hollywood is the propaganda arm of the government. The mafia as most understand it, is the result of Hollywood and government  propaganda and nothing more. The romantic mafia figures that we are supposed to take as real historical figures are nothing but Hollywood and government illusions. We need to really believe we need all the laws and alphabet letter agencies we do not need. We have to believe we need to keep working as hard as we can to pay our taxes to keep the governmental beast growing. Soap operatic scripts sold as reality become history.

Too many of us do not question what seem to be very childlike assumptions. Instead we parrot back what we think is history.

I don't agree with some of the underlying assumptions, but find this to be an interesting and insightful video nonetheless.

JFK to 911 Everything Is A Rich Man's Trick  source: TheFreedomCycle

JFK = Magical Martyr Man: "Ask Not" is the Call of The Master To The Slaves

Of course we know now that 9/11, the RFK event and the JFK event were scripted multimedia fictional productions and nothing more. These scripted events lead to the crafting of real laws and alters the behavior of real people. The Kennedys were not on "our" side. They were life actors, role playing as directed. They become convenient slain demigods of the religion of government we are all supposed to have faith in. "We" the people is a marketing slogan. "We" never went to the Moon and "We" never will. World leaders like Fidel Castro turned out to be Hollywood actors with IMDB pages.

The Bay of Pigs Hoax Exposed

Castro was a Hollywood extra. History is more like an old 20th century saturday morning children's cartoon than reality. Soap opera drama passes for history.

Fidel Castro - IMDb

A Holocaust Hoax?

The concentration camps are legendary examples of the horrors humanity are supposed to be capable of. How much of it is true and how much of it is myth? Most do not think to question the truth about the holocaust, such questioning is labeled "denial" and is socially frowned upon as some kind of antisemitism which it is not. Appeals to logical fallacies of all sorts are the order of the day. Religions are convenient fictions used to keep us needlessly divided and conquered into more easily managed communities. We are not supposed to question underlying assumptions and the way the media and the governments of the world have treated the Holocaust means we are dealing with a very emotionally charged issue that ties directly into a human being's sense of socially reinforced "identity". Religion has long been used as a really great divide and conquer tool. The antisemitism canard relies on us ignoring common sense and logic. Religions are fake and there is but one human race. Jesus and all his friends were Jewish, the Bible is a book that is itself, half Jewish, and all Christians are culturally half Jewish. In fact if we can trust the genealogy websites, a whole lot of us appear to have descended from Jewish ancestry which makes allegorical sense as the Jews were the slaves of mythic ancient Egypt and today, all of humanity is enslaved to an even more powerful and world wide system of very real government. So basically we are all of one of the Twelve Tribes of allegorical Israel. We are all Jews, all of humanity are children of God or Nature. There is only one human race and we all belong to it.

Origins of Identity - The Last Name: A Tool For Taxation & Social Control

"Ashkenazic Jews were among the last Europeans to take family names. Some German-speaking Jews took last names as early as the 17thcentury, but the overwhelming majority of Jews lived in Eastern Europe and did not take last names until compelled to do so. The process began in the Austro-Hungarian Empire in 1787 and ended in Czarist Russia in 1844."

"In attempting to build modern nation-states, the authorities insisted that Jews take last names so that they could be taxed, drafted, and educated (in that order of importance). For centuries, Jewish communal leaders were responsible for collecting taxes from the Jewish population on behalf of the government, and in some cases were responsible for filling draft quotas. Education was traditionally an internal Jewish affair.

Until this period, Jewish names generally changed with every generation. For example, if Moses son of Mendel (Moyshe ben Mendel) married Sarah daughter of Rebecca (Sora bas Rifke), and they had a boy and named it Samuel (Shmuel), the child would be called Shmuel ben Moyshe. If they had a girl and named her Feygele, she would be called Feygele bas Sora.

Jews distrusted the authorities and resisted the new requirement. Although they were forced to take last names, at first they were used only for official purposes. Among themselves, they kept their traditional names. Over time, Jews accepted the new last names, which were essential as Jews sought to advance within the broader society and as the shtetles were transformed or Jews left them for big cities.

The easiest way for Jews to assume an official last name was to adapt the name they already had, making it permanent. This explains the use of "patronymics" and "matronymics." "


Simon Wiesenthal Exposed as a Fraud and Liar

"Now that professional "Nazi"-hunter Simon Wiesenthal has added knighthood by the British crown to the numerous honors that have been heaped upon him, Gerd Honsik’s recent Fiend and Felon is just the book to put the seedy Galician conman back in his place. While there have been many shorter revisionist exposés of Wiesenthal, this one offers the dual advantage of numerous photos and documents, elucidated by easy-to-read, large-type text that traces Wiesenthal’s shady career from his contradictions and evasions on his wartime experiences (Soviet functionary? Red partisan? German collaborator? Or all of the above?) to his postwar misrepresentations (the Polish-born arch-Zionist claimed to have been a postwar German expellee!) and of course Wiesenthal’s career as a "Nazi hunter." "

"As an Austrian, author Honsik has a strong grasp of the politics – governmental and media – of Wiesenthal’s Austrian base and provides details of Wiesenthal’s manipulations there that have hitherto received little notice in English-language media. Among them is documentation of Wiesenthal’s scurrilous campaigns against Austrian politicians who have proved insufficiently loyal to the canonical Holocaust and to the interests of Israel, from Austria’s Jewish chancellor Bruno Kreisky (who called Wiesenthal’s bluff by accusing him of having been an informant for the Gestapo during the war) in the 1970s to Jörg Haider in the 1990s. Honsik’s knowledge of the Austrian political and legal milieu also proves of advantage in gaining access to documents and records missing from other treatments, whether friendly or adversary, of Wiesenthal’s life and times. Thus, Fiend and Felon includes a lengthy consideration of a letter alleging a shady business deal between Haider’s family and a Third Reich Gauleiter, and the letter’s exposure as a forgery by Austrian police, as well as accounts of his vicious campaigns against such Austrian revisionists as the prominent engineer Walter Lüftl."

"But the heart of Fiend and Felon is quite properly its treatment of the "Nazi"-hunter’s most famous prey, from Adolf Eichmann to John Demjanjuk, and including considerations of Wiesenthal’s roles in the cases of such alleged monsters as Josef Mengele, Treblinka commandant Franz Stangl, and Walter Rauff, one of the numerous alleged inventors of the mythical gas van. Readers who look for exhaustive rehashings of the charges, trials, or even Wiesenthal’s role in the "hunt" for these and a good dozen other alleged wartime "perpetrators" may be disappointed. Yet each vignette offers solid rebuttal to the key aspects of the charges against the accused as those charges relate to the Holocaust – something all too often missing even in accounts by self-styled revisionists.

Fiend and Felon is anything but a dispassionate account of its subject’s life and work. Author Gerd Honsik, a committed Austro-German nationalist as well as revisionist, has crossed swords with the old fraud more than once and currently lives in exile at least partly as a result of Wiesenthal’s ability to convert the moral dross of his actual past into a fool’s gold, with which to dazzle, threaten, and tyrannize the gentiles among whom this self-proclaimed Zionist has always chosen to live. Its English is not always perfect, but is quite passable throughout, and it includes hundreds of photographs, many of which will be new to American and British readers, and scores of documents – with English translations in a handy appendix. All in all, Fiend and Felon is an unsparingly accurate portrayal of Simon Wiesenthal, for what he is worth, for all that he’s worth.?

Codoh.com | Simon Wiesenthal Exposed as a Fraud and Liar

History: How Much is Fact & How Much Is Fiction?

Layers of lies and deception protect the truth. History is more manufactured than most think.

`Holocaust Witness` - The Memoirs - Lies And Fraud (Part 2)  source: Ste Mask

Do Not Be Afraid To Question All Underlying Assumptions, It's The Only Way To Really Learn

"Despite thousands of detailed documents on the crematoria built to dispose of the bodies of typhus victims, not a single piece of documentary evidence has ever been produced to substantiate the existence of even one homicidal gas chamber. Not an order for construction, a plan, an invoice, or a photograph. During the hundreds of "war crimes" trials, nothing could be produced. There were no gas chambers at Auschwitz or anywhere else in wartime Europe. On that I state my reputation and career."-Professor Robert Faurrisson,Le Monde."
Ste Mask

for more: Simon Wiesenthal