A Proper Gander At Propaganda

TRUTH TRANSCENDS COMMUNITY

PLEASE NOTE: This is not a conspiracy theory blog.

This website exists to serve as public resource for reverse imagineering world-wide culture, one that takes a critical look at the numerous artifacts and other types of relics that represent our shared collective international heritage. This blog is dedicated to examining social engineering and the use of tax funded governmental propaganda, and the mainstream media, as international human resource management tools.

About The AA Morris Proper Gander At Propaganda Podcast: Coming to you from one of the suburban metropolitan melting pots of international culture, outside of one of the multimedia capitals of the world, New York City, the Proper Gander at Propaganda podcast is meant to be a filter free look at our shared international cultural heritage, our shared social media infused and obsessed present, and what our children and their children could be looking forward to. This link will bring you to the podcast page of this website, with embedded squarespace audio: link: http://www.aamorris.net/podcast/

Thank you for taking the time to read this,

AA "The Proper Gander" Morris

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Web addresses: www.aamorris.net or www.aamorris.com

World "War" 2, Controlled Demolition / Strategic relocation HOAX full Stop

Some food for thought.

I don't agree with everything Dave J has to say; but I do agree with a lot of it. I think he's right more than he's wrong.

World "War" 2, Controlled Demolition / Strategic relocation HOAX full Stop  source: Dave J

Faking War

Godzilla (1954 film) - Wikipedia

"Ishirō Honda (本多猪四郎 Honda Ishirō?, May 7, 1911 – February 28, 1993), sometimes miscredited in foreign releases as "Inoshiro Honda", was a Japanese film director. He is best known for his kaiju and tokusatsu films, including several entries in the Godzilla series, but also worked extensively in the documentary and war genres earlier in his career. Honda was also a lifelong friend and collaborator of Akira Kurosawa, and worked with Kurosawa extensively during the 1980s and 1990s."

Ishirō Honda