AA Morris Presents: The Proper Gander At Propaganda Podcast
image source: A Beast With Seven Heads • wikimedia
Podcast Episode 107: Catholicism & Freemasonry 1969 Style Part VIII
Apollo 11 and more.
One Eyed Masonic Idols: The Cyclops
"A cyclops (/ˈsaɪklɒps/ SY-klops; Ancient Greek: Κύκλωψ, Kyklōps; plural cyclopes /saɪˈkloʊpiːz/ sy-KLOH-peez; Ancient Greek: Κύκλωπες, Kyklōpes), in Greek mythology and later Roman mythology, is a member of a primordial race of giants, each with a single eye in the center of his forehead. The word "cyclops" literally means "round-eyed" or "circle-eyed". Hesiod described three one-eyed cyclopes who served as builders, blacksmiths, and craftsmen: Brontes, Steropes and Arges, the sons of Uranus and Gaia, brothers of the Titans. Homer described another group of mortal herdsmen or shepherd cyclopes, the sons of Poseidon. Other accounts were written by the playwright Euripides, poet Theocritus and Roman epic poet Virgil. In Hesiod's Theogony, Zeus releases three cyclopes from the dark pit of Tartarus. They provide Zeus' thunderbolt, Hades' helmet of darkness, and Poseidon's trident, and the gods use these weapons to defeat the Titans. In an episode of Homer's Odyssey, the hero Odysseus encounters the cyclops Polyphemus, the son of Poseidon and Thoosa, who lives with his fellow cyclopes in a distant country. The connection between the two groups has been debated in antiquity and by modern scholars. It is upon Homer's account that Euripides and Virgil based their accounts of the mythical creatures. Strabo describes another group of seven Lycian cyclopes, also known as "Bellyhands" because they earned from their handicraft. They had built the walls of Tiryns and perhaps the caverns and the labyrinths near Nauplia, which are called cyclopean."
The Golden Fleece: A Masonic Allegory
"In Greek mythology, the Golden Fleece (Greek: χρυσόμαλλον δέρας chrysómallon déras) is the fleece of the gold-haired[a] winged ram, which was held in Colchis. The fleece is a symbol of authority and kingship. It figures in the tale of the hero Jason and his crew of Argonauts, who set out on a quest for the fleece by order of King Pelias, in order to place Jason rightfully on the throne of Iolcus in Thessaly. Through the help of Medea, they acquire the Golden Fleece. The story is of great antiquity and was current in the time of Homer (eighth century BCE). It survives in various forms, among which the details vary."
"How Newton dated the Argonauts"
"The Chronology of Ancient Kingdoms Amended, published posthumously in 1728, blew up a storm of criticism on both sides of the Channel when it circulated in abbreviated form shortly before his death. Facing Newton come two winged cherubs, holding a scroll, which carries a depiction of the solar system and the terms of a converging series (Newton’s method for calculating the roots of functions). Rising behind Newton is a pyramid, at the top of which rests the weeping figure of Urania, muse of astronomy. Beneath her is a celestial globe, “on which”, as the Magazine explains, “several of the Constellations are drawn, in order to shew the path of the Comet in 1681, whose period he has with the greatest sagacity determin’d: And also the Position of the solstitial Colure mention’d by Hipparchus by which (in his Chronology) he has fixed the time of the Argonautic expedition”."
"Most of us have learned to associate Newton’s name with the mathematics of the calculus, the experimental scientific method, and the theory of gravitation. Knowledge of Newton’s chronology is less widespread."
"The calculation of colures was the method that Newton used to present one of the most astonishing claims of his Chronology, which was to date the expedition of the Argonauts to 937 BC and to conclude that this was just before the birth of Priam, future king of Troy. Newton’s need for precision about the location of particular stars in order to determine colures was one cause of his harrying the Astronomer Royal, John Flamsteed, for the completion of his celestial atlas. Newton’s preliminary findings intrigued Caroline, Princess of Wales, and interested numerous visitors to London in the decade or so before he died. Through one of those visitors, Leibniz’s friend the Abbé Conti, Newton’s ideas were broadcast more widely, especially in the Parisian Académie des Inscriptions et Belles Lettres. There they were first published, and first attacked in public, generating notoriety and suspicion that directly affected their subsequent reception in England and elsewhere. Newton died before he could fully rebut the criticisms that his work received and before he could see it properly into print. The celebration of the Chronology on his tomb was therefore something of a gesture of defiance during a controversy about both secular and biblical history that was, in 1731, still in full swing."
see also: https://www.amazon.com/You-Universe-N-J-Berrill/dp/0911336478 • see pages 512 and 513: Newton's Principia : the mathematical principles of ... - Internet Archive
Revelatory 666: The Mark of The Biblical Beast
"The Classical Greek word charagma (χάραγμα), translated as mark (of the beast) in Revelation 13:16 can also mean any mark engraved, imprinted, or branded; stamped money, document, or coin."
source: https://en.wikipedia.org/wiki/Number_of_the_Beast#Mark_of_the_Beast • https://en.wikipedia.org/wiki/Great_Seal_of_the_United_States • https://en.wikipedia.org/wiki/Seal_of_Solomon • https://en.wikipedia.org/wiki/Sheriff • https://en.wikipedia.org/wiki/Marshal
SIR ISAAC NEWTON: SUPERSTITIOUS ALCHEMIST & MINT WARDEN
"For the last half of Newton's adult life, 30 years, he was warden of the Royal Mint as well as Master of the Mint."
"Newton devoted much of his time to the study of chemistry, a great number of his experiments still remain in manuscript. His Tabula Quantilatum et Graduum Caloris contains a comparative scale of temperature from that of melting ice to that of a small kitchen fire. He wrote another chemical paper De Natura Acidorum. Sir Isaac spent much time in the study of the alchemists including Jacob Boehme. In an earlier part of his life, Newton and a relation Dr Newton of Grantham had put up furnaces and had wrought for several months in quest of the philosophers tincture. Sir Isaac also studied the manuscripts of Flamsteed's Explication of Hieroglyphic Figures and William Yworth's Processus Mysterii Magnii Magni Philosophicus. Scientists have discovered that before Isaac died he burned important papers in his fireplace and they think it might have been an important discovery he made while doing alchemy."
Revelatory 666: Crown Defined, Another Mark of The Beast
"crown (n.) early 12c., coroune, croune, "royal crown, ornament for the head as a symbol of sovereignty," from Anglo-French coroune, Old French corone (13c., Modern French couronne) and directly from Latin corona "crown," originally "wreath, garland," related to Greek korone "anything curved, a kind of crown," from suffixed form of PIE root *sker-(2) "to turn, bend." Old English used corona, directly from Latin. Figuratively, "regal power," from c. 1200. From late 14c. as "a crowning honor or distinction." From c. 1300 as "top part of the skull or head;" from 1670s as "top of a hat." From 1804 as "part of a tooth which appears above the gum." Extended late 14c. to "coin bearing the imprint of a crown or a crowned head," especially the British silver 5-shilling piece. Also the name of monetary units in Iceland, Sweden (krona), Norway, Denmark (krone), and formerly in German Empire and Austria-Hungary (krone). Crown of thorns was late Old English þornene crune"
Gold or Guild?
"guild (n.) also gild, early 13c., yilde (spelling later influenced by Old Norse gildi "guild, brotherhood"), a semantic fusion of Old English gegield "guild, brotherhood," and gield "service, offering; payment, tribute; compensation," from Proto-Germanic *geldjam"payment, contribution" (source also of Old Frisian geld "money," Old Saxon geld"payment, sacrifice, reward," Old High German gelt "payment, tribute;" see yield (v.)). The connecting sense is of a contribution or payment to join a protective or trade society. But some look to the alternative prehistoric sense of "sacrifice," as if in worship, and see the word as meaning a combination for religious purposes, either Christian or pagan. The Anglo-Saxon guilds had a strong religious component; they were burial societies that paid for Masses for the souls of deceased members as well as paying fines in cases of justified crime. Continental guilds of merchants, incorporated in each town or city and holding exclusive rights of doing business there, arrived after the Conquest. In many cases they became the governing body of a town (compare Guildhall, which came to be the London city hall). Trade guilds arose 14c., as craftsmen united to protect their common interest."
All That Glitters is Not Always...
"gold (n.) "precious metal noted for its color, luster, malleability, and freedom from rust or tarnish," Old English gold, from Proto-Germanic *ghultham "gold" (source also of Old Saxon, Old Frisian, Old High German gold, German Gold, Middle Dutch gout, Dutch goud, Old Norse gull, Danish guld, Gothic gulþ), from PIE root *ghel- (2) "to shine," with derivatives denoting gold (the "bright" metal). The root is the general Indo-European one for "gold," found in Germanic, Balto-Slavic (compare Old Church Slavonic zlato, Russian zoloto, "gold"), and Indo-Iranian. Finnish kulta is from German; Hungarian izlot is from Slavic. For Latin aurum see aureate. Greek khrysos probably is from Semitic."
Sir Francis Bacon: The Novum Organum
"The Novum Organum, fully Novum Organum Scientiarum ('new instrument of science'), is a philosophical work by Francis Bacon, written in Latin and published in 1620. The title is a reference to Aristotle's work Organon, which was his treatise on logic and syllogism. In Novum Organum, Bacon details a new system of logic he believes to be superior to the old ways of syllogism. This is now known as the Baconian method. For Bacon, finding the essence of a thing was a simple process of reduction, and the use of inductive reasoning. In finding the cause of a 'phenomenal nature' such as heat, one must list all of the situations where heat is found. Then another list should be drawn up, listing situations that are similar to those of the first list except for the lack of heat. A third table lists situations where heat can vary. The 'form nature', or cause, of heat must be that which is common to all instances in the first table, is lacking from all instances of the second table and varies by degree in instances of the third table. The title page of Novum Organum depicts a galleon passing between the mythical Pillars of Hercules that stand either side of the Strait of Gibraltar, marking the exit from the well-charted waters of the Mediterranean into the Atlantic Ocean. The Pillars, as the boundary of the Mediterranean, have been smashed through by Iberian sailors, opening a new world for exploration. Bacon hopes that empirical investigation will, similarly, smash the old scientific ideas and lead to greater understanding of the world and heavens. This title page was liberally copied from Andrés García de Céspedes's Regimiento de Navegación, published in 1606. The Latin tag across the bottom – Multi pertransibunt & augebitur scientia – is taken from the Old Testament (Daniel 12:4). It means: "Many will travel and knowledge will be increased"."
The Revelation of the Occult Meaning of the Word "Mystery":
"The two senses of mystery formed a common pun in (secular) Tudor theater."
"Mystery (n.2) "handicraft, trade, art" (archaic), late 14c., from Medieval Latin misterium, alteration of Latin ministerium "service, occupation, office, ministry" (see ministry), influenced in form by Medieval Latin mysterium (see mystery (n.1)) and in sense by maistrie"mastery." Now only in mystery play, in reference to the medieval performances, which often were staged by members of craft guilds. The two senses of mystery formed a common pun in (secular) Tudor theater."
"Mystery (n.1) early 14c., in a theological sense, "religious truth via divine revelation, hidden spiritual significance, mystical truth," from Anglo-French *misterie, Old French mistere "secret, mystery, hidden meaning" (Modern French mystère), from Latin mysterium "secret rite, secret worship; a secret thing," from Greek mysterion (usually in plural mysteria) "secret rite or doctrine," from mystes "one who has been initiated," from myein "to close, shut" (see mute (adj.)); perhaps referring to the lips (in secrecy) or to the eyes (only initiates were allowed to see the sacred rites). The Greek word was used in Septuagint for "secret counsel of God," translated in Vulgate as sacramentum. Non-theological use in English, "a hidden or secret thing," is from late 14c. In reference to the ancient rites of Greece, Egypt, etc. it is attested from 1640s. Meaning "detective story" first recorded in English 1908.
"The Apollo program, also known as Project Apollo, was the third United States human spaceflight program carried out by the National Aeronautics and Space Administration (NASA), which accomplished landing the first humans on the Moon from 1969 to 1972. During the Apollo 11 mission, astronauts Neil Armstrong and Buzz Aldrin landed their Lunar Module (LM) and walked on the lunar surface, while Michael Collins remained in lunar orbitin the Command/Service Module (CSM), and all three landed safely on Earth on July 24, 1969. Five subsequent Apollo missions also landed astronauts on the Moon, the last in December 1972. In these six spaceflights, twelve men walked on the Moon."
Pythagorean Masonic Silence is "Golden"
"In addition to silence as a moral discipline, there is evidence that secrecy was kept about certain of the teachings of Pythagoras."
"The acusmata indicate that the Pythagorean way of life embodied a strict regimen not just regarding religious ritual and diet but also in almost every aspect of life. Some of the restrictions appear to be largely arbitrary taboos, e.g., “one must put the right shoe on first” or “one must not travel the public roads” (Iamblichus, VP 83, probably from Aristotle). On the other hand, some aspects of the Pythagorean life involved a moral discipline that was greatly admired, even by outsiders. Pythagorean silence is an important example. Isocrates reports that even in the fourth century people “marvel more at the silence of those who profess to be his pupils than at those who have the greatest reputation for speaking” (Busiris 28). The ability to remain silent was seen as important training in self-control, and the later tradition reports that those who wanted to become Pythagoreans had to observe a five-year silence (Iamblichus, VP 72). Isocrates is contrasting the marvelous self-control of Pythagorean silence with the emphasis on public speaking in traditional Greek education. Pythagoreans also displayed great loyalty to their friends as can be seen in Aristoxenus' story of Damon who is willing to stand surety for his friend Phintias, who has been sentenced to death (Iamblichus, VP 233 ff.). In addition to silence as a moral discipline, there is evidence that secrecy was kept about certain of the teachings of Pythagoras. Aristoxenus reports that the Pythagoreans thought that “not all things were to be spoken to all people” (Diogenes Laertius, VIII. 15), but this may only apply to teaching and mean that children should not be taught all things (Zhmud 2012a, 155). Clearer evidence is found in Dicaearchus' complaint that it is not easy to say what Pythagoras taught his pupils because they observed no ordinary silence about it (Porphyry, VP 19). Indeed, one would expect that an exclusive society such as that of the Pythagoreans would have secret doctrines and symbols. Aristotle says that the Pythagoreans “guarded among their very secret doctrines that one type of rational being is divine, one human, and one such as Pythagoras” (Iamblichus, VP 31). That there should be secret teachings about the special nature and authority of the master is not surprising. This does not mean, however, that all Pythagorean philosophy was secret. Aristotle discusses the fifth-century metaphysical system of Philolaus in some detail with no hint that there was anything secret about it, and Plato's discussion of Pythagorean harmonic theory in Book VII of the Republic gives no suggestion of any secrecy. Aristotle singles out the acusma quoted above (Iamblichus, VP 31) as secret, but this statement in itself implies that others were not. The idea that all of Pythagoras' teachings were secret was used in the later tradition to explain the lack of Pythagorean writings and to try to validate forged documents as recently discovered secret treatises. For a sceptical evaluation of Pythagorean secrecy see Zhmud 2012a, 150-158."
The Ray of Creation
"The Ray of Creation is an esoteric cosmology which was taught by G. I. Gurdjieff. It is a diagram which better represents the place which Earth occupies in the Universe. The diagram has eight levels, each corresponding to Gurdjieff's Law of Octaves (see In Search of the Miraculous, chapter 7)."
"Gurdjieff's classification of Higher Bodies can be better represented on this scale. Physical body has the properties of the "Earth" level (that is, it has a density of 48 and it is subject to 48 laws). In comparison, a higher plane body would have a lighter density and it would be subject to a lesser number of laws (the amount varies on the level that the body falls under)."
image and quote source: https://en.wikipedia.org/wiki/Ray_of_Creation
Mystery Plays Defined:
"Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgement. Often they were performed together in cycles which could last for days. The name derives from mystery used in its sense of miracle, but an occasionally quoted derivation is from ministerium, meaning craft, and so the 'mysteries' or plays performed by the craft guilds. As early as the fifth century living tableaux were introduced into sacred services. The plays originated as simple tropes, verbal embellishments of liturgical texts, and slowly became more elaborate. At an early period chants from the service of the day were added to the prose dialogue. As these liturgical dramas increased in popularity, vernacular forms emerged, as travelling companies of actors and theatrical productions organized by local communities became more common in the later Middle Ages. The Quem quaeritis? is the best known early form of the dramas, a dramatised liturgical dialogue between the angel at the tomb of Christ and the women who are seeking his body. These primitive forms were later elaborated with dialogue and dramatic action. Eventually the dramas moved from church to the exterior - the churchyard and the public marketplace. These early performances were given in Latin, and were preceded by a vernacular prologue spoken by a herald who gave a synopsis of the events. The writers and directors of the earliest plays, were probably monks. Religious drama flourished from about the ninth century to the sixteenth. In 1210, suspicious of the growing popularity of miracle plays, Pope Innocent III issued a papal edict forbidding clergy from acting on a public stage. This had the effect of transferring the organization of the dramas to town guilds, after which several changes followed. Vernacular texts replaced Latin, and non-Biblical passages were added along with comic scenes, for example in the Secunda Pastorum of the Wakefield Cycle. Acting and characterization became more elaborate."
"A mnemonic (/nəˈmɒnɪk/, the first "m" is silent) device, or memory device, is any learning technique that aids information retention or retrieval (remembering) in the human memory. Mnemonics make use of elaborative encoding, retrieval cues, and imagery as specific tools to encode any given information in a way that allows for efficient storage and retrieval. Mnemonics aid original information in becoming associated with something more accessible or meaningful—which, in turn, provides better retention of the information. Commonly encountered mnemonics are often used for lists and in auditory form, such as short poems, acronyms, or memorable phrases, but mnemonics can also be used for other types of information and in visual or kinesthetic forms. Their use is based on the observation that the human mind more easily remembers spatial, personal, surprising, physical, sexual, humorous, or otherwise "relatable" information, rather than more abstract or impersonal forms of information."
Sir Arthur C. Clarke Meets Sir Isaac Newton's Imagination
"The 1945 Proposal by Arthur C. Clarke for Geostationary Satellite Communications"
"Sir Arthur C. Clarke's most famous prediction on the future is his proposal of geostationary satellite communications published in the Wireless World magazine in 1945. Not considered seriously at the time it became a reality within 20 years with the launching on 1965 April 6th of Intelsat I Early Bird the first commercial geostationary communication satellite."
BBC Television received in New York - November 1938 : Alexandra ...
"The four-minute compilation from 1938 exists only because of a technological fluke and the enthusiasm of two television buffs, one in Britain and the other in America where, thanks to freak atmospheric conditions, it was picked up and recorded on a cine camera placed in front of a television screen as the images came in. Andrew Emmerson, the British enthusiast, spent five years tracking down the recording and believes it is the only surviving example of pre-war live high-definition British television. The flickering black-and-white footage includes Jasmine Bligh, one of the original BBC announcers, and a brief shot of Elizabeth Cowell, who also shared announcing duties with Jasmine, an excerpt from an unknown period costume drama and the BBC's station identity transmitted at the beginning and end of the day's output. It was made at a time when no technology existed to record live broadcasts directly. Video tape was not perfected until the late 1950s and "telerecording", the quality copying with a cine camera mounted in front of a television screen was not developed until after the Second World War. There are other recordings from the pre-war era, but they are all cine film shot from a camera alongside the television lens, or as in the case of the Demonstration Films, recreated scenes in a shot in a film studio. The American recording was shown on 26 June 1999 at the refurbished National Museum of Photography, Film and Television in Bradford. Mr Emmerson, 50, a freelance researcher and writer on the television industry, said: "Rumours of a recording existing in America have circulated for years, but no one had ever got to the bottom of them. It was known that about this time there had been tremendous sun spot activity, which had a dramatic effect on the ionosphere. Broadcasts from the BBC Television Station at Alexandra Palace travelled less than 30 miles, but because of the sun spots they were being bounced off the ionosphere and picked up 3,000 miles away on the East Coast of America." "There were reports that RCA, which was working on its own television system, had conducted an experiment to film the broadcasts. About five years ago I decided to check it out, but with no success. RCA could not trace anything, nor could anyone else. Then last year a friend at the American Vintage Wireless Collectors' Society agreed to mention it in their magazine." One of the respondents was Maurice Schecheter, who worked in a New York television studio. He had a collection of television material and among it was one of the RCA recordings on 16mm film. "He cleaned it up digitally and transferred it to a video cassette for me," Mr Emmerson said. "I was astounded. This was the oldest and probably the only example of live high-definition television from the pre-war period."
"This film footage is from the Archive Collection held and administered by the Alexandra Palace Television Society. "
Alexandra Palace Television Society home page
No Satellites Necessary: The BBC, Skywaves & Electrical Atmosphere
"In radio communication, skywave or skip refers to the propagation of radio waves reflected or refracted back toward Earth from the ionosphere, an electrically charged layer of the upper atmosphere. Since it is not limited by the curvature of the Earth, skywave propagation can be used to communicate beyond the horizon, at intercontinental distances. It is mostly used in the shortwave frequency bands. As a result of skywave propagation, a signal from a distant AM broadcasting station, a shortwave station, or—during sporadic E propagation conditions (principally during the summer months in both hemispheres) a distant VHF FM or TV station can sometimes be received as clearly as local stations. Most long-distance shortwave (high frequency) radio communication—between 3 and 30 MHz—is a result of skywave propagation. Since the early 1920s amateur radio operators (or "hams"), limited to lower transmitter power than broadcast stations, have taken advantage of skywave for long distance (or "DX") communication."
"Amateur radio operators are credited with the discovery of skywave propagation on the shortwave bands. Early long-distance services used surface wave propagation at very low frequencies, which are attenuated along the path. Longer distances and higher frequencies using this method meant more signal attenuation. This, and the difficulties of generating and detecting higher frequencies, made discovery of shortwave propagation difficult for commercial services. Radio amateurs conducted the first successful transatlantic tests in December 1921, operating in the 200 meter mediumwave band (1500 kHz)—the shortest wavelength then available to amateurs. In 1922 hundreds of North American amateurs were heard in Europe at 200 meters and at least 30 North American amateurs heard amateur signals from Europe. The first two-way communications between North American and Hawaiian amateurs began in 1922 at 200 meters. Although operation on wavelengths shorter than 200 meters was technically illegal (but tolerated as the authorities mistakenly believed at first that such frequencies were useless for commercial or military use), amateurs began to experiment with those wavelengths using newly available vacuum tubes shortly after World War I."
"Extreme interference at the upper edge of the 150-200 meter band—the official wavelengths allocated to amateurs by the Second National Radio Conference in 1923—forced amateurs to shift to shorter and shorter wavelengths; however, amateurs were limited by regulation to wavelengths longer than 150 meters (2 MHz). A few fortunate amateurs who obtained special permission for experimental communications below 150 meters completed hundreds of long distance two way contacts on 100 meters (3 MHz) in 1923 including the first transatlantic two way contacts in November 1923, on 110 meters (2.72 MHz) By 1924 many additional specially licensed amateurs were routinely making transoceanic contacts at distances of 6000 miles (~9600 km) and more. On 21 September several amateurs in California completed two way contacts with an amateur in New Zealand. On 19 October amateurs in New Zealand and England completed a 90-minute two-way contact nearly halfway around the world. On October 10, the Third National Radio Conference made three shortwave bands available to U.S. amateurs at 80 meters (3.75 MHz), 40 meters (7 MHz) and 20 meters (14 MHz). These were allocated worldwide, while the 10-meter band (28 MHz) was created by the Washington International Radiotelegraph Conference on 25 November 1927. The 15-meter band(21 MHz) was opened to amateurs in the United States on 1 May 1952."
The Apocalypse of The Beast of Seven Heads: The Seven Planets
The Seven Planet Musical Stairway leads to the Celestial Sphere of Fixed Stars and then to the throne of Apollo the Lord of Art itself who is depicted as ruling the Cosmos.
The Earth, the World itself, is depicted as the motionless foundation from which this stairway (a form of Jacob's Ladder) springs.
image source: https://commons.wikimedia.org/wiki/File:Chakras_map.svg
"corona (n.) 1650s, "a crown," from Latin corona "a crown, a garland," in ancient Rome especially "a crown or garland bestowed for distinguished military service," from suffixed form of PIE root *sker- (2) "to turn, bend." With many extended senses in botany, anatomy, etc. The two "crown" constellations, Corona Borealis (according to fable, the crown of Ariadne) and Corona Australis, are both Ptolemaic. Astronomical sense of "luminous circle observed around the sun during total eclipses" is from 1809. As a brand of Cuban cigar, 1876. The brand of Mexican pale lager beer dates from 1925."
"halo (n.) 1560s, "ring of light around the sun or moon," from Latin halo (nominative halos), from Greek halos "disk of the sun or moon; ring of light around the sun or moon" (also "disk of a shield"); ""threshing floor; garden," of unknown origin. The sense "threshing floor" (on which oxen trod out a circular path) probably is the original in Greek. The development to "disk" and then to "halo" would be via roundness. Sense of "light around the head of a holy person or deity" first recorded 1640s. As a verb from 1791 (implied in Haloed)."
Moon Key + Monkey = Mirror Man Key
The Stairway To Heaven: The Rainbow Bridge To Asgard
"In Norse mythology, Bifröst (/ˈbɪvrɒst/ or sometimes Bilröst or Bivrost) is a burning rainbow bridge that reaches between Midgard (Earth) and Asgard, the realm of the gods. The bridge is attested as Bilröst in the Poetic Edda; compiled in the 13th century from earlier traditional sources, and as Bifröst in the Prose Edda; written in the 13th century by Snorri Sturluson, and in the poetry of skalds. Both the Poetic Edda and the Prose Eddaalternately refer to the bridge as Ásbrú (Old Norse "Æsir's bridge"). According to the Prose Edda, the bridge ends in heaven at Himinbjörg, the residence of the god Heimdallr, who guards it from the jötnar. The bridge's destruction during Ragnarök by the forces of Muspell is foretold. Scholars have proposed that the bridge may have originally represented the Milky Way and have noted parallels between the bridge and another bridge in Norse mythology, Gjallarbrú."
Seven Chakras or Circles of Power
"Kundalini (Sanskrit: कुण्डलिनी kuṇḍalinī, pronunciation (help·info), "coiled one"), in Hinduism refers to a form of primal energy (or shakti) said to be located at the base of the spine. American comparative religions scholar Joseph Campbell describes the concept of Kundalini as "the figure of a coiled female serpent—a serpent goddess not of "gross" but "subtle" substance—which is to be thought of as residing in a torpid, slumbering state in a subtle center, the first of the seven, near the base of the spine: the aim of the yoga then being to rouse this serpent, lift her head, and bring her up a subtle nerve or channel of the spine to the so-called "thousand-petaled lotus" (Sahasrara) at the crown of the head...She, rising from the lowest to the highest lotus center will pass through and wake the five between, and with each waking, the psychology and personality of the practitioner will be altogether and fundamentally transformed."
"Numerous accounts describe the experience of Kundalini awakening. When awakened, Kundalini is said to rise up from the muladhara chakra, through the central nadi (called sushumna) inside or alongside the spine reaching the top of the head. The progress of Kundalini through the different chakras leads to different levels of awakening and a mystical experience, until Kundalini finally reaches the top of the head, Sahasrara or crown chakra, producing an extremely profound transformation of consciousness.:5–6 Energy is said to accumulate in the muladhara, and the yogi seeks to send it up to the brain transforming it into 'Ojas', the highest form of energy.""
Chakra: Wheels of Fire
"The seven Chakras are arranged along the spinal cord, from bottom to top: 1. Muladhara 2. Svadhisthana 3. Nabhi-Manipura 4. Anahata 5. Vishuddhi 6. Ajna 7. Sahasrara."
"The term Chakra appears to first emerge within the Vedas, the most authoritative Hindu text, though not precisely in the sense of psychic energy centers, rather as chakravartin or the king who "turns the wheel of his empire" in all directions from a center, representing his influence and power. The iconography popular in representing the Chakras, states White, trace back to the five symbols of yajna, the Vedic fire altar: "square, circle, triangle, half moon and dumpling"."
"The Seven Churches of Revelation, also known as the Seven Churches of the Apocalypse and the Seven Churches of Asia, are seven major churches of Early Christianity, as mentioned in the New Testament Book of Revelation."
Asia is The Land of The Sunrise
"Asia c. 1300, from Latin Asia, from Greek Asia, speculated to be from Akkadian asu "to go out, to rise," in reference to the sun, thus "the land of the sunrise." Used by the early Greeks of what later was known as Asia Minor; by Pliny of the whole continent."
Macro & Micro Cosmos Are As One
"Macrocosm and microcosm refers to a vision of cosmos where the part (microcosm) reflects the whole (macrocosm) and vice versa. It is a feature "present in all esoteric schools of thinking", according to scholar Pierre A. Riffard. It is closely associated with Hermeticism and underlies practices such as astrology, alchemy and sacred geometry with its premise of "As Above, So Below". Today, the concept of microcosm has been dominated by sociology to mean a small group of individuals whose behavior is typical of a larger social body encompassing it. A microcosm can be seen as a special kind of epitome. Conversely, a macrocosm is a social body made of smaller compounds. In physics, scale invariance describes the same phenomenon, although the universe as a whole is not physically scale invariant according to the modern understanding. However, scale invariance does appear in some physical systems, such as electrical breakdown. This theory was initiated by Pythagoras who saw the cosmos and the body as a harmonious unity. He expressed this connection with his concept of microcosm and macrocosm."
Seven: The Number of Notes In An Octave
"The most important musical scales are typically written using eight notes, and the interval between the first and last notes is an octave. For example, the C major scale is typically written C D E F G A B C, the initial and final Cs being an octave apart."
source: Octave - Wikipedia
The Ray of Creation & The Law of Octaves
"The Ray of Creation is an esoteric cosmology which was taught by G. I. Gurdjieff. It is a diagram which better represents the place which Earth occupies in the Universe. The diagram has eight levels, each corresponding to Gurdjieff's Law of Octaves (see In Search of the Miraculous, chapter 7)."
"The first level is "The Absolute", followed by "All Worlds", "All Suns", "Sun", "All Planets", "Earth", "Moon", and "The Absolute": The heaviest/last level - "The Absolute". Earth's satellite - "The Moon". Our planet - "Earth". All of the planets in the solar system to which Earth belongs to - "All Planets". The planets belong to the "Sun" or the solar system. The Sun belongs to the Milky Way galaxy or the "All Suns" combined. All galaxies put together belong to "All Worlds". All Worlds form a final whole called "The Absolute". This lineage indicates and compares the construction of all of the levels, matters, and laws of the Universe, placing them in scale with one another."
"It was taught that in "The Absolute" the three holy forces form a whole, and thereby there is only one law (force) in the Absolute (which is the Will of the Absolute). The three forces of this law converge to form "All Worlds", whose level, now, being a part of the whole now has three laws. This level also having three forces, acts in creating "All Suns" in a similar process, and thereby "All Suns" has six laws (three new ones and three of the All Worlds level). Similarly, "Sun" has 12 laws, "All Planets" 24 laws, "Earth" 48 laws, "Moon" 96 laws, and "The Absolute" 192 laws. Each level after the Absolute has a bigger number of laws which govern it. Therefore, the further the level is away from the Absolute, the more mechanical the living things in it are. By this comparison it is claimed that there are 48 laws governing the life of living beings on Earth, thereby also claiming that the life on Earth is quite mechanical. Note that "the three holy forces" above, have manifestations in the physical universe as we know it today, such as are studies by physicists, other scientists. That is, aspects of "The Ray of Creation" as taught by Gurdjieff, Ouspensky, and others, can be understood and described by modern science and scientists. Please also note that "The Absolute" mentioned here does not refer to God as it is normally understood or described by most humans."
"Similarly to the difference of laws on each level, the level (in this case 'density') of matter differs in the same way. "The Absolute" has a matter density of one, "All Worlds" has a density of 3 (one atom of "All Worlds" has a three times the density as one atom of "The Absolute"), "All Suns" 6, "Sun" 12, "All Planets" 24, "Earth" 48, "Moon" 96, "The Absolute" (which in this case represents dead matter) 192. This way everything in the universe according to this cosmology is classified as matter. (Note that even the matter of density 12 is too rarefied for contemporary science to classify it as matter.)"
"Gurdjieff's classification of Higher Bodies can be better represented on this scale. Physical body has the properties of the "Earth" level (that is, it has a density of 48 and it is subject to 48 laws). In comparison, a higher plane body would have a lighter density and it would be subject to a lesser number of laws (the amount varies on the level that the body falls under)."
Apollo: The Lord of Music, The Muses and the Arts
"Apollo (Attic, Ionic, and Homeric Greek: Ἀπόλλων, Apollōn (GEN Ἀπόλλωνος); Doric: Ἀπέλλων, Apellōn; Arcadocypriot: Ἀπείλων, Apeilōn; Aeolic: Ἄπλουν, Aploun; Latin: Apollō) is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu."
"Engraving from Renaissance Italy (Gafurius's Practica musice, 1496) showing Apollo, the Muses, the planetary spheres and musical modes."
The Guardian: "How Buzz Aldrin's communion on the moon was hushed up"
"Before Armstrong and Aldrin stepped out of the lunar module on July 20, 1969, Aldrin unstowed a small plastic container of wine and some bread. He had brought them to the moon from Webster Presbyterian church near Houston, where he was an elder. Aldrin had received permission from the Presbyterian church's general assembly to administer it to himself. In his book Magnificent Desolation he shares the message he then radioed to Nasa: "I would like to request a few moments of silence … and to invite each person listening in, wherever and whomever they may be, to pause for a moment and contemplate the events of the past few hours, and to give thanks in his or her own way. He then ate and drank the elements. The surreal ceremony is described in an article by Aldrin in a 1970 copy of Guideposts magazine: "I poured the wine into the chalice our church had given me. In the one-sixth gravity of the moon the wine curled slowly and gracefully up the side of the cup. It was interesting to think that the very first liquid ever poured on the moon, and the first food eaten there, were communion elements.""
"On July 20th, 1969 Aldrin followed Armstrong down the ladder to be the second man on the moon because he was farthest from the door of the Lunar Module "Eagle". Aldrin was a member of Montclair Lodge No. 144 of New Jersey EDSEL"
"Sponsored by the Masonic Stamp Club of New York, Inc. this FDC commemorates the dates of Brother Aldrin's three degrees and other Masonic memberships. Double cancels for July 20, 1969 and September 9, 1969."
"The second man to walk on the moon, Aldrin was the first Freemason to set foot upon the celestial globe."
"Initiated at Oak Park Lodge No. 864, Montgomery, Alabama, on February 17, 1955
Passed to Fellowcraft on April 12, 1955
Raised at Lawrence N. Greenleaf Lodge, No. 169 in Denver, Colorado, on February 21, 1956
York Rite Degrees, Waco Texas May, 1967
Member Arabia Shrine Temple, Houston"
"The Virtual Interface Environment Workstation (VIEW), 1990"
"Partnership with VPL Research, Inc. When virtual reality was still at the "ground floor" level, one of its basic components, 3D computer graphics was already in wide commercial use and expanding. By 1990,"virtual" exploration of artificial environments was being demonstrated routinely at NASA Ames and elsewhere. Since the mid-1980’s, Ames’ Aerospace Human Factors Research Division has been developing systems that permit human/computer interaction. The Virtual Interface Environment Workstation (VIEW) is a head-mounted stereoscopic display system in which the display may be an artificial computer-generated environment or a real environment relayed from remote video cameras. Operator can "step into" this environment and interact with it. The DataGlove has a series of fiber optic cables and sensors that detect any movement of the wearer's fingers and transmit the information to a host computer; a computer generated image of the hand will move exactly as the operator is moving his gloved hand. With appropriate software, the operator can use the glove to interact with the computer scene by grasping an object. The DataSuit is a sensor equipped full body garment that greatly increases the sphere of performance for virtual reality simulations by reporting to the computer the motions, bends, gestures and spatial orientation of the wearer. VPL created its own version, the eye display in NASA's helmet system, the EyePhone, a head-mounted stereo display. VPL has developed a line of software for virtual reality applications. The company offers a complete package, the RB2 Virtual Environment."
Origins: Orbital Resonance
"Musica universalis (literally universal music), also called Music of the spheres or Harmony of the Spheres, is an ancient philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of musica (the Medieval Latinterm for music). This "music" is not usually thought to be literally audible, but a harmonic, mathematical or religious concept. The idea continued to appeal to thinkers about music until the end of the Renaissance, influencing scholars of many kinds, including humanists. Further scientific exploration has determined specific proportions in some orbital motion, described as orbital resonance."
"The discovery of the precise relation between the pitch of the musical note and the length of the string that produces it is attributed to Pythagoras. The Music of the Spheres incorporates the metaphysical principle that mathematical relationships express qualities or "tones" of energy which manifest in numbers, visual angles, shapes and sounds – all connected within a pattern of proportion. Pythagoras first identified that the pitch of a musical note is in inverse proportion to the length of the string that produces it, and that intervals between harmonious sound frequencies form simple numerical ratios. In a theory known as the Harmony of the Spheres, Pythagoras proposed that the Sun, Moon and planets all emit their own unique hum based on their orbital revolution, and that the quality of life on Earth reflects the tenor of celestial sounds which are physically imperceptible to the human ear. Subsequently, Plato described astronomy and music as "twinned" studies of sensual recognition: astronomy for the eyes, music for the ears, and both requiring knowledge of numerical proportions. Aristotle criticised the notion that celestial bodies make a sound in moving in the context of his own cosmological model."
"The connection between music, mathematics, and astronomy had a profound impact on history. It resulted in music's inclusion in the Quadrivium, the medieval curriculum that included arithmetic, geometry, music, and astronomy, and along with the Trivium (grammar, logic,and rhetoric) made up the seven liberal arts, which are still the basis for higher education today. A small number of recent compositions either make reference to or are based on the concepts of Musica Universalis or Harmony of the Spheres. Among these are Music of the Spheres by Mike Oldfield, Om by the Moody Blues, The Earth Sings Mi Fa Mi album by The Receiving End of Sirens, Music of the Spheres by Ian Brown, and Björk's single Cosmogony, included in her 2011 album Biophilia. Earlier, in the 1910s, Danish composer Rued Langgaard composed a pioneering orchestral work titled Music of the Spheres. Music of the Spheres was also the title chosen for the musical foundation of the video-game Destiny Destiny,and was composed by Marty O'Donnell, Mike Salvarori and Paul McCartney."
quotes and art source: https://en.wikipedia.org/wiki/Musica_universalis
Real Science: Navigation of The World
"John Harrison (3 April [O.S. 24 March] 1693 – 24 March 1776) was a self-educated English carpenter and clockmaker who invented a marine chronometer, a long-sought-after device for solving the problem of calculating longitude while at sea. His solution revolutionized navigation and greatly increased the safety of long-distance sea travel. The problem he solved was considered so important following the Scilly naval disaster of 1707 that the British Parliament offered financial rewards of up to £20,000 (equivalent to £2.89 million today) under the 1714 Longitude Act. In 1730, Harrison presented his first design, and worked over many years on improved designs, making several advances in time-keeping technology, finally turning to what were called, sea watches. Harrison gained support from the Longitude Board in building and testing his designs. Toward the end of his life, he received recognition and a reward from Parliament. Harrison came 39th in the BBC's 2002 public poll of the 100 Greatest Britons."
The Seven Out of Order Is Apocalyptic & Bestial Chaos:
The inversion of the trivium and quadrivium lies at the foundation of modern civilization as we understand it.
"As an indication of exactly how good the Ptolemaic model is, modern planetariums are built using gears and motors that essentially reproduce the Ptolemaic model for the appearance of the sky as viewed from a stationary Earth. In the planetarium projector, motors and gears provide uniform motion of the heavenly bodies. One motor moves the planet projector around in a big circle, which in this case is the deferent, and another gear or motor takes the place of the epicycle."
The Apocalypse of The True Divine Comedy: The History of Outer Space Exploration
"Deus ex machina is a Latin calque from Greek ἀπὸ μηχανῆς θεός (apò mēkhanês theós), meaning 'god from the machine'. The term was coined from the conventions of Greek tragedy, where a machine is used to bring actors playing gods onto the stage. The machine could be either a crane (mechane) used to lower actors from above or a riser that brought actors up through a trapdoor. "
"Deus ex machina (Latin: [ˈdeʊs ɛks ˈmaː.kʰɪ.naː]: /ˈdeɪ.əs ɛks ˈmɑːkiːnə/ or /ˈdiːəs ɛks ˈmækɪnə/; plural: dei ex machina) is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and seemingly unlikely occurrence, typically so much as to seem contrived. Its function can be to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device." Deus ex machina is a Latin calque from Greek ἀπὸ μηχανῆς θεός (apò mēkhanês theós), meaning 'god from the machine'. The term was coined from the conventions of Greek tragedy, where a machine is used to bring actors playing gods onto the stage. The machine could be either a crane (mechane) used to lower actors from above or a riser that brought actors up through a trapdoor. Preparation to pick up the actors was done behind the skene. The idea was introduced by Aeschylus and was used often to resolve the conflict and conclude the drama. Although the device is associated mostly with Greek tragedy, it also appeared in comedies."
"In apocryphal works including the Acts of Peter, Pseudo-Clementines, and the Epistle of the Apostles, Simon also appears as a formidable sorcerer with the ability to levitate and fly at will. He is sometimes referred to as "the Bad Samaritan" due to his malevolent character. "
"Simon the Sorcerer, or Simon the Magician (Latin: Simon Magus, Greek Σίμων ὁ μάγος), is a religious figure whose confrontation with Peter is recorded in Acts 8:9–24. The act of simony, or paying for position and influence in the church, is named after Simon. According to Acts, Simon was a Samaritan magus or religious figure of the 1st century AD and a convert to Christianity, baptised by Philip the Evangelist. Simon later clashed with Peter. The Apostolic Constitutions also accuses him of "lawlessness" (antinomianism). According to Recognitions, Simon's parents were named Antonius and Rachel."
Deus Ex David Copperfield:
"David Copperfield has performed a levitation illusion in several magic shows since 1992 in which he appears to fly on stage for several minutes, while surrounded by audience members. The flight is notable for its graceful motion and unencumbered appearance. The illusion was included in Copperfield's CBS TV special The Magic of David Copperfield XIV: Flying—Live The Dream (1992), and has been repeated several times during Copperfield's live tours around the world. The method was created by John Gaughan. An essential contribution to make fluid movements was given by his assistant, dancer and choreographer Joanie Spina."
"During the trick, Copperfield flies acrobatically on the stage, performs a backflip in midair, and then has spinning hoops passed around him, supposedly to prove that he is not suspended by wires. He then floats down into an acrylic glass box which has previously been examined by two audience members, and continues to float inside after the box is covered. An assistant walks over the top of the box, and Copperfield walks upside down moving his feet under the assistant's feet. He then selects a female volunteer from his audience and flies with her in a fashion similar to Superman carrying Lois Lane. The illusion sometimes ends with a falcon named Icarus grasping Copperfield by the wrist and flying off stage with him. A blue backcloth is used in the background, and the television version uses fake clouds hanging from the ceiling, taking advantage of a larger stage than is used in theatrical appearances. The performance is accompanied by an orchestration called "East of Eden Suite" by film composer Lee Holdridge, originally written as the theme music for a 1981 miniseries based on the novel East of Eden. Before performing, Copperfield often declares that it took him seven years to develop the performance, and shows a video describing for how long men had dreamed of flying, and how many people before him had tried unsuccessfully. Copperfield performed a much-shortened version of the illusion as the entrance in his sixteenth television special, The Magic of David Copperfield XV: Fires Of Passion, in 1993. The performance used a different background and music, in addition to burning spinning hoops."John Gaughan described how the trick works in US Patent #5,354,238. According to the patent, the performer is supported by two fan-shaped arrays of fine wires that remain invisible to the viewing audience. The wires are about ⁄4 mm thick, and support about 10 kg each; the arrays contain more than enough wires to support the performer's weight. The wire arrays are mounted at the hips, near the human center of mass, to a harness worn under the clothing. This creates a balance point facilitating a wide range of movements while suspended. The wires are attached to a complex computer-controlled rig above the stage that maintains the tension in each wire, and keeps each array of wires perpendicular to the audience's line of sight so that the wires never overlap one another, which might allow the audience to see them. During the later phases of the performance, two hoops are used simultaneously, which aids the deception as the hoops do not come into contact with the wires. Instead, each ring is brought flush to the wires before being twisted under Copperfield. In the glass box demonstration, the top of the box is threaded between the two sets of wires in a vertical position, before being rotated 90 degrees and lowered into place. The wires remain in place while the performer is in the glass box, passing through crevices between the lid and the sides. Since the box limits movement and he is only able to rotate on one axis, he stays side-on to the front of the audience while in the box. When flying with a volunteer, he holds her in front of him, and she does not come into contact with the set-up."
Outer Space is an imagine modern mythological concept and not a real place anyone could ever visit.
Website link: https://archive.org/details/newtonspmathema00newtrichhttps://en.wikipedia.org/wiki/Apollo_9 • https://en.wikipedia.org/wiki/Apollo_10 • https://en.wikipedia.org/wiki/Apollo_11 • https://en.wikipedia.org/wiki/Apollo_12
see also: (aamorris.net article link) There is No Evidence The Earth Spins Part One: Michelson Gale Make ...
There is no evidence that the Earth spins.
The Michelson Gale Pearson experiment is circularly reasoned and the mathematical equation from this experiment proves this. This is propaganda and not science.
Please note that the different interferometer light paths are not compared at all.
All one needs to do is plug in the value for their location in terms of latitude and then construct the appropriate interferometer set up. One simply needs to use area and not light path length. Think about how dishonest this appears to be. Does this make any sense as anything but propaganda?
"where Δ is the displacement in fringes, A the area in square kilometers, ϕ the latitude (41° 46'), c the speed of light, ω the angular velocity of Earth, λ the effective wavelength used. In other words, this experiment was aimed to detect the Sagnac effect due to Earth's rotation."
Projectile Physics: http://www.physicsclassroom.com/class/vectors/Lesson-2/What-is-a-Projectile
""Our Friend the Atom" is a 1957 episode of the television series Disneyland describing the benefits of nuclear power and hosted by Heinz Haber. A book form, published in 1956, also exists."
Operation Nazi Disneyland
"After the end of the war Heinz Haber — as well as several other Germans involved in military research like Wernher von Braun — was targeted by the Operation Paperclip with the aim of denying scientific expertise and knowledge to the Soviet Union and bringing researchers and scientists to the United States; Ultimately this operation resulted in a considerable contribution to the development of NASA. Haber at first stayed in the American occupied zone of Germany and lectured at Heidelberg. However, in 1946, he emigrated to the United States and joined the USAF School of Aviation Medicine at Randolph Air Force Base. Together with fellow German Hubertus Strughold, he and his brother Dr. Fritz Haber (April 3, 1912 – August 21, 1998) made pioneering research into space medicine in the late 1940s. The brothers proposed parabolic flights for simulating weightlessness."
"In 1952, he became associate physicist at the University of California, Los Angeles; in the 1950s, Haber eventually became the chief scientific consultant to Walt Disney productions. He later co-hosted Disney’s Man in Space with von Braun. When the Eisenhower administration asked Disney to produce a show championing the civilian use of nuclear power, Heinz Haber was given the assignment. He hosted the Disney broadcast called Our Friend the Atom and wrote a popular children’s book with the same title, both of which explained nuclear fission and fusion in simple terms. General Dynamics, a manufacturer of nuclear reactors, sponsored Our Friend the Atom and the nuclear submarine ride at Disneyland’s Tomorrowland. In the 1960s and 1970s, he was well known in Germany as a popular science spokesperson and wrote magazine columns and numerous books and presented his own TV programs like Professor Haber experimentiert, Das Mathematische Kabinett, Unser blauer Planet, Stirbt unser blauer Planet?, Professor Haber berichtet, and WAS IST WAS mit Professor Haber. He was founding editor of the German science magazine Bild der Wissenschaft from 1964 to 1990. His memorable experiments included one where the onset of a nuclear chain reaction was simulated with hundreds of mousetraps, each one having been loaded with two ping pong balls."
Nazis & Disney Get Everyone Lost in Outer Space
""Man in Space" is an episode of the American television series Disneyland which originally aired on March 9, 1955. It was directed by Disney animator Ward Kimball. This Disneyland episode (set in Tomorrowland), was narrated partly by Kimball and also by such scientists Willy Ley, Heinz Haber, and Wernher von Braun; as well as Dick Tufeld of Lost in Space fame. The show talks briefly about the lighthearted history of rockets and is followed by discussions of satellites, a practical look (through humorous animation) at what humans in space will have to face in a rocket (both physically and psychologically, such as momentum, weightlessness, radiation, even space sickness) and a rocket takeoff into space. The next episodes in this series were "Man and the Moon" and "Mars and Beyond," airing in seasons 2 and 4, respectively."
""Man and the Moon" is an episode of Disneyland which originally aired on December 28, 1955. It was directed by Disney animator Ward Kimball. It begins with a humorous look with a man's fascination with the Moon through animation. This segment features characteristics of the Moon depicted from William Shakespeare and children's nursery rhymes to lunar superstitions and scientific research. Then Kimball comes on with some information on the Moon, supplemented by graphics. Kimball then introduces Dr. Wernher von Braun, who discusses plans for a trip around the Moon. Dr. Wernher von Braun was employed as a technical consultant on this film by Walt Disney, and on a number of other Disney films. He had a great knowledge of rockets, as he had helped to develop the V-2 rocket while working for Nazi Germany."
"Finally, a live action simulation from inside and outside the manned Lunar Recon Ship RM-1 dramatizes what such an expedition might be like, including an almost-disastrous hit by a very small meteor. Towards the end, this film presents what seems to be a bit of 'sci-fi'; as the RM-1, crossing the Moon's night side, approaches the night/day terminator, high radiation is suddenly detected, and a flare fired over the area reveals what looks like a rectangular double wall, or the ruins thereof, extending out from a crater; strangely, none of the crew remark on it, and the unusual radiation is never mentioned again. This episode later reaired in 1959 under a new title: Tomorrow the Moon. This episode was preceded by "Man in Space" and followed by "Mars and Beyond.""
Real wisdom appears to be scattered.
Superman is fantasy.
Nobody has all the answers and there is no single guidebook that explains existence. In my opinion humanity is not omniscient nor omnipotent as its own "scientific" marketing mythological advertising claims. Metaphysical musings backed by Royal Society inspired, peer reviewed, mathematically fallacious equations that model fantasy is no substitute for actual demonstrable natural principle, IE a real demonstrable experiment that can be reproduced over and over. No one source seems to have it completely correct and no single source appears to necessarily have it completely wrong. Apparently the truth is something each individual must find on their own after considering information from a myriad of sources and only after panning sleep inducing sand from inspiring proverbial gold.
Origins of NASA: Outer Space Evolves
Woman In The Moon (1929)
"As part of the film’s publicity, Oberth and his teenage assistant, Werner von Braun, intended to launch an actual rocket to coincide with the film’s Ufa Palace premiere. Though this launch never came to fruition, the two men had long careers in international rocketry: they both went on to become part of Hitler’s V-2 rocket program. When the German military began to develop its program in earnest, the military police confiscated Lang’s scale models, diagrams, and even film prints, treating them all as secrets of the state. (Lang had previously donated all of these elements to the Verein fur Raumschiffarht Rocket Society.) Oberth also went on to technically advise the United States’ first real cinematic prediction of a lunar landing, Destination Moon (1950), which predicted the use of a nuclear-powered rocket."
"Historically, film scholars and military officials alike praised Woman in the Moon for its startling accuracy of vision. Lang consulted closely with Germany’s leading rocketry expert, Hermann Oberth, and together they visually replicated the rocket described in Oberth’s influential book, Rocket into Interplanetary Space. 40 years prior to the United States’ Apollo 11 lunar landing, Lang’s and Oberth’s predictions as to what such an expedition would require hold amazing scientific legitimacy, lending technical and therefore psychological weight to the film’s lengthy proceedings. Their rocket correctly requires a significant escape velocity in order to free itself from the Earth’s orbit, so the film envisions a multiple-stage booster system with a fin stabilisation design for the rocket’s base. Liquid fuel propels the rocket, which once in space gives us cinema’s first depiction of a crew floating in zero gravity. Before the launch, a media frenzy descends upon the area – Lang correctly imagines the first attempted lunar landing as a worldwide attraction. And when the rocket lands on the moon, the crew encounters lower gravity as they venture out onto the surface."
"Hermann Julius Oberth (German: [ˈhɛrman ˈju:lɪʊs ˈo:bɐt]; 25 June 1894 – 28 December 1989) was an Austro-Hungarian-born German physicistand engineer. He is considered one of the founding fathers of rocketry and astronautics, along with the French Robert Esnault-Pelterie, the Russian Konstantin Tsiolkovsky and the American Robert Goddard."
"In parts of 1928 and 1929, Oberth also worked in Berlin, Germany as a scientific consultant on the film, Frau im Mond ("The Woman in the Moon"), which was directed and produced by the great film pioneer Fritz Lang at the Universum Film AG company. This film was of enormous value in popularizing the ideas of rocketry and space exploration. One of Oberth's main assignments was to build and launch a rocket as a publicity event just before the film's premiere. He also designed the model of the "Friede", the main rocket portrayed in the film."
The World is run as one corporate international banking enterprise:
The United States is A Corporation: America is Still a British Colony
"The king was making a commercial venture when he sent his subjects to America, and used his money and resources to do so. I think you would admit the king had a lawful right to receive gain and prosper from his venture. In the Virginia Charter he declares his sovereignty over the land and his subjects and in paragraph 9 he declares the amount of gold, silver and copper he is to receive if any is found by his subjects. There could have just as easily been none, or his subjects could have been killed by the Indians. This is why this was a valid right of the king (Jure Coronae, "In right of the crown," Black's forth Ed.), the king expended his resources with the risk of total loss. If you'll notice in paragraph 9 the king declares that all his heirs and successors were to also receive the same amount of gold, silver and copper that he claimed with this Charter. The gold that remained in the colonies was also the kings. He provided the remainder as a benefit for his subjects, which amounted to further use of his capital. You will see in this paper that not only is this valid, but it is still in effect today. If you will read the rest of the Virginia Charter you will see that the king declared the right and exercised the power to regulate every aspect of commerce in his new colony. A license had to be granted for travel connected with transfer of goods (commerce) right down to the furniture they sat on. A great deal of the king's declared property was ceded to America in the Treaty of 1783. I want you to stay focused on the money and the commerce which was not ceded to America. This brings us to the Declaration of Independence. Our freedom was declared because the king did not fulfill his end of the covenant between king and subject. The main complaint was taxation without representation, which was reaffirmed in the early 1606 Charter granted by the king. It was not a revolt over being subject to the king of England, most wanted the protection and benefits provided by the king. Because of the kings refusal to hear their demands and grant relief, separation from England became the lesser of two evils. The cry of freedom and self determination became the rallying cry for the colonist. The slogan "Don't Tread On Me" was the standard borne by the militias. The Revolutionary War was fought and concluded when Cornwallis surrendered to Washington at Yorktown. As Americans we have been taught that we defeated the king and won our freedom. The next document I will use is the Treaty of 1783, which will totally contradict our having won the Revolutionary War. (footnote 2). I want you to notice in the first paragraph that the king refers to himself as prince of the Holy Roman Empire and of the United States. You know from this that the United States did not negotiate this Treaty of peace in a position of strength and victory, but it is obvious that Benjamin Franklin, John Jay and John Adams negotiated a Treaty of further granted privileges from the king of England. Keep this in mind as you study these documents. You also need to understand the players of those that negotiated this Treaty. For the Americans it was Benjamin Franklin Esgr., a great patriot and standard bearer of freedom. Or was he? His title includes Esquire."
"Benjamin Franklin was the main negotiator for the terms of the Treaty, he spent most of the War traveling between England and France. The use of Esquire declared his and the others British subjection and loyalty to the crown. In the first article of the Treaty most of the kings claims to America are relinquished, except for his claim to continue receiving gold, silver and copper as gain for his business venture. Article 3 gives Americans the right to fish the waters around the United States and its rivers. In article 4 the United States agreed to pay all bona fide debts. If you will read my other papers on money you will understand that the financiers were working with the king. Why else would he protect their interest with this Treaty? I wonder if you have seen the main and obvious point? This Treaty was signed in 1783, the war was over in 1781. If the United States defeated England, how is the king granting rights to America, when we were now his equal in status? We supposedly defeated him in the Revolutionary War! So why would these supposed patriot Americans sign such a Treaty, when they knew that this would void any sovereignty gained by the Declaration of Independence and the Revolutionary War? If we had won the Revolutionary War, the king granting us our land would not be necessary, it would have been ours by his loss of the Revolutionary War. To not dictate the terms of a peace treaty in a position of strength after winning a war; means the war was never won. Think of other wars we have won, such as when we defeated Japan. Did McArther allow Japan to dictate to him the terms for surrender? No way! All these men did is gain status and privilege granted by the king and insure the subjection of future unaware generations. Worst of all, they sold out those that gave their lives and property for the chance to be free."
"When Cornwallis surrendered to Washington he surrendered the battle, not the war. Read the Article of Capitulation signed by Cornwallis at Yorktown (footnote 3) Jonathan Williams recorded in his book, Legions of Satan, 1781, that Cornwallis revealed to Washington during his surrender that "a holy war will now begin on America, and when it is ended America will be supposedly the citadel of freedom, but her millions will unknowingly be loyal subjects to the Crown."...."in less than two hundred years the whole nation will be working for divine world government. That government that they believe to be divine will be the British Empire."
"All the Treaty did was remove the United States as a liability and obligation of the king. He no longer had to ship material and money to support his subjects and colonies. At the same time he retained financial subjection through debt owed after the Treaty, which is still being created today; millions of dollars a day. And his heirs and successors are still reaping the benefit of the kings original venture. If you will read the following quote from Title 26, you will see just one situation where the king is still collecting a tax from those that receive a benefit from him, on property which is purchased with the money the king supplies, at almost the same percentage:"
The Treaty of Paris 1783:
"It having pleased the Divine Providence to dispose the Hearts of the most Serene and most Potent Prince George the Third, by the Grace of God, King of Great Britain, France, and Ireland, Defender of the Faith, Duke of Brunswick and Lunebourg, Arch- Treasurer and Prince Elector of the Holy Roman Empire etc.. and of the United States of America, to forget all past Misunderstandings and Differences that have unhappily interrupted the good Correspondence and Friendship which they mutually wish to restore; and to establish such a beneficial and satisfactory Intercourse between the two countries upon the ground of reciprocal Advantages and mutual..."
"In The book of Quintessence, a 15th-century English translation of a continental text, quintessence was used as a medicine for many of man's illnesses. A process given for the creation of quintessence is distillation of alcohol seven times. Over the years, the term quintessence has become synonymous with elixirs, medicinal alchemy, and the philosopher's stone itself."
"According to ancient and medieval science, aether (Greek: αἰθήρ aithēr), also spelled æther or ether and also called quintessence, is the material that fills the region of the universe above the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the traveling of light and gravity. In the late 19th century, physicists postulated that aether permeated all throughout space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment, and this result has been interpreted as meaning that no such luminiferous aether exists. In Plato's Timaeus (58d) speaking about air, Plato mentions that "there is the most translucent kind which is called by the name of aether (αίθηρ)". but otherwise he adopted the classical system of four elements. Aristotle, who had been Plato's student at the Akademia, agreed on this point with his former mentor, emphasizing additionally that fire sometimes has been mistaken for aether. However, in his Book On the Heavens he introduced a new "first" element to the system of the classical elements of Ionian philosophy. He noted that the four terrestrial classical elements were subject to change and naturally moved linearly. The first element however, located in the celestial regions and heavenly bodies, moved circularly and had none of the qualities the terrestrial classical elements had. It was neither hot nor cold, neither wet nor dry. With this addition the system of elements was extended to five and later commentators started referring to the new first one as the fifth and also called it aether, a word that Aristotle had not used. Aether did not follow Aristotelian physics either. Aether was also incapable of motion of quality or motion of quantity. Aether was only capable of local motion. Aether naturally moved in circles, and had no contrary, or unnatural, motion. Aristotle also noted that crystalline spheres made of aether held the celestial bodies. The idea of crystalline spheres and natural circular motion of aether led to Aristotle's explanation of the observed orbits of stars and planets in perfectly circular motion in crystalline aether. Medieval scholastic philosophers granted aether changes of density, in which the bodies of the planets were considered to be more dense than the medium which filled the rest of the universe. Robert Fludd stated that the aether was of the character that it was "subtler than light". Fludd cites the 3rd-century view of Plotinus, concerning the aether as penetrative and non-material. See also Arche."
"Quintessence is the Latinate name of the fifth element used by medieval alchemists for a medium similar or identical to that thought to make up the heavenly bodies. It was noted that there was very little presence of quintessence within the terrestrial sphere. Due to the low presence of quintessence, earth could be affected by what takes place within the heavenly bodies. This theory was developed in the 14th century text The testament of Lullius, attributed to Ramon Llull. The use of quintessence became popular within medieval alchemy. Quintessence stemmed from the medieval elemental system, which consisted of the four classical elements, and aether, or quintessence, in addition to two chemical elements representing metals: sulphur, "the stone which burns", which characterized the principle of combustibility, and mercury, which contained the idealized principle of metallic properties. This elemental system spread rapidly throughout all of Europe and became popular with alchemists, especially in medicinal alchemy. Medicinal alchemy then sought to isolate quintessence and incorporate it within medicine and elixirs. Due to quintessence's pure and heavenly quality, it was thought that through consumption one may rid oneself of any impurities or illnesses. In The book of Quintessence, a 15th-century English translation of a continental text, quintessence was used as a medicine for many of man's illnesses. A process given for the creation of quintessence is distillation of alcohol seven times. Over the years, the term quintessence has become synonymous with elixirs, medicinal alchemy, and the philosopher's stone itself." "
"In Greek mythology, Aether (/ˈiːθər/; Ancient Greek: Αἰθήρ Aither pronounced [aitʰɛ̌ːr]) was one of the primordial deities. Aether is the personification of the upper air. He embodies the pure upper air that the gods breathe, as opposed to the normal air (ἀήρ, aer) breathed by mortals. Like Tartarus and Erebus, Aether may have had shrines in ancient Greece, but he had no temples and is unlikely to have had a cult."
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